Jean Dubuffet [doo-buh-fey] (1901 – 1985) was a French painter and sculptor. His idealistic approach to aesthetics embraced so called ‘low art’ and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
After a break of several years, he took up painting again in the 1930s, when he made a large series of portraits in which he emphasized the vogues in art history. But again stopped, only turning to art for good in 1942 when he started to paint figures of nude women in a impersonal and primitive way, in strong and unbroken colors. Also he chose as subjects people in the commonplace of everyday life, such as people sitting in the underground, or just walking in the country.
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Jean Dubuffet
Drunkard’s Cloak
A Drunkard’s cloak was a type of pillory used in various jurisdictions to punish miscreants. An early description of the drunkard’s cloak appears in Ralph Gardiner’s ‘England’s Grievance Discovered,’ first published in 1655. A John Willis claimed to have travelled to Newcastle and seen ‘men drove up and down the streets, with a great tub, or barrel, opened in the sides, with a hole in one end, to put through their heads, and to cover their shoulders and bodies, down to the small of their legs, and then close the same, called the new fashioned cloak, and so make them march to the view of all beholders; and this is their punishment for drunkards, or the like.’
Drunkenness was first made a civil offence in England by the Ale Houses Act 1551; the drunkard’s cloak became a common method of punishing recidivists, especially during the Commonwealth of England. From 1655 Oliver Cromwell suppressed many of England’s alehouses, particularly in Royalist areas, and the authorities made regular use of the cloak.
Wesley Kimler
Wesley Kimler (b. 1953) is an American artist based in Chicago known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, he paints ‘expressive, gestural, hybrid paintings that combine abstract and figurative elements in a way that’s theatrical and beautiful, sometimes grotesque and surreal, and always powerfully evocative.’
Kimler has given outspoken interviews in which he champions painting, attacks what he views as the Neo-Conceptual academy and the artworld hierarchy, advocating independence and self-reliance on the part of creators. He is also known in the contemporary Chicago artworld for his work rallying for a new art scene. Nicknamed ‘the Shark’ due to his fierceness in discussions, he organized a website and e-zine Sharkforum with fellow artist David Roth, which includes such well-known figures as Museum of Contemporary Art curator Lynne Warren, photographer and film critic Ray Pride and artist and theorist Mark Staff Brandl. The artists active on his site also exhibit together under the name the Sharkpack.
Nelsonic Game Watch
Nelsonic Industries is the name of an electronics manufacturing and development company that operated from Queens, NY in the early 1980s and throughout the 1990s when it was acquired by the watch-manufacturer, M.Z. Berger. Nelsonic produced numerous toy-themed wrist-watches during their existence, often targeting younger audiences with likenesses of characters from popular franchises such as Barbie, the Ghostbusters, and Mario. Nelsonic became notable during the early mid-1980s for being the first electronics company in the United States to produce game-watches (multi-purpose electronic devices capable of functioning as both a time-piece and as a typically electronic game). Today the original Nelsonic Game Watch line has entered the secondary market and individual Game Watches have become highly sought-after collectibles that often fetch high prices on online auction websites.
Throughout its existence, Nelsonic produced pop-culture-themed wrist-watches for children and young adults. The chronograph digital watches, typically made of molded plastic, invariably featured an alarm and utilized LCD display-screens to display the time for their wearers. In time the company began manufacturing multi-purpose units that used the LCD screen to combine time display functions with simple video game functions. These simple video games were variations on the theme of the Calculator watch.
Calculator Watch
A calculator watch is a watch with a calculator built into it. Calculator watches first appeared in the Mid 1970s introduced by Pulsar and Hewlett Packard. Several watch manufacturers have made calculator watches over the years, but the Japanese electronics company Casio produced the largest variety of models. In the mid-1980s, Casio created the Data Bank calculator watch, which not only performed calculator functions, but also stored appointments, names, addresses, and phone numbers. The modern eData version of its Data Bank watch has greater memory and the ability to store computer passwords.
When mass produced calculator watches appeared in the early 1980s (with the most being produced in the middle of the decade), the high-tech community’s demand created a ‘feature war’ of one-up-manship between watch manufacturers. However, as the novelty of this new electronic fad watch wore off, they became, much like pocket protectors and thick glasses, associated with nerds and today are no longer considered to be in vogue. Recently, they have come back in style and are worn ‘ironically’ by hipsters.
Standing on the Shoulders of Giants
Dwarfs standing on the shoulders of giants (Latin: ‘nanos gigantium humeris insidentes’) is a Western metaphor meaning, ‘One who develops future intellectual pursuits by understanding the research and works created by notable thinkers of the past,’ a contemporary interpretation. However, the metaphor was first recorded in the twelfth century and attributed to Bernard of Chartres. It was famously uttered by seventeenth-century scientist Isaac Newton. In Greek mythology the blind giant Orion carried his servant Cedalion on his shoulders.
