March 31, 2013
‘Fully Flared‘ is a street skateboarding video by the Lakai footwear company, featuring video parts from its team riders. The film is directed by Ty Evans, Spike Jonze, and Cory Weincheque. The introduction features the skateboarders performing tricks in a vacant urban space, consisting of obstacles, blocks, and stair sets, while explosions occur. Presented in slow motion, the introduction feature is accompanied by a soundtrack from electronic music group, M83. Originally, Evans, Jonze, and Howard played with different ideas that were significantly more dangerous than what was eventually featured.
The main group filming was Aaron Meza and Chris Ray. In Europe, an Italian filmmaker named Fedrico Vitetta – who’d been living with Oliver Barton in Spain for a year – took on the role. Then was conceptual help from Rick Howard and Spike Jonze. Finally, Johannes Gamble helped with all the effects work.
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March 31, 2013
‘Pirates and Emperors, Old and New: International Terrorism in the Real World’ is a book by political theorist Noam Chomsky, titled after an observation by St. Augustine in ‘City of God,’ proposing that what governments coin as ‘terrorism’ in the small simply reflects what governments utilize as ‘warfare’ in the large. Yet, governments coerce their populations to denounce the former while embracing the latter.
In the ‘City of God,’ St. Augustine tells the story of a pirate captured by Alexander the Great, who asked him ‘how dare he molest the sea.’ ‘How dare you molest the whole world’ the pirate replied. ‘Because I do it with a little ship only, I am called a thief; you, doing it with a great navy, are called an emperor.’ The book inspired a humorous short web animation titled ‘Pirates & Emperors (or, Size Does Matter),’ illustrating Chomsky’s thesis.
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March 31, 2013
Patrice O’Neal (1969 – 2011) was an American stand-up comedian, radio personality, and actor. He was born in New York City and grew up in the Roxbury neighborhood of Boston. His mother named him after Patrice Lumumba, the leader of the Congolese independence movement. He was raised by his mother and never met his father. At the age of 17, Oneal was convicted of statutory rape of a 15 year old girl and sentenced to 60 days in prison, served during his summer break, so as not to disrupt his schooling.
The act, which occurred when Oneal was still 16, would have been legal in most states, but Massachusetts lacks a close-in-age exception, and has an age of consent of 16. Oneal said his humor helped him to negotiate the harsh realities of prison. Oneal was a star football player at West Roxbury High School, ending his career with 3 letters in varsity football and a state championship his senior year. He turned down football scholarships in order to attend Northeastern University on a public housing grant, majoring in Performing Arts. Continue reading →
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March 29, 2013
Captain Marvel, also known as ‘Shazam,’ is a fictional comic book superhero, originally published by Fawcett Comics and later by DC. Created in 1939 by artist C. C. Beck and writer Bill Parker, the character first appeared in 1940 in ‘Whiz Comics’ #2. With a premise that taps adolescent fantasy, Captain Marvel is the alter ego of Billy Batson, a youth who works as a radio news reporter and was chosen to be a champion of good by the wizard Shazam.
Whenever Billy speaks the wizard’s name, he is struck by a magic lightning bolt that transforms him into an adult superhero empowered with the abilities of six archetypal, historical figures. Several friends and family members, most notably Marvel Family cohorts Mary Marvel and Captain Marvel Jr., can share Billy’s power and become ‘Marvels’ themselves. Continue reading →
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March 29, 2013
Marvels is a four-issue limited series comic book written by Kurt Busiek, painted by Alex Ross and edited by Marcus McLaurin, and published by Marvel Comics in 1994. Set from 1939 to 1974; the series examines the Marvel Universe, the collective setting of most of Marvel’s superhero series, from the perspective of an Everyman character: news photographer Phil Sheldon.
The street-level series portrayed ordinary life in a world full of costumed supermen, with each issue featuring events well known to readers of Marvel comics as well as a variety of minute details and retelling the most famous events in the Marvel universe. Busiek and Ross returned to the ‘everyday life in a superhero universe’ theme in the Homage Comics series ‘Astro City.’ Continue reading →
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March 29, 2013
The American Monomyth is a 1977 book by Robert Jewett and John Shelton Lawrence arguing for the existence and cultural importance of an ‘American Monomyth,’ a variation on the classical monomyth (the hero’s journey, a theme found in narratives from around the world) as proposed by Joseph Campbell. The hero ventures from the normal world into a supernatural one, winning a decisive victory there and returning with a ‘boon.’
