‘The Anxiety of Influence: A Theory of Poetry’ is a 1973 book by Harold Bloom, literary critic and Sterling Professor of humanities at Yale. It was the first in a series of books that advanced a new ‘revisionary’ or antithetical approach to literary criticism. Bloom’s central thesis is that poets are hindered in their creative process by the ambiguous relationship they necessarily maintain with precursor poets.
He argues that ‘the poet in a poet’ is inspired to write by reading another poet’s poetry and will tend to produce work that is in danger of being derivative of existing poetry, and, therefore, weak. Because poets historically emphasize an original poetic vision in order to guarantee their survival into posterity, the influence of precursor poets inspires a sense of anxiety in living poets. Thus Bloom attempts to work out the process by which the small minority of ‘strong’ poets manage to create original work in spite of the pressure of influence.
read more »
The Daily Omnivore 