Spy vs. Spy is a black and white comic strip that debuted in ‘Mad Magazine’ #60, in 1961, and was originally published by EC Comics. The strip always features two spies, who are completely identical save for the fact that one is dressed in white and the other black.
The pair are constantly warring with each other, using a variety of booby-traps to inflict harm on the other. The spies usually alternate between victory and defeat with each new strip. They were created by Antonio Prohías, a prolific cartoonist in Cuba known for political satire.
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Spy vs. Spy
Kinetic Sculpture Race
Kinetic sculpture races are organized contests of human-powered amphibious all-terrain works of art. The original event, the Kinetic Grand Championship in Humboldt County, California, is also called the ‘Triathlon of the Art World’ because art and engineering are combined with physical endurance during a three day cross country race that includes sand, mud, pavement, a bay crossing, a river crossing and major hills.
The concept of kinetic sculpture racing originated in Ferndale, California in 1969 when local sculptor Hobart Brown ‘improved’ the appearance of his son’s tricycle by welding on two additional wheels and other embellishments. Seeing this ‘Pentacycle,’ fellow artist Jack Mays challenged him to a race.
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Carts of Darkness
‘Carts of Darkness‘ is a 2008 National Film Board of Canada documentary film by Murray Siple about a group of homeless men in North Vancouver, who use shopping carts to collect bottles and cans to return for money and also race down the city’s steep slope for thrills. The subjects in the film control the carts using only their weight and one foot, during descents that cross intersections, with top speeds claimed to be as high as 70 km/h.
Siple, a former director of extreme sports videos and avid skateboarder and snowboarder, became a quadriplegic after a car accident in 1996. His first film after his accident, ‘Carts of Darkness’ allowed the filmmaker to regain the excitement he had experienced with extreme sports as well as relate to a fellow group of outsiders.
Modesty Blaise
Modesty Blaise is a British comic strip featuring a fictional character of the same name, created by Peter O’Donnell (writer) and Jim Holdaway (art) in 1963.
The strip follows the adventures of Modesty Blaise, an exceptional young woman with many talents and a criminal past, and her trusty sidekick Willie Garvin. It was adapted into films made in 1966, 1982, and 2003 and a series of 13 novels and short story collections, beginning in 1965.
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Millennium Series
The Millennium series (1954 – 2004) is a series of bestselling novels originally written in Swedish by the late Stieg Larsson. The primary characters in the series are Lisbeth Salander, an intelligent, eccentric woman in her twenties with a photographic memory and poor social skills, and Mikael Blomkvist, an investigative journalist and editor of a magazine called ‘Millennium.’ Blomkvist, the character, has a history similar to Larsson, the author.
There are three books in the series: ‘The Girl with the Dragon Tattoo,’ ‘The Girl Who Played with Fire,’ and ‘The Girl Who Kicked the Hornets’ Nest.’ When he died suddenly of a heart attack in 2004, Larsson left behind manuscripts of the completed but unpublished novels written as a series. He had written them for his own pleasure after returning home from his job in the evening, and had made no attempt to get them published until shortly before his death.
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Spit Curl
A spit curl is a spiral curl of hair pressed flat against the cheek, temple, or forehead, a style popular in the 1920s and made famous by actress Clara Bow and cartoon character Betty Boop.
The unglamorous name for spit curls suggests how they stayed locked on the head. Normally women would set small tendrils in the front of their hair with bobby pins, and then would position them by licking or wetting their fingers to produce the spit curls look.
Aquascaping
Aquascaping is the craft of arranging aquatic plants, as well as rocks, stones, cavework, or driftwood, in an aesthetically pleasing manner within an aquarium—in effect, gardening under water. Aquascape designs include a number of distinct styles, including the garden-like Dutch style and the Japanese-inspired nature style. Although the primary aim of aquascaping is to create an artful underwater landscape, the technical aspects of aquarium maintenance must also be taken into consideration.
Many factors must be balanced in the closed system to ensure the success of an aquascape, including filtration, maintaining carbon dioxide at levels sufficient to support photosynthesis underwater, substrate and fertilization, lighting, and algae control. Aquascape hobbyists trade plants, conduct contests, and share photographs and information via the internet.
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Gerd Arntz
Gerd Arntz (1900 – 1988) was a German Modernist artist – famous for his black and white woodcuts. A core member of the Cologne Progressives he was also a council communist. The Cologne Progressives participated in the revolutionary unions AAUD and its offshoot the AAUE in the 1920s, and in 1928 Arntz was contributing anti-parliamentary prints to its paper ‘Die Proletarische Revolution’ which called for workers to form and participate in worker’s councils. These political prints depicted the life of worker’s and the class struggle in abstracted figures in woodcuts.
In 1926 Otto Neurath sought his collaboration in designing pictograms for the ‘Vienna Method of Pictorial Statistics’ (‘Wiener Methode der Bildstatistik’; later renamed ‘Isotype’). From the beginning of 1929 Arntz worked at the Gesellschafts- und Wirtschaftsmuseum (Social and economic museum) directed by Neurath in Vienna. Eventually, Arntz designed around 4000 pictograms. After the brief civil war in Austria in 1934 he emigrated to the Netherlands, joining Neurath and Reidemeister in The Hague, where they continued their collaboration at the International Foundation for Visual Education.
Isotype
Isotype (International System of TYpographic Picture Education) is a method of showing social, technological, biological and historical connections in pictorial form.
It was first known as the Vienna Method of Pictorial Statistics, due to its having been developed at the Social and Economic Museum of Vienna (Gesellschafts- und Wirtschaftsmuseum in Wien) between 1925 and 1934. The founding director of the museum, Otto Neurath, was the initiator and chief theorist of the Vienna Method. The term Isotype was applied to the method around 1935, after its key practitioners were forced to leave Vienna by the rise of Austrian fascism.
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Op Art
Op art is a style of visual art that makes use of optical illusions. ‘Optical art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing.’ Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.
Op art is derived from the constructivist practices of the Bauhaus, a German design school, founded by Walter Gropius, which stressed the relationship of form and function within a framework of analysis and rationality. Students were taught to focus on the overall design, or entire composition, in order to present unified works. When the Bauhaus was forced to close in 1933, many of its instructors fled to the US where the movement took root in Chicago and eventually at the Black Mountain College in Asheville, North Carolina, where Anni and Josef Albers would come to teach.
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Jheri Curl
The Jheri [jer-ee] curl is a hairstyle that was common and popular in the African American community especially during the 1970s and 1980s. Invented by and named for Jheri Redding, the Jheri curl gave the wearer a glossy, loosely curled look. It was touted as a ‘wash and wear’ style that was easier to care for than the other popular chemical treatment of the day, the relaxer. A Jheri curl was a two-part application that consisted of a softener (often called a ‘rearranging cream’) to loosen the hair and a solution to set the curls. The rearranging cream used pungent chemicals, causing the naturally tight curls to loosen and hang. The loose hair was then set and a chemical solution was then added to the hair to permanently curl it.
Perming the hair was time and labor-intensive and expensive to maintain. The harsh mix of chemicals required for the process caused the wearer’s natural hair to become extremely brittle and dry. To maintain the look of the Jheri curl, users were required to apply a curl activator spray and heavy moisturizers daily and to sleep with a plastic cap on their heads to keep the hairstyle from drying out. The activator in particular had the undesirable side effect of being very greasy; this would often stain clothing and furniture. The hairstyle went out of fashion by the late 1980s and was replaced in part with the hi-top fade haircut.















