The Great Filter, in the context of the Fermi paradox, is whatever prevents ‘dead matter’ from giving rise, in time, to ‘expanding lasting life.’ The concept originates in Robin Hanson’s argument that the failure to find any extraterrestrial civilizations in the observable universe implies the possibility something is wrong with one or more of the arguments from various scientific disciplines that the appearance of advanced intelligent life is probable.
This observation is conceptualized in terms of a ‘Great Filter’ which acts to reduce the great number of sites where intelligent life might arise to the tiny number of intelligent species actually observed (currently just one: human). This probability threshold, which could lie behind us or in front of us, might work as a barrier to the evolution of intelligent life, or as a high probability of self-destruction. The main counter-intuitive conclusion of this observation is that the easier it was for life to evolve to our stage, the bleaker our future chances probably are.
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Great Filter
The Tebow Rule
In 2010, a new rule for the next NCAA football season, dubbed ‘The Tebow Rule‘ by media because it would have affected him, banned messages on eye paint. During his college football career, Tebow frequently wore references to biblical verses on his eye black. In the 2009 BCS Championship Game, he wore John 3:16 on his eye paint, and as a result, 92 million people searched ‘John 3:16’ on Google during or shortly after the game. Tebow stated of the searches ‘It just goes to show you the influence and the platform that you have as a student-athlete and as a quarterback at Florida.’
The NFL already has a rule prohibiting players from wearing messages on eye black; so, Tebow is not able to continue the practice in the NFL. Despite the media label, the NCAA denies the rule was influenced by Tebow particularly, since many other notable players (Reggie Bush and Terrelle Pryor for example) wear or have worn messages on eye black. An NCAA spokesman said ‘When this rule was proposed the committee did not focus on any one team or student athlete. That measure reinforces what the intended use of eye black is, which is to shade the eyes from the sun.’
Ron Popeil
Ron Popeil (b. 1935) is an American inventor and marketing personality, best known for his direct response marketing company Ronco. He is well known for his appearances in infomercials for the Showtime Rotisserie (‘Set it, and forget it!’) and for using the phrase, ‘But wait, there’s more!’ on television as early as the mid-1950s. Popeil learned his trade from his father, Samuel, who was also an inventor and carny salesman of kitchen-related gadgets such as the Chop-O-Matic and the Veg-O-Matic. The Chop-O-Matic retailed for US$3.98 and sold over two million units.
The success of the product caused a problem that marked the entrance of Ron Popeil into television. Chop-O-Matic was efficient at chopping vegetables, but it was impractical for salesmen to carry vegetables for demonstrations. The solution was to tape the demonstration; it was a short step to broadcasting the demonstration as a commercial. Some of his better-known products include: Mr. Microphone (a short-range hand-held radio transmitter that broadcast over FM radios), Showtime Rotisserie (a small rotisserie oven designed for cooking smaller sized portions of meat such as whole chicken and lamb),GLH-9 Hair in a Can Spray, and an Electric Food Dehydrator.
Ronco
Ronco is an American company that manufactures and sells a variety of items and devices, most commonly those used in the kitchen. Ron Popeil founded the company in 1964, and commercials for the company’s products soon became pervasive and memorable, in part thanks to Popeil’s personal sales pitches. The names ‘Ronco’ and ‘Popeil’ and the suffix ‘-O-Matic’ (used in many early product names) became icons of American popular culture and were often referred to by comedians introducing fictional gadgets.
In the beginning, the company chiefly sold inventions developed by Popeil’s father, Samuel ‘S.J.’ Popeil. Products include the Veg-O-Matic and the Popeil Pocket Fisherman. During the 1970s, Ron Popeil began developing products on his own to sell through Ronco. Ronco became a household name with its commercials for kitchen products including the Ginsu knife and Armorcote non-stick pans. Aired frequently, especially during off-hour TV viewing times, these commercials became known for their catchphrases such as ‘…but wait, there’s more!’, ’50-year guarantee’ (later expanded to a ‘lifetime guarantee’), and ‘…now how much would you pay?’
Monkey Tennis
‘Monkey Tennis‘ is a British pop culture phrase, first used in the late 1990s and popular throughout the 2000s. Originating as a joke in a television sitcom, it has come to be commonly used as an example of the hypothetical lowest common denominator television program that it is possible to make.
The term originates from the opening episode of the sitcom ‘I’m Alan Partridge,’ originally broadcast on BBC Two in 1997. In one scene the eponymous character of Partridge, a failed chat show host, desperately attempts to pitch program ideas to uninterested BBC executive who cancelled his first series. After failing to interest him in ideas plucked from thin air such as ‘Arm Wrestling With Chas & Dave,’ ‘Youth Hostelling with Chris Eubank,’ ‘Inner-City Sumo’ and ‘Cooking in Prison,’ Partridge comes up with a final spur-of-the-moment suggestion, ‘Monkey Tennis?,’ which is met with similar disdain.
