Eternal Return

ouroboros

Eternal return is a concept which posits that the universe has been recurring, and will continue to recur, in a self-similar form an infinite number of times across infinite time or space. The concept, initially inherent in Indian philosophy, was later found in ancient Egypt and was subsequently taken up by the Pythagoreans and Stoics in Greece. With the decline of antiquity and the spread of Christianity, the concept fell into disuse in the western world, though Friedrich Nietzsche resurrected it as a thought experiment to argue for ‘amor fati’ (seeing everything that happens in one’s life, including suffering and loss, as good).

The basic premise proceeds from the assumption that the probability of a world coming into existence exactly like our own is finite. If either time or space are infinite, then mathematics tells us that our existence will recur an infinite number of times. In 1871, Louis Auguste Blanqui, assuming a Newtonian cosmology where time and space are infinite proceeded to show that the eternal recurrence was a mathematical certainty. In the post-Einstein period, there are doubts that time or space is in fact infinite, but many models exist which provide the notion of spatial or temporal infinity required by the eternal return hypothesis.

The oscillatory universe model in physics could be provided as an example of how the universe cycles through the same events infinitely. Stephen Hawking’s concept ‘arrow of time,’ for example, discuss cosmology as proceeding up to a certain point, after which it undergoes a time reversal (which, as a consequence of symmetry, is thought to bring about a chaotic state due to entropy). Hawking and J. Richard Gott have also proposed models by which a (or the) universe could undergo time travel, provided the balance between mass and energy created the appropriate cosmological geometry. Multiverse hypotheses in physics describe models where space or time is infinite, although local universes with their own big bangs could be finite space-time bubbles.

The concept of cyclical patterns is very prominent in Indian religions, such as Jainism, Hinduism, Sikhism and Buddhism among others. The wheel of life represents an endless cycle of birth, life, and death from which one seeks liberation. In Tantric Buddhism, a wheel of time concept known as the Kalachakra expresses the idea of an endless cycle of existence and knowledge. However it is to be noted that the cycle of life in Buddhism does not involve a soul passing from one body to another, but the karma of the deceased being carrying on to another being born. To get rid of this cycle the person should get rid of its karma through the attainment of enlightenment.

In ancient Egypt, the scarab (or dung beetle) was viewed as a sign of eternal renewal and reemergence of life, a reminder of the life to come. The ancient Mayans and Aztecs also took a cyclical view of time. In ancient Greece, the concept of eternal return was connected with Empedocles, Zeno of Citium, and Stoicism. Judaism posits a creation ‘In the beginning’ and a messianic ‘end of days,’ which mean Judaism has a linear, not a cyclical, view of time. But cyclical time and return are reflected in Jewish traditions such as: The history of the Jewish people is said to be repeating events in the lives of its biblical forefathers; people’s lives in the next world, or after death, are to some extent spiritual repetitions of what they did in this world.

The symbol of the Ouroboros, the snake or dragon devouring its own tail, is the alchemical symbol par excellence of eternal recurrence, possibly borrowed from the Norse concept of Jörmungandr or the Midgard Serpent. The alchemist-physicians of the Renaissance and Reformation were aware of the idea of eternal recurrence; the physician-philosopher Sir Thomas Browne in his ‘A Letter to a Friend’ circa 1657 linked the Uroboros symbol with the idea of eternal return thus, ‘that the first day should make the last, that the Tail of the Snake should return into its Mouth precisely at that time, and they should wind up upon the day of their Nativity, is indeed a remarkable Coincidence, which tho Astrology hath taken witty pains to salve, yet hath it been very wary in making Predictions of it.’

The concept of ‘eternal recurrence’ is central to the writings of Friedrich Nietzsche. In ‘Ecce Homo’ (1888), he wrote that he thought of the eternal return as the “fundamental conception” of ‘Thus Spoke Zarathustra.’ As Heidegger points out in his lectures on Nietzsche, Nietzsche’s first mention of eternal recurrence presents this concept as a hypothetical rather than postulating it as a fact. According to Heidegger, it is the burden imposed by the question of eternal recurrence—whether or not such a thing could possibly be true—that is so significant in modern thought.