‘Bernard of Chartres used to say that we are like dwarfs on the shoulders of giants, so that we can see more than they, and things at a greater distance, not by virtue of any sharpness of sight on our part, or any physical distinction, but because we are carried high and raised up by their giant size.’
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Mirror Test
The mirror test is a measure of self-awareness, as animals either possess or lack the ability to recognize themselves in a mirror. The test was developed by Gordon Gallup Jr. in 1970, based in part on observations made by Charles Darwin. While visiting a zoo, Darwin held a mirror up to an orangutan and recorded the animal’s reaction, which included making a series of facial expressions.
Darwin noted that the significance of these expressions was ambiguous, and could either signify that the primate was making expressions at what it perceived to be another animal, or it could be playing a sort of game with a new toy.
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Dymaxion Car
The Dymaxion [dahy-mak-see-uhn] car was a concept car designed by U.S. inventor and architect Buckminster Fuller in 1933. The word Dymaxion is a brand name that Fuller gave to several of his inventions, to emphasize that he considered them part of a more general project to improve humanity’s living conditions. The car had a fuel efficiency of 30 mpg, and could transport 11 passengers.
While Fuller claimed it could reach speeds of 120 miles per hour, the fastest documented speed was 90 miles per hour. Japanese American artist Isamu Noguchi was involved with the development of the Dymaxion car, creating plaster wind tunnel models that were a factor in determining its shape, and during 1934 drove it for an extended road trip through Connecticut with congresswoman Clare Boothe Luce and actress Dorothy Hale.
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Pleasure Center
Pleasure center is the general term used for the brain regions involved in pleasure. Discoveries made in the 1950s initially suggested that rodents could not stop electrically stimulating parts of their brain, mainly the nucleus accumbens, which was theorized to produce great pleasure.
Further investigations revealed that the septum pellucidium and the hypothalamus can also be targets for self-stimulation. Yet, more recent research has shown that such ‘pleasure’ electrodes do not, in fact, lead to pleasure but only a form of ‘wanting’ or motivation to obtain the stimulation. Instead, the weight of the evidence suggests that the pleasure center of the human brain is not a single center but rather a distributed system of brain regions of which important nodes include subcortical regions (such as the nucleus accumbens and ventral pallidum) and cortical regions (orbitofrontal cortex and anterior cingulate cortex).
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Tetrahydrocannabinol
Tetrahydrocannabinol [te-truh-hahy-druh-kuh-nab-uh-nawl] (THC), also known as delta-9-tetrahydrocannabinol (Δ9-THC), is the main chemical psychoactive substance found in the cannabis plant. It was first isolated in 1964. In pure form, it is a glassy solid when cold, and becomes viscous and sticky if warmed. An organic chemical (specifically an aromatic terpenoid), with very low solubility in water, but good solubility in most organic solvents (e.g. alcohol, acetone, and butane).
Like most pharmacologically-active plants, THC in cannabis is assumed to be involved in self-defense, perhaps against herbivores. THC also possesses high UV-B absorption properties, which, it has been speculated, could protect the plant from harmful UV radiation exposure. Dronabinol is the generic name of a THC isomer (it has the same number and type of atoms as THC but in a different configuration); it is sold as Marinol (a registered trademark of Solvay Pharmaceuticals).
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Pin Striping
Pin striping is the application of a very thin line of paint or other material called a pin stripe, and is generally used for decoration. Freehand pin stripers use a specialty brush known as a pinstriping brush. Fine lines in textiles are also called pin stripes. Automotive, bike shops, and do-it-yourself car and motorcycle mechanics use paint pin striping to create their own custom look on the automotive bodies and parts. Pin striping can commonly be seen exhibited on custom motorcycles, such as those built by Choppers Inc., Indian Larry, and West Coast Choppers.
The decorative use of pin striping on motorcycles as it is commonly seen today was pioneered by artists Kenny Howard (aka Von Dutch), and Dean Jeffries, Dennis ‘Gibb’ Gibbish, and Ed ‘Big Daddy’ Roth, are considered pioneers of the Kustom Kulture lifestyle that spawned in the early 1950s, and are widely recognized as the ‘originators of modern pin striping.’
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Jalopy
A jalopy [juh-lop-ee] (also clunker or hooptie or beater) is a decrepit car, often old and in a barely functional state. A jalopy is not a well kept antique car, but a car which is mostly rundown or beaten up.
As a slang term in American English, ‘jalopy’ was noted in 1924 but is now slightly passé. The term was used extensively in the book ‘On the Road’ by Jack Kerouac, first published in 1957, although written from 1947. The equivalent English term is old banger, often shortened to banger, a reference to older poorly maintained vehicles’ tendency to backfire.
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