Imagination inflation refers to the finding that imagining an event which never happened can increase confidence that it actually occurred. This effect is relevant to the study of memory and cognition, particularly false memory. Imagination inflation is one way that techniques intended to retrieve repressed memories (e.g. recovered memory therapy) may lead to the development of false or distorted memories.
Imagination inflation also has implications for the criminal justice system, in particular interrogation and interviewing procedures, as it supports the claim that interrogators who ask suspects to repeatedly imagine committing a crime may risk making them more confident that they are the perpetrators, ultimately producing false confessions from innocent suspects. In one case in the US in 1990s, a man who initially denied accusations of raping his daughters was given an intense police interrogation. He confessed to abusing his children and leading a satanic cult which sacrificed babies, even admitting to crimes that were denied by his accusers.
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Imagination Inflation
The Caine Mutiny
‘The Caine Mutiny‘ is a 1951 Pulitzer Prize-winning novel by American author Herman Wouk. The book grew out of Wouk’s personal experiences aboard a destroyer-minesweeper in the Pacific in World War II and deals with, among other things, the moral and ethical decisions made at sea by the captains of ships. The mutiny of the title is legalistic, not violent, and takes place during a historic typhoon in December 1944. The court-martial that results provides the dramatic climax to the plot.
The story is told through the eyes of Willis Seward ‘Willie’ Keith, an affluent, callow young man who signs up for midshipman school with the Navy to avoid being drafted into the Army during World War II. After barely surviving a series of misadventures that earn him the highest number of demerits in the history of the school, he is commissioned and assigned to the destroyer minesweeper USS Caine, an obsolete warship converted from a World War I-era destroyer.
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Bathroom Singing
Bathroom singing is common because the hard wall surfaces, often tiles or wooden panels, and lack of soft furnishings, create an aurally pleasing acoustic environment. The multiple reflections from walls enrich the sound of one’s voice. Small dimensions and hard surfaces of a typical bathroom produce various kinds of standing waves, reverberation and echoes, giving the voice ‘fullness and depth.’
This habit was first reported (with an attempt of explanations) in the 14th century by Arab historian Ibn Khaldun. In Chapter 1 of his ‘Muqaddimah’ writes: ‘Likewise, when those who enjoy a hot bath inhale the air of the bath, so that the heat of the air enters their spirits and makes them hot, they are found to experience joy. It often happens that they start singing, as singing has its origin in gladness.’
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Gelotology
Gelotology [jel-uh-tol-uh-jee] (from the Greek ‘gelos,’ meaning ‘laughter’) is the study of laughter and its effects on the body, from a psychological and physiological perspective. Its proponents often advocate induction of laughter on therapeutic grounds in complementary medicine. The field of study was pioneered by psychiatrist William F. Fry at Stanford.
Although healers since antiquity have recommended laughter as a form of medicine, the field was initially deprecated by most other physicians, who doubted that laughter possessed analgesic (painkilling) qualities. One early study that demonstrated the effectiveness of laughter in a clinical setting showed that it could help patients with atopic dermatitis (a recurring, itchy skin disorder) respond less to allergens. Other studies have shown that laughter can help alleviate stress and pain, and can even assist cardiopulmonary rehabilitation (treatment for patients recovering from cardiac surgeries).
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Taste
In sociology, taste is an individual’s personal and cultural patterns of choice and preference. It is drawing qualitative distinctions between things such as styles, manners, consumer goods, and works of art. Aesthetic preferences and attendance to various cultural events are associated with education and social origin. Different socioeconomic groups are likely to have different tastes, and social class is one of the most prominent factors structuring taste. The concept of aesthetics has been the interest of philosophers such as Plato, Hume and Kant, who understood it as something pure and searched for the ‘essence of beauty,’ the ontology of taste. But it was not until the beginning the early 19th century that the question was problematized in its social context.
In his aesthetic philosophy, Kant denies any standard of a good taste, which would be the taste of the majority or any social group. For Kant, beauty is not a property of an object, but a judgement based on a subjective feeling. He claims that even if a universal, non-relativistic ‘good taste’ does exist, it can not be empirically identified, or found in any standards or generalizations, and the validity of a judgement is not the general view of the majority or some specific social group. Taste is both personal and beyond reasoning, and therefore disputes over matters of taste never reach a finite conclusion. Kant stresses that our preferences, even on generally liked things, do not justify our judgements.
