A wardrobe malfunction is accidental exposure of intimate parts. It is different from indecent exposure or flashing, as the latter ones imply a deliberate exposure. There has been a long history of such incidents, though the term itself was coined in the mid-2000s and has become one of the most common fashion faux pas. In everyday context it often happens as a ‘nipple slip’ to women and is relatively common, but wardrobe malfunction suggests a public event or performance, particularly when there are allegations that it was deliberately staged for publicity reasons.
The American Dialect Society defines it as ‘an unanticipated exposure of bodily parts.’ Global Language Monitor, which tracks usage of words on the internet and in newspapers worldwide, identified the term as the top Hollywood contribution to English in 2004, surpassing words like ‘girlie men’ and ‘Yo!’
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Wardrobe Malfunction
Object Sexuality
Object Sexuality (OS), also called objectophilia, refers to pronounced emotional attachment to inanimate objects. For some, sexual or even close emotional relationships with humans are incomprehensible.
Some object-sexual individuals also often believe in animism (spirits in nonliving things), and sense reciprocation based on the belief that objects have souls, intelligence, and feelings, and are able to communicate. Contrary to sexual fetishism, the object to an OS person is viewed as their partner and not merely as a sexual entity.
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Cherchez la Femme
Cherchez la femme [sher-shey la-fam] is a French phrase which literally means ‘look for the woman.’ The implication is that a man behaves out of character or in an otherwise inexplicable manner because he is trying to cover up an affair with a woman, or trying to impress or gain favor with a woman. The expression comes from the 1854 novel ‘The Mohicans of Paris’ by Alexandre Dumas. In his 1864 theatrical adaptation the expression translates as: ‘There is a woman in every case; as soon as they bring me a report, I say, ‘Look for the woman!”
The phrase embodies a cliché of detective pulp fiction: no matter what the problem, a woman is often the root cause. It has come to refer to explanations that automatically find the same root cause, no matter the specifics of the problem.
Spooning
Spooning is a sexual position and a cuddling technique. The name derives from the way that two spoons may be positioned side by side, with bowls aligned. In the sexual spoons position, the penetrative partner lies on one side, with knees bent. The receptive partner also lies on the same side, with back pressed against the penetrative partner’s front. Both partners’ upper bodies may be pressed together or separated with just the pelvises connecting, and their legs can also rest on top of each other. The receptive partner may have to lift the upper knee to allow for easier penetration.
This rear-entry position allows for a great deal of physical intimacy, as there is full-body contact which allows for cuddling. However, there is little visual stimulation for either partner, as they are not facing one another and cannot see each other’s bodies fully. Variations on this position include the partners lying on their sides face-to-face or in the ‘scissors’ position. The spoons position may be preferable for couples who have just woken up or are very tired. It may be used if the woman is pregnant, even during the last trimester, because it does not put any pressure on the abdomen.
Pon Farr
Pon farr is a Vulcan mating ritual and biological condition. Every seven years, Vulcan males and females become aroused. They undergo a blood fever (‘plak tow’), become violent, and finally die unless they mate with someone with whom they are empathically bonded or engage in the ritual battle known as ‘kal-if-fee.’ The idea is based on the mating ritual of animals on earth, notably the female ferret that also dies if it has not mated by the end of the season.
In the rebooted ‘Star Trek’ (2009), Vulcans also mate outside of pon farr, and with species other than Vulcan even if not mentally bonded with them. A common misconception associated with the series (and Spock in particular) is that Vulcans only have sex once every seven years. However, pon farr is not coincident with the sex lives of Vulcans, and they are able to have intercourse without the affliction.
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Kirk/Spock
Kirk/Spock (K/S) refers to the pairing of James T. Kirk and Spock from ‘Star Trek’ in slash fiction (erotic fan fiction), possibly the first slash pairing according to media scholar Henry Jenkins. Early on, a few fan writers started speculating about the possibility of a sexual relationship between Kirk and Spock, adding a romantic or a ‘sexual element’ to the friendship between the men.
As of 1998, ‘most’ academic studies on slash focused on Kirk/Spock, as ‘Star Trek’ was one of the most accessible titles for academics and their audience, and as the first slash pairing, K/S was developed independently from the influence of other slash fiction.
