A Manic Pixie Dream Girl (MPDG) is a stock character type in films. Film critic Nathan Rabin, who coined the term after observing Kirsten Dunst’s character in ‘Elizabethtown’ (2005), said that the MPDG ‘exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.’
The Manic Pixie Dream Girl, like some other stock characters such as the Magical Negro, seems to exist only to provide spiritual or mystical help to the protagonist. The MPDG has no discernible inner life. Instead, her central purpose is to provide the protagonist with important life lessons.
read more »
Manic Pixie Dream Girl
Bored Ape
Bored Ape Yacht Club (BAYC) is a non-fungible token (NFT) collection built on the Ethereum blockchain. The collection features profile pictures of cartoon apes that are procedurally generated by an algorithm.
The parent company of Bored Ape Yacht Club is Yuga Labs. The project launched in April 2021. Owners of a Bored Ape NFT are granted access to a private online club, exclusive in-person events, and intellectual property rights for the image.
read more »
Hyperpop
Hyperpop is a loosely-defined music movement and microgenre, characterized by a maximalist or exaggerated take on popular music. Artists tagged with the label typically integrate pop and avant-garde sensibilities, drawing on tropes from electronic, hip hop, and dance music.
The microgenre reflects an exaggerated, eclectic, and self-referential approach to pop music and typically employs elements such as brash synth melodies, Auto-Tuned ‘earworm’ vocals, and excessive compression and distortion, as well as surrealist or nostalgic references to 2000s Internet culture and the Web 2.0 era.
read more »
The High and the Mighty
‘The High and the Mighty‘ is a 1954 American aviation disaster film, directed by William A. Wellman, and written by Ernest K. Gann, who also wrote the 1953 novel on which his screenplay was based. John Wayne stars as a veteran airline first officer, Dan Roman, whose airliner has a catastrophic engine failure while crossing the Pacific Ocean.
The film was produced nearly two decades before ‘Airport’ and its sequels (along with the ‘Airplane!’ parodies, the first of which featured Robert Stack lampooning himself). The ‘High and the Mighty’ served as a template for later disaster-themed films such as the ‘Airport’ series (1970–79), ‘The Poseidon Adventure’ (1972), ‘The Towering Inferno’ (1974), ‘The Hindenburg’ (1975), and ‘Titanic’ (1997).
read more »
Green Knight
The Green Knight is a character from Arthurian literature. He is a formidable judge and tester of knights, and as such the other characters consider him as friendly but terrifying and somewhat mysterious.
In ‘Sir Gawain, the Green Knight,’ a 14th century alliterative poem by an anonymous poet, he is so called because his skin and clothes are green. The meaning of his greenness has puzzled scholars since the discovery of the poem, who identify him variously as the ‘Green Man,’ a vegetation being of medieval art; a recollection of a figure from Celtic mythology; a pagan Christian symbol — the personified Devil.
read more »
Avant-garde
The avant-garde (French: ‘advance guard’ or ‘vanguard’) are people or works that are experimental, radical, or unorthodox with respect to art, culture, or society. It is frequently characterized by aesthetic innovation and initial unacceptability.
The avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism. Many artists have aligned themselves with the avant-garde movement, and still continue to do so, tracing their history from Dada through the Situationists and to postmodern artists such as the Language poets of the 1980s.
read more »
CowParade
CowParade is an international public art exhibit where fiberglass sculptures of cows are decorated by local artists and distributed in public places. After the exhibition in a city, which may last many months, the statues are auctioned off and the proceeds donated to charity.
They often feature artwork and designs specific to local culture, as well as city life and other relevant themes. There are a few variations of shape, but the three most common shapes of cow were created by Pascal Knapp, a Swiss-born sculptor who was commissioned to create the cows specifically for the CowParade. He owns the copyrights to the standing, lying, and grazing cow shapes used.
read more »
Grand Poobah
Grand Poobah is a satirical term derived from the name of the haughty character Pooh-Bah in Gilbert and Sullivan’s ‘The Mikado’ (1885). In this comic opera, Pooh-Bah holds numerous exalted offices, including ‘First Lord of the Treasury, Lord Chief Justice, Commander-in-Chief, Lord High Admiral … Archbishop … Lord Mayor’ and ‘Lord High Everything Else.’
The name has come to be used as a mocking title for someone self-important or locally high-ranking and who either exhibits an inflated self-regard or who has limited authority while taking impressive titles. American writer William Safire wrote that ‘everyone assumes [the name] Pooh-Bah merely comes from [W. S. Gilbert] combining the two negative exclamations Pooh! plus Bah!, typical put-downs from a typical bureaucrat.’
read more »
The Diamond Age
‘The Diamond Age: Or, A Young Lady’s Illustrated Primer’ is a 1995 science fiction novel by American writer Neal Stephenson. It is to some extent a Bildungsroman or coming-of-age story, focused on a young girl named Nell, set in a future world in which nanotechnology affects all aspects of life. The novel deals with themes of education, social class, ethnicity, and the nature of artificial intelligence.
The book contains descriptions of various exotic technologies, such as the chevaline (a mechanical horse that can fold up and is light enough to be carried one-handed), and forecasts the use of technologies that are in development today, such as smart paper that can show personalized news headlines. Major cities have immune systems made up of aerostatic defensive micromachines, and public matter compilers provide basic food, blankets, and water for free to anyone who requests them.
read more »
The Factory
The Factory was Andy Warhol’s New York City studio, which had three locations between 1962 and 1984. The original Factory was on the fifth floor at 231 East 47th Street, in Midtown Manhattan. The rent was one hundred dollars per year. Warhol left in 1967 when the building was scheduled to be torn down to make way for an apartment building. He then relocated his studio to the sixth floor of the Decker Building at 33 Union Square West near the corner of East 16th Street, where he was shot in 1968 by Valerie Solanas.
The Factory was revamped and remained there until 1973. It moved to 860 Broadway at the north end of Union Square. Although this space was much larger, not much filmmaking took place there. In 1984, Warhol moved his remaining ventures, no longer including filming, to 22 East 33rd Street, a conventional office building. Many Warhol films, including those made at the Factory, were first (or later) shown at the New Andy Warhol Garrick Theatre or 55th Street Playhouse.
read more »
Ever Meulen
Ever Meulen [myoo-lin] (born Eddy Vermeulen in 1946) is a Belgian illustrator, cartoonist, caricaturist and comic strip artist. His pseudonym is based on his name E. Vermeulen.
Vermeulen studied graphic arts at the Sint-Lucas School of Architecture in Ghent and Brussels. He debuted in 1970, working for the magazine ‘Humo,’ where he drew both comics (‘Balthazar de Groene Steenvreter’ (‘Balthasar the Green Stone Eater’) and ‘Piet Peuk’ (‘Pete Stub’)), as well as cover illustrations, caricatures and illustrations to articles. When ‘Humo’ published books or CDs, Meulen often provided the cover illustration.
read more »
Funky Flashman
Funky Flashman is a fictional character, an entrepreneur in the DC Universe. Created by Jack Kirby, the character first appeared in the pages of ‘Mister Miracle’ during the early 1970s. He has no superhuman powers, but is very charismatic, charming, and a cunning businessman.
The character is popularly considered a satiric caricature of Stan Lee, Kirby’s former artistic collaborator at Marvel Comics with whom he had a falling-out, but this claim has no substantial evidence to back it up. Flashman’s attempts to rip off ‘Mister Miracle’ potentially reflect Kirby’s view that Lee exploited his work at Marvel in the 1960s.
read more »