Several authors have pointed out other occurrences of this hypothesis in contemporary thought. Rudolf Steiner, who revised the first catalogue of Nietzsche’s personal library in 1896, pointed out that Nietzsche would have read something similar in Eugen Dühring’s ‘Courses on philosophy’ (1875), which Nietzsche readily criticized. Lou Andreas-Salomé pointed out that Nietzsche referred to ancient cyclical conceptions of time, in particular by the Pythagoreans. Nietzsche scholar Walter Kaufmann suggests that Nietzsche may have encountered this idea in the works of Heinrich Heine, who once wrote: ‘[T]ime is infinite, but the things in time, the concrete bodies, are finite. They may indeed disperse into the smallest particles; but these particles, the atoms, have their determinate numbers, and the numbers of the configurations which, all of themselves, are formed out of them is also determinate. Now, however long a time may pass, according to the eternal laws governing the combinations of this eternal play of repetition, all configurations which have previously existed on this earth must yet meet, attract, repulse, kiss, and corrupt each other again…’

Nietzsche jokingly calls the idea ‘horrifying and paralyzing,’ referring to it as a burden of the ‘heaviest weight’ (‘das schwerste Gewicht’) imaginable. He honestly professes that the wish for the eternal return of all events would mark the ultimate affirmation of life: ‘What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: ‘This life as you now live it and have lived it, you will have to live once more and innumerable times more’ … Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: ‘You are a god and never have I heard anything more divine.” To comprehend eternal recurrence in his thought, and to not merely come to peace with it but to embrace it, requires amor fati, ‘love of fate’: ‘My formula for human greatness is amor fati: that one wants to have nothing different, not forward, not backward, not in all eternity. Not merely to bear the necessary, still less to conceal it—all idealism is mendaciousness before the necessary—but to love it.’

The oscillating universe theory – that the universe will end in a collapse or ‘big crunch’ followed by another big bang, and so on – dates from 1930. Cosmologists such as MIT professor Max Tegmark suggests that if space is sufficiently large and uniform, or infinite as some theories suggest, then identical instances of the history of Earth’s entire Hubble volume occur every so often, simply by chance. Tegmark calculates that our nearest so-called doppelgänger, is 1010115 meters away from us (a double exponential function larger than a googolplex). In principle, it would be impossible to scientifically verify an identical Hubble volume. However, it does follow as a fairly straightforward consequence from otherwise unrelated scientific observations and theories. Tegmark suggests that statistical analyses exploiting the anthropic principle provide an opportunity to test multiverse theories in some cases. Generally, science would consider a multiverse theory that posits neither a common point of causation, nor the possibility of interaction between universes, to be an ideal speculation. However, it is a fundamental assumption of cosmology that the universe continues to exist beyond the scope of the observable universe, and that the distribution of matter is everywhere the same at such a large scale.

Walter Kaufmann has described an argument originally put forward by Georg Simmel, which rebuts the claim that a finite number of states must repeat within an infinite amount of time: ‘Even if there were exceedingly few things in a finite space in an infinite time, they would not have to repeat in the same configurations. Suppose there were three wheels of equal size, rotating on the same axis, one point marked on the circumference of each wheel, and these three points lined up in one straight line. If the second wheel rotated twice as fast as the first, and if the speed of the third wheel was 1/π of the speed of the first, the initial line-up would never recur.’

In modern times eternal recurrence was a major theme in the teachings of the Russian mystic P. D. Ouspensky whose novel ‘Strange Life of Ivan Osokin’ (1915) explores the idea that even given the free-will to alter events in one’s life, the same events will occur regardless. The greater part of the 11th chapter of his ‘A New Model of the Universe’ (1914) is devoted to the idea and he there identifies allusions to eternal recurrence in the writings of Tolstoy, Robert Louis Stevenson, Dante Gabriel Rosetti, and Charles Howard Hinton.

James Joyce was influenced by Giambattista Vico a 17th century Italian philosopher who proposed a theory of cyclical history in his major work, ‘New Science.’ Joyce puns on his name many times in ‘Finnegans Wake,’ including the ‘first’ sentence: ‘by a commodius vicus of recirculation.’ Vico’s theory involves the recurrence of three stages of history: the age of gods, the age of heroes, and the age of humans — after which the cycle repeats itself. Finnegans Wake begins in mid-sentence, with the continuation of the book’s unfinished final sentence, creating a circular reference whereby the novel has no true beginning or end.

Northrop Frye, in his highly influential ‘Anatomy of Criticism,’ formulated a theories of cycles influenced by Giambattista Vico and Oswald Spengler, and later commented: ‘I noticed that the acceptance of theories of recurrence seemed to accompany either neurotic obsession, as in Nietzsche, or projected forms of self-interrogation of the most dubious kind, as in Yeats’ ‘Vision.’ Also that cyclical images seemed to be central and indispensable to fascist and Nazi views of history. … reincarnation has two reactionary elements built into it. It makes possible a lessening of seriousness about the efforts to be made in this life…’

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