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Twerking
Twerking is a dance move that involves a person, usually a woman, shaking her hips in an up-and-down bouncing motion, causing the dancer to shake, ‘wobble’ and ‘jiggle.’ According to the Oxford Dictionary Online to twerk is ‘to dance to popular music in a sexually provocative manner involving thrusting hip movements and a low, squatting stance.’
Twerking carries both gendered and racialized connotations. The word is of uncertain origin. Possibilities include a contraction of ‘footwork,’ or a portmanteau of twist and jerk. Comparisons have been made with traditional African dances, for instance the Mapouka from West Africa which was banned from the television of Ivory Coast due to its suggestive nature.
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Muscle Worship
Muscle worship is a social behavior, usually with a sexual aspect (a form of body worship), in which a participant, the worshiper, touches the muscles of another participant, the dominator, in sexually arousing ways, which can include rubbing, massaging, kissing, licking, ‘lift and carry,’ and various wrestling holds. The dominator is almost always either a bodybuilder, a fitness competitor, or wrestler—an individual with a large body size and a high degree of visible muscle mass. The worshiper is often, but not always, skinnier, smaller, and more out of shape.
Muscle worship can include participants of both sexes and all sexual orientations, however, it is a widespread practice amongst many gay men that view bodybuilders as sexual objects (bodybuilding is common in the gay community).
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Jenny McCarthy
Jenny McCarthy (b. 1972) is an American model, actress, author, and activist. She began her career in 1993 as a nude model for ‘Playboy’ magazine and was later named their Playmate of the Year. McCarthy then parlayed her ‘Playboy’ fame into a television and film acting career.
More recently, she has written books about parenting, and has become an activist promoting research into environmental causes, and alternative medical treatments for autism. She has claimed that vaccines cause autism and that chelation therapy helped cure her son of autism. Both claims are controversial and unsupported by any medical evidence. Additionally, her son’s autism diagnosis is disputed.
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Angelyne
Angelyne is an American singer, actress and model who is known for purchasing billboards advertising herself. Her billboards became a trademark of Los Angeles and made her an icon who is considered one of the pioneers of the term ‘famous for being famous.’
A significant part of her ‘mystique’ comes from her refusal to answer questions (and giving contradictory information when she does). Consequently, much of Angelyne’s actual biographical information is unknown or doubtful.
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Faster, Pussycat! Kill! Kill!
Faster, Pussycat! Kill! Kill! is a 1965 exploitation film directed by Russ Meyer, who also wrote the script with Jack Moran. It stars Tura Satana, Haji, and Lori Williams. Consistent with the genre, the film features gratuitous violence, sexuality, provocative gender roles, and camp dialogue. It is one of Meyer’s more boldly titled and unflinchingly exploitative films; however, there is no nudity. The film was shot in the extreme western parts of the Mojave Desert and outside Baker, California).
The film depicts three thrill-seeking go-go dancers (Billie, Rosie, and their leader, Varla) who encounter a young couple in the desert while racing their sports cars. After killing the boyfriend with her bare hands, Varla drugs, binds, gags and kidnaps his girlfriend, Linda. On a desolate highway, the four stop at a gas station, where they see a wheelchair-bound old man and his muscular, dimwitted son, Vegetable. The gas station attendant tells the women that the old man and his two sons live on a decrepit ranch with a hidden cache of money. Intrigued, Varla hatches a scheme to rob the lecherous old man.
Bad Girl Art
Bad girl art is a superheroines art form genre coined after the analogy of ‘good girl art’ (‘girl art’ that is ‘good’) which also includes strong female characters in comic books. Bad girls are typically tough and violent superheroines.
While the ‘good’ in ‘good girl art’ refers to the art itself, the ‘bad’ in ‘bad girl art’ refers to the girls: anti-heroine characters, often portrayed as cruel, mercenary, or demonic, although it may also be intended to reflect on the crude mannerisms and exaggerated anatomy of the drawing style associated with those characters. While Good Girl Art was common in the 1940s and 1950s, Bad Girl Art arose in the comic book market of the 1980s and 1990s. During the heyday of the style, some 50 titles within the subgenre were being published, with ‘Lady Death’ as the best selling title.
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