August 9, 2011
Moombahton is a genre of electronic dance music that was created by American dj/producer Dave Nada (aka Dave Villegas) at a high school homecoming ‘skipping party’ for his younger cousin in Washington, D.C., in the fall of 2009.
The specific event that stimulated NADA’s development of the Moombahton genre was his slowing the Afrojack remix of the Silvio Ecomo and DJ Chuckie song ‘Moombah’ to 108 beats per minute. Because that tempo nears that of the reggaeton, Nada created the neologism ‘Moombahton.’
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August 8, 2011
Hipster is a slang term that first appeared in the 1940s, was revived in the 1990s, and continued to be used in the 2000s and 2010s, to describe young, recently settled urban middle class adults and older teenagers with musical interests mainly in indie rock. Other interests in media would include independent film, magazines such as Vice and Clash, and websites like Pitchfork Media. In some contexts, hipsters are also called scenesters.
‘Hipster’ has been used in sometimes contradictory ways, making it difficult to precisely define ‘hipster culture,’ which has been described as a ‘mutating, trans-Atlantic melting pot of styles, tastes and behavior.’ Hipsterism fetishizes the authentic elements of all of the ‘fringe movements of the postwar era—beat, hippie, punk, even grunge,’ and draws on the ‘cultural stores of every unmelted ethnicity,’ and ‘regurgitates it with a winking inauthenticity.’ Others, like Arsel and Thompson, argue that hipster signifies a cultural mythology, a crystallization of a mass-mediated stereotype generated to understand, categorize, and marketize indie consumer culture, rather than an objectified group of people.
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August 3, 2011
The Electric Kool-Aid Acid Test is a work of literary journalism by Tom Wolfe, published in 1968. Using techniques from the genre of hysterical realism and pioneering new journalism, the ‘nonfiction novel’ tells the story of Ken Kesey and his band of Merry Pranksters.
The book follows the Pranksters across the country driving in a psychedelic painted school bus dubbed ‘Furthur,’ reaching what they considered to be personal and collective revelations through the use of LSD and other psychedelic drugs. The book also describes the Acid Tests, early performances by The Grateful Dead, and Kesey’s exile to Mexico.
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August 1, 2011
Billy Preston (1946 – 2006) was an African American rhythm and blues musician from Houston, Texas, raised mostly in Los Angeles. In addition to his career as a solo artist, Preston collaborated with some of the greatest names in the music industry, including The Beatles, The Rolling Stones, Nat King Cole, Little Richard, Ray Charles, Elton John, Eric Clapton, Bob Dylan, Aretha Franklin, and Johnny Cash. He played the Fender Rhodes electric piano and the Hammond organ on the Get Back sessions in 1969.
Preston began playing piano while sitting on his mother’s lap at age three, and he was considered something of a child prodigy on piano and organ. By the age of 10 he was performing in the bands of gospel singers Mahalia Jackson, James Cleveland, and Andrae Crouch. In the 1960s he performed with Little Richard and Ray Charles, and in 1963, aged just 16, he played organ on the Sam Cooke album ‘Night Beat.’ He also began a recording career as a solo artist with the 1965 album ‘The Most Exciting Organ Ever.’
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July 30, 2011
Max Hattler (b. 1976) is a German video artist and experimental filmmaker best-known for his kaleidoscopic political short films ‘Collision’ (2005) and ‘Spin’ (2010), abstract stop motion work ‘Aanaatt’ (2008), and psychedelic animation loops ‘1923 aka Heaven’ and ‘1925 aka Hell’ (2010).
He also works extensively in the field of audiovisual performance, and has created concert visuals for Basement Jaxx, Diplo, Jovanotti, The Egg, and Ladyscraper.
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July 30, 2011
Turntablism is the art of manipulating sounds and creating music using phonograph turntables and a DJ mixer. The word ‘turntablist’ was coined in 1995 by DJ Babu to describe the difference between a DJ who just plays records, and one who performs by touching and moving the records, stylus and mixer to manipulate sound. The new term co-occurred with a resurgence of the art of hip hop style DJing in the 1990s.
Composer John Oswald described the art: ‘A phonograph in the hands of a ‘hiphop/scratch’ artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced — the record player becomes a musical instrument.’
