“Storm Area 51, They Can’t Stop All of Us” event began as a satirical Facebook post by Matty Roberts in June 2019, which jokingly proposed raiding the classified military base in search of aliens and garnered over 2 million RSVPs. Roberts later stated his intentions for the event had been purely comedic, and disavowed responsibility for any casualties had there been any actual attempt to raid the military base.
On the day of the event, only about 150 people were reported to have shown up at the two entrances to Area 51, with none succeeding in entering the site. Two music festivals were planned to coincide with the event: Alienstock in Rachel, Nevada, and Storm Area 51 Basecamp in Hiko, Nevada. An estimated 1,500 people attended these festivals, according to state and local law enforcement. Air Force spokeswoman Grace Manock stated government officials were briefed on the event and discouraged people from attempting to enter military property. Nevada law enforcement also warned potential participants against trespassing.
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Storm Area 51
Deep Learning Super Sampling
Deep learning super sampling (DLSS) is a family of real-time deep learning image enhancement and upscaling technologies developed by Nvidia that are available in a number of video games. The goal of these technologies is to allow the majority of the graphics pipeline to run at a lower resolution for increased performance, and then infer a higher resolution image from this that approximates the same level of detail as if the image had been rendered at this higher resolution. This allows for higher graphical settings and/or frame rates for a given output resolution, depending on user preference.
All generations of DLSS are available on all RTX-branded cards from Nvidia in supported titles. However, the frame generation feature is only supported on 40 series GPUs or newer and multi-frame generation is only available on 50 series GPUs. Nvidia has also introduced Deep learning dynamic super resolution (DLDSR), a related and opposite technology where the graphics are rendered at a higher resolution, then downsampled to the native display resolution using an artificial intelligence-assisted downsampling algorithm to achieve higher image quality than rendering at native resolution.
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Outrage Industrial Complex
The Outrage Industrial Complex (OIC) is a combination of forces including media outlets, social media influencers, political fundraising messaging, and individuals in media, political leadership or advocacy that in the late 20th and early 21st centuries exploited differences of opinion and what was termed a culture of contempt drawn along political and social lines, increasing distrust of institutions and society, to advance their own desires for fame, wealth, higher office, or for geopolitical reasons.
The OIC creates and distributes outrage media, digital or print content specifically intended to provoke anger or outrage among its consumers to increase engagement. The complex includes media outlets, social media influencers, political fundraising messaging, and individuals in media, political leadership or advocacy who call out ‘outrages,’ hoping to generate what Richard Thompson Ford, writing for ‘The American Interest,’ calls a sense of ‘righteous indignation’ and rage borne of frustration in their readers or listeners, often for their own purposes of attracting advertisers or fame or to intentionally cause social disruption in a country or region.
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