Space Opera
Space opera is a subgenre of science fiction that emphasizes romantic, often melodramatic adventure, set mainly or entirely in outer space, generally involving conflict between opponents possessing advanced technologies and abilities. The term has no relation to music and it is analogous to ‘soap opera.’ Perhaps the most significant trait of space opera is that settings, characters, battles, powers, and themes tend to be very large-scale.
Sometimes the term is used pejoratively to denote bad quality science fiction, but its meaning can differ, often describing a particular science fiction genre without any value judgement. The genre’s varying definitions were affected by literary politics, ‘what used to be science fantasy is now space opera, and what used to be space opera is entirely forgotten.’
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Horse Opera
A horse opera, or hoss opera, is a western movie or television series that is extremely clichéd or formulaic (in the manner of a soap opera). The term, which was originally coined by silent film-era Western star William S. Hart, is used variously to convey either disparagement or affection.
The name “horse opera” was also derived in part from the musical sequences frequently featured in these films and TV series which depicted a cowboy singing to his horse on-screen. The term “horse opera” is quite loosely defined; it does not specify a distinct sub-genre of the western (as “space opera” does with regard to the science fiction genre).
Planetary Romance
Planetary romance is a type of science fiction or science fantasy story in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.
As the name of the genre suggests, the planetary romance is an extension of late 19th and early 20th century adventure novels and pulp romances to a planetary setting. The pulp romance (of writers like H. Rider Haggard and Talbot Mundy) featured bold characters in exotic settings and ‘lost worlds’ such as South America, Africa, the Middle or Far East; a variant type took place in real or fictional countries of ancient and medieval times, and eventually contributed to the modern fantasy genre.
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Sword and Planet
Sword and Planet is a subgenre of science fantasy that features rousing adventure stories set on other planets, and usually featuring Earthmen as protagonists. The name derives from the heroes of the genre engaging their adversaries in hand to hand combat primarily with simple melee weapons such as swords, even in a setting that often has advanced technology.
Though there are works that herald the genre such as Percy Greg’s ‘Across The Zodiac’ (1880) and Edwin Lester Arnold’s ‘Lieutenant Gullivar Jones: His Vacation’ (1905; published in the US in 1964 as ‘Gulliver of Mars’), the prototype for the genre is ‘A Princess of Mars’ by Edgar Rice Burroughs originally serialized by ‘All-Story’ in 1912.
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Barsoom
Barsoom is a fictional representation of the planet Mars created by American pulp fiction author Edgar Rice Burroughs, who wrote close to 100 action adventure stories in various genres in the first half of the 20th century, and is now best known as the creator of the character Tarzan. The first Barsoom tale was serialized as ‘Under the Moons of Mars’ in 1912, and published as a novel as ‘A Princess of Mars’ in 1917. Ten sequels followed over the next three decades, further extending his vision of Barsoom and adding other characters.
The world of Barsoom is a romantic vision of a dying Mars, based on now-outdated scientific ideas made popular by Astronomer Percival Lowell in the early 20th century. While depicting many outlandish inventions, and advanced technology, it is a savage world, of honor, noble sacrifice and constant struggle, where martial prowess is paramount, and where many races fight over dwindling resources. It is filled with lost cities, heroic adventures and forgotten ancient secrets.
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John Carter
John Carter is a fictional character, created by Edgar Rice Burroughs, who appears in the ‘Barsoom’ novels. Although he is actually a Virginian from Earth and only a visitor to Mars, he is sometimes known as ‘John Carter of Mars,’ in reference to the setting in which his major deeds are recorded, in the tradition of other real-world heroes such as Lawrence of Arabia and Scipio Africanus. His character is enduring, having appeared in various media since his 1912 debut in a magazine serial.
John Carter first appeared in ‘A Princess of Mars,’ the first Burroughs novel set on a fictionalized version of Mars known as ‘Barsoom.’ His character and courtesy exemplify the ideals of the antebellum South. A Virginian, he served as a captain in the American Civil War on the side of the Confederacy. While hiding from Apaches in a cave, he appears to die; leaving his inanimate body behind, he is mysteriously transported by a form of astral projection to the planet Mars, where he finds himself re-embodied in a form identical to his earthly one. Accustomed to the greater gravity of Earth, he is much stronger and more agile than the natives of Mars due to its gravity.
Chicken
The game of chicken, also known as the hawk-dove or snowdrift game, is an influential model of conflict for two players in game theory. The principle of the game is that while each player prefers not to yield to the other, the worst possible outcome occurs when both players do not yield.
The name ‘chicken’ has its origins in a game in which two drivers drive towards each other on a collision course: one must swerve, or both may die in the crash, but if one driver swerves and the other does not, the one who swerved will be called a ‘chicken,’ meaning a coward; this terminology is most prevalent in political science and economics.
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