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July 29, 2011
The Invisibl Skratch Piklz were a group of Filipino American turntablists. The members of the group were originally hip-hop DJs, who were among the pioneers of the turntablism movement in the 1990s; turntablists create musical pieces by mixing samples from records, by using multiple turntables as instruments.
The group started in 1989 as Shadow of the Prophet, with DJ Q-bert, Mix Master Mike, and DJ Apollo, who left the group in 1993.
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July 29, 2011
Scratching is a DJ or turntablist technique used to produce distinctive sounds by moving a vinyl record back and forth on a turntable while optionally manipulating the crossfader on a DJ mixer. While scratching is most commonly associated with hip hop music, since the 1990s, it has been used in some styles of pop and nu metal. Within hip hop culture, scratching is one of the measures of a DJ’s skills.
Scratching was developed by early hip hop DJs from New York such as Grand Wizard Theodore and DJ Grandmaster Flash, who describes scratching as, ‘nothing but the back-cueing that you hear in your ear before you push it out to the crowd.’ Jamaican-born DJ Kool Herc also influenced the early development of scratching; he developed break-beat DJing, where the breaks of funk songs—the most danceable part, often featuring percussion—were isolated and repeated for the purpose of all-night dance parties.
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July 29, 2011
New Wave is a subgenre of rock music that emerged in the mid to late 1970s alongside punk rock. The term at first generally was synonymous with punk rock before being considered a genre in its own right that incorporated aspects of electronic and experimental music, mod subculture, and disco, rock and 1960s pop music.
While it incorporated much of the original punk rock sound and ethos, such as an emphasis on short and punchy songs, it was characterized by greater complexity in both music and lyrics.
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July 29, 2011
Grace Jones (b. 1948) is a Jamaican-American singer, model and actress. She secured a record deal with Island Records in 1977, which resulted in a string of dance-club hits. In the late 1970s, she adapted the emerging electronic music style and adopted a severe, androgynous look with square-cut hair and angular, padded clothes. Jones is a contralto, the deepest female classical singing voice. Although her image became equally as notable as her voice, she is a highly stylized vocalist. She sings in two modes: in her monotone speak-sing as in songs such as and in an almost-soprano mode in songs such as ‘La Vie en rose’ and ‘Slave to the Rhythm.’ Her voice spans two and a half octaves.
In 1981, her ‘Pull Up to the Bumper’ became a Top 5 single on the US R&B chart. Jones is also an actress. Her acting occasionally overshadowed her musical output in America; but not in Europe, where her profile as a recording artist was much higher. She appeared in some low-budget films in the 1970s and early 1980s. Her work as an actress in mainstream film began in the 1984 fantasy-action film ‘Conan the Destroyer’ alongside Arnold Schwarzenegger, and the 1985 James Bond movie ‘A View to a Kill.’
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July 29, 2011
The Melbourne Shuffle (also known as Rocking ) is a rave and club dance that originated in the late 1980s in the underground rave music scene in Melbourne, Australia. The basic movements in the dance are a fast heel-and-toe action with a style suitable for various types of electronic music. Some variants incorporate arm movements. People who dance the shuffle are often referred to as rockers, due in part to the popularity of shuffling to rock music in the early 1990s.
In the late ’80s, the Melbourne Shuffle began to emerge as a distinct dance, incorporating more hand movement than its predecessor, Stomping, which in turn originated from Celtic and Malaysian folk dances. The clog and sword dance can easily be matched to some earlier experimental rave and club dance moves that evolved into Stomping.
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July 29, 2011
LMFAO is an American electro hop duo that formed in 2006 in Los Angeles, consisting of rappers, and DJs Redfoo (Stefan Kendal Gordy, b. 1975) and SkyBlu (Skyler Husten Gordy, b. 1986). They are the son and grandson, respectively, of Motown record label founder Berry Gordy, making them uncle and nephew.
Their music incorporates a theme of partying and drinking, and the group commonly refers to their music style as ‘party rock.’ The name LMFAO is an initialism for ‘Laughing My Fucking Ass Off’ (although it is often sanitised to ‘Loving My Friends and Others’) and is pronounced letter by letter.
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