Neville Brody (b. 1957) is an English graphic designer and typographer. He is an alumnus of the London College of Printing and Hornsey College of Art, and is known for his work on ‘The Face’ magazine (1981–1986) and ‘Arena’ magazine (1987–1990), as well as for designing record covers for artists such as Cabaret Voltaire and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. In 2011 he headed the Communication Art & Design department at the Royal College of Art.
As an undergraduate, his tutors often condemned his work as ‘Uncommercial,’ often putting a heavy emphasis on safe and tested economic strategies, as opposed to experimentation. By 1977 punk rock was beginning to have a major effect upon London life and Brody’s work and motivation, which was not well received by his tutors. At one point he was almost thrown out of the college for putting the Queen’s head sideways on a postage stamp design. He did, however, get the chance to design posters for student concerts at the college, most notably for Pere Ubu, supported by The Human League. His first-year thesis had been based around a comparison between Dadaism and pop art.
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