January 18, 2011
The Union: The Business Behind Getting High is a 2007 documentary film by Canadian filmmaker Brett Harvey. The film explores the illegal growth, sale and trafficking of marijuana. The film follows host Adam Scorgie as he examines the underground market, interviewing growers, police officers, criminologists, economists, doctors, politicians and pop culture icons, revealing how the industry can function despite being a criminal enterprise.
The history of marijuana and the reasons for its present prohibition are discussed, often comparing it to the prohibition of alcohol in the United States in the 1920s, suggesting that gang drug warfare and other negative aspects associated with marijuana are a result of prohibition, not the drug itself. The gangs that grow and traffic the drugs are likened to those that appeared in major U.S. cities during the Prohibition, with the intention of profiting from the sale of illegal alcohol.
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January 5, 2011
They Live is a 1988 film directed by John Carpenter, who also wrote the screenplay under the pseudonym Frank Armitage. The film is based on Ray Nelson’s 1963 short story ‘Eight O’Clock in the Morning.’ Part science fiction horror and part dark comedy, the film echoed contemporary fears of a declining economy, within a culture of greed and conspicuous consumption common among Americans in the 1980s.
In They Live, the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the TV broadcast that is concealing their appearance and subliminal messages in mass media. The story revolves around a nameless man referred to as Nada (Roddy Piper), a quiet drifter who finds an unusual pair of sunglasses that allow him to see the aliens and their subliminal messages.
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January 2, 2011
Fantastic Planet is a 1973 animated science fiction film directed by René Laloux, production designed by Roland Topor, written by both of them and animated at Jiří Trnka Studio. The film was an international production between France and Czechoslovakia and was distributed in the United States by Roger Corman. The story is based on the novel ‘Oms en série,’ by the French writer Stefan Wul. The film is chiefly noted for Topor’s surreal imagery.
The film depicts a future in which human beings, known as ‘Oms’ (a play on the French word ‘hommes,’ meaning ‘men’), have been brought by the giant Draags to the Draag home world, where they are kept as pets (with collars). Most Oms are domesticated as pets, but others run wild, and are periodically exterminated. The Draags’ treatment of the Oms is ironically contrasted with their high level of technological and spiritual development. The Draag practice of meditation, whereby they commune psychically with each other and with different species, is shown in transformations of their shape and color.
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December 20, 2010
Metropolis is a 1927 German expressionist film in the science-fiction genre directed by Fritz Lang. Produced in Germany during a stable period of the Weimar Republic, ‘Metropolis’ is set in a futuristic urban dystopia and makes use of this context to explore the social crisis between workers and owners in capitalism. The most expensive silent film ever made, it cost approximately 5 million Reichsmark. The film was written by Lang and his wife Thea von Harbou in 1924, and published a novelization in 1926. Lang was influenced by the Soviet science fiction film ‘Aelita’ by Yakov Protazanov (1924), which was an adaptation of a novel by Alexei Tolstoy. The plot of ‘Aelita’ included a revolution taking place on the planet Mars. However, Metropolis advocates non-violent cooperation rather than the Marxist ideal of ‘class struggle.’
‘Metropolis’ was cut substantially after its German premiere, and much footage was lost over the passage of successive decades. There have been several efforts to restore it, as well as discoveries of previously lost footage. In 2008, a copy of the film 30 minutes longer than any other known surviving was located in Argentina. After a long period of restoration in Germany, the film was shown publicly for the first time simultaneously at Berlin and Frankfurt on February 12, 2010.
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December 19, 2010
Paprika is a 2006 Japanese animated science fiction film, based on Yasutaka Tsutsui’s 1993 novel of the same name, about a research psychologist who uses a device that permits therapists to help patients by entering their dreams. The film was directed by the late Satoshi Kon, animated by Madhouse Studios, and produced and distributed by Sony Pictures Entertainment. The film’s music was composed by Susumu Hirasawa, who also composed the soundtrack for Kon’s award-winning film, Millennium Actress, and equally lauded television series, Paranoia Agent. The soundtrack is significant for being the first film to use a Vocaloid (a singing synthesizer) for various tracks.
The protagonist of the film is, Atsuko, a psychiatrist who uses advanced technology to study the human mind. She has developed a machine that will allow her to enter the dreams of her patients and study their psyches from the inside. Atsuko also does double duty as Paprika, a high-tech detective who uses this new innovation to find out the truth about what the people she’s trailing really think. However, Atsuko falls victim to a thief who steals the one-of-a-kind machine, and Paprika sets out to find it as a wave of psychological instability tears through the city.
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December 19, 2010
‘Interstella 5555: The 5tory of the 5ecret 5tar 5ystem’ is a 2003 feature-length Japanese animated musical film set to French duo, Daft Punk’s second studio album, ‘Discovery.’ The film depicts the abduction and rescue of an interstellar pop band. The film was produced by Daft Punk and Toei Animation, under the supervision of famed managa and anime artist, Leiji Matsumoto. The film has no dialogue and minimal sound effects. Daft Punk’s concept for the project involved the merging of science fiction with entertainment industry culture and was further developed with their collaborator Cédric Hervet.
All three brought the album and the completed story to Tokyo in the hope of creating the film with their childhood hero, Leiji Matsumoto. Many elements common to Matsumoto’s stories, such as a romanticism of noble sacrifice and remembrance of fallen friends, appear in ‘Interstella 5555.’ Daft Punk revealed in an interview that ‘Captain Harlock’ was a great influence on them in their childhood. They also stated, ‘The music we have been making must have been influenced at some point by the shows we were watching when we were little kids.’
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November 4, 2010
The Cremaster Cycle is an art project consisting of five feature length films, together with related sculptures, photographs, drawings, and artist’s books; it is the best-known work of American visual artist and filmmaker Matthew Barney.
The films were made over a period of eight years (1994–2002) and culminated in a major museum exhibition organized by Nancy Spector of the Solomon R. Guggenheim Museum in New York City, which traveled to the Museum Ludwig in Cologne and the Musée d’art Moderne in Paris from 2002-03. Barney’s longtime collaborator Jonathan Bepler composed and arranged the soundtracks for the films.
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November 4, 2010
The Qatsi trilogy is the informal name given to a series of three films produced by Godfrey Reggio and scored by Philip Glass: Koyaanisqatsi: Life out of balance (1983), Powaqqatsi: Life in transformation (1988), and Naqoyqatsi: Life as war (2002). The titles of all three films are words from the language of the Hopi people; ‘qatsi’ means life. See Also: Baraka (1992) – an experimental documentary film directed by Ron Fricke, cinematographer on Koyaanisqatsi, and Chronos (1985) – an experimental film about the passage of time on different scales, also by Fricke.
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October 28, 2010
Funky Forest: The First Contact, also known as Naisu no mori is a 2005 Japanese movie written and directed by Katsuhito Ishii, Hajimine Ishimine and Shunichiro Miki. The movie is a collection of several surreal, non-sequitur shorts. Dance numbers, pillow fights, animation, comedy, and science fiction all combine to create a unique and disorienting viewing experience featuring such highlights as an absurdist tribute to David Cronenberg, an ass-television, and a girl who fires lasers from her forehead in order to battle a floating space blob which emits spinning, spherical projectiles.
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