In contrast, Jewett and Lawrence define the American monomyth as: ‘A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal condition; the superhero then recedes into obscurity.’
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March 29, 2013
The American way of life is an expression that refers to the lifestyle of people living in the United States of America. It is an example of a behavioral modality, developed from the 17th century until today.
It refers to a nationalist ethos that purports to adhere to principles of ‘life, liberty and the pursuit of happiness.’ It has some connection to the concept of American exceptionalism and the American Dream. Continue reading →
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March 29, 2013
How to Read Donald Duck (‘Para leer al Pato Donald’) is a political analysis by Chilean activists Ariel Dorfman and Armand Mattelart, published in 1972. It is a pioneering work on cultural imperialism. Written in the form of essay (or, in the authors’ words, a ‘decolonization manual’), the book is an analysis of mass literature, specifically the Disney comics published for the Latin American market.
It is one of the first social studies of entertainment and the leisure industry from a political-ideological angle, and the book deals extensively with the political role of children’s literature. The book’s thesis is that Disney comics are not only a reflection of the prevailing ideology at the time (capitalism), but that they are also aware of this, and are active agents in spreading the ideology. Continue reading →
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March 29, 2013
Superfolks is a 1977 novel by Robert Mayer, which satirizes the superhero and comic book genres, and was aimed at a more adult audience than those genres typically attracted. Superfolks examines comic book conventions and clichés from a more serious, ‘literary’ perspective.
The novel was influential on many writers of superhero comic books in the 1980s and 1990s, notably Alan Moore and Kurt Busiek. Although the book’s pop culture references clearly date it to the 1970s, its influence on the deconstruction of the superhero genre is still felt through Moore’s ‘Watchmen,’ ‘Marvelman,’ and ‘Superman: Whatever Happened to the Man of Tomorrow?’
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March 28, 2013
‘Superduperman‘ is a satirical story by cartoonists Harvey Kurtzman and Wally Wood that was published in the fourth issue of ‘Mad’ in 1953. Lampooning both Superman and Captain Marvel, it revolutionized the types of stories seen in ‘Mad,’ leading to greatly improved sales. Writers such as Alan Moore have cited this story as an influence.
The plot parallels the Superman scenario of the period: ‘Clark Bent’ is a lowly assistant to the copy boy at ‘The Daily Dirt’ newspaper, where he tries, unsuccessfully, to woo the narcissistic and indifferent ‘Lois Pain.’ Continue reading →
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March 28, 2013
The Red Tornado is a fictional character, a superhero in the DC Comics universe, debuting during the Golden Age of Comic Books. Created by Sheldon Mayer, she first appeared in her civilian identity as Abigail Mathilda ‘Ma’ Hunkel in All-American Publications’ ‘All-American Comics’ #3 (June 1939), and became the ‘Red Tornado’ in ‘All-American Comics’ #20 (Nov. 1940).
As the Red Tornado, she was one of the first superhero parodies, as well as one of the first female superheroes (possibly the very first), and, when occasionally disguised as a man, comics’ first cross-dressing heroine. (Madame Fatal, earlier that year, was the first cross-dressing hero.) Initially as simply ‘Ma Hunkel,’ the Golden Age Red Tornado originated in Sheldon Meyer’s semi-autobiographical humor feature ‘Scribbly,’ about a boy cartoonist, in ‘All-American Comics.’ The feature ran through ‘All-American Comics’ #59, in 1944, the year DC Comics absorbed All-American Publications. Continue reading →
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March 28, 2013
Forbush Man is the mascot of Marvel Comics’ satirical ‘Not Brand Echh’ (1967); he is the alter-ego of Irving Forbush, a fictional gofer at Marvel Comics. Forbush was dreamed up in 1955 by Marvel editor Stan Lee to refer to an imaginary low-grade colleague who was often the butt of Lee’s jokes.
Irving Forbush was originally introduced in 1955 in Marvel’s short-lived ‘Snafu’ magazine as a clone of the ‘Mad Magazine’ mascot Alfred E. Neuman (‘Snafu’ was itself a virtual clone of ‘Mad’). Forbush was given a line in the magazine’s content page where he was credited as Snafu’s founder (much as Benjamin Franklin was given the same credit in the ‘Saturday Evening Post’). (‘Snafu’ also listed another Forbush family member, as the other side of the magazine’s content column read ‘Losted [sic] by his cousin, Melvin Forbush’). Continue reading →
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