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McMansion
In American suburban communities, McMansion is a pejorative for a type of large, new luxury house which is judged to be oversized for the parcel or incongruous and out-of-place for its neighborhood. Alternatively, a McMansion can be a large, new house in a subdivision of similarly large houses, which all seem mass-produced and lacking in distinguishing characteristics, as well as appearing at odds with the traditional local architecture.
The neologism seems to have been coined sometime in the early 1980s. It first appeared in print the ‘Los Angeles Times’ in 1990. Related terms include ‘Persian palace,’ ‘garage Mahal,’ ‘starter castle,’ and ‘Hummer house.’ Marketing parlance often uses the term ‘tract mansion’ or ‘executive home.’ An example of a McWord, ‘McMansion’ associates the generic quality of these luxury homes with that of mass-produced fast food by evoking the McDonald’s restaurant chain.
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Cover Your Ass
Cover your ass (CYA) describes activity, usually in a work-related or bureaucratic context, done by an individual to protect himself or herself from possible subsequent legal penalties or criticism. According to lexicographer William Safire, it describes the bureaucratic technique of ‘deflecting responsibility in advance,’ that is, diffusing responsibility for one’s actions as a form of insurance against possible negative repercussions. It can denote a type of institutional risk-averse mentality which works against accountability and responsibility, often characterized by excessive paperwork and documentation (red tape), which can be harmful to the institution’s overall effectiveness.
The activity, sometimes seen as instinctive, is generally unnecessary towards accomplishing the goals of the organization, but helpful to protect a particular individual’s career within it, and it can be seen as a type of institutional corruption working against individual initiative. In a slightly different sense, it can be used to describe rightful steps to protect oneself properly while in a difficult situation, such as what steps to take to protect oneself after being fired (due diligence).
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Commedia dell’arte
Commedia [kuh-mey-dee-uh] dell’arte [del-ahr-tee] is a form of improvisational theater that began in Italy in the 16th century. The actors often wore masks and the stories were often about the cunning pursuit of love, money, or simply food. The genre developed several stock characters that represent fixed social types, such as foolish old men, devious servants, or military officers full of false bravado including Harlequin (comic servant), Pantalone (rich old miser), Colombina (tricky slave wife), Pulcinella (disfigured trickster), Pierrot (unrequited clown), and Scaramuccia (roguish clown).
Stock characters can be divided into three groups, ‘Innamorati’ (‘The Lovers,’ who are never masked nor well developed as characters), ‘Vecchi’ (‘The Old People,’ often the Lovers’ parents, who get in the way of their romance), and ‘Zanni’ (‘The Servants/ Commoners,’ always hungry, and often responsible for the Lovers finding their way to the altar). Characters such as Pantalone, the Venetian merchant; Dottore Gratiano, the pedant from Bologna; or Arlecchino, the mischievous servant from Bergamo, began as satires on Italian ‘types’ and became the archetypes of many of the favorite characters of 17th- and 18th-century European theater.
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Near-death Experience
Near-death experiences (NDE) are associated with several common phenomena such as feelings of detachment from the body, levitation, serenity, security, warmth, dissolution, and bright light. These sensations are usually reported after an individual has been pronounced clinically dead or has been very close to death. With recent developments in cardiac resuscitation techniques, the number of reported NDEs has increased. According to a 1992 Gallup poll, approximately eight million Americans claim to have had a near-death experience. Popular interest in the topic was initially sparked by psychiatrist Raymond Moody’s 1975 book ‘Life After Life,’ in which he interviewed 150 people who had undergone NDEs.
In 1981, the International Association for Near-Death Studies (IANDS) was founded and the following year began publishing the ‘Journal of Near-Death Studies,’ the only peer-reviewed journal in the field. Research from neuroscience considers the NDE to be a hallucination resulting from one or more of several conditions including cerebral anoxia (insufficient oxygen to the brain), hypercarbia (elevated carbon dioxide in the blood), or damage to the temporal lobes (which are responsible for giving meaning to events). Spiritual thinkers and an parapsychologists have long pointed to NDEs as evidence for an afterlife and mind-body dualism.
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Mudita
Muditā [moo-dee-tah] means ‘joy’ in sanskrit, especially sympathetic or vicarious joy. it is the pleasure that comes from delighting in other people’s well-being rather than begrudging it. The traditional paradigmatic example of this mind-state is the attitude of a parent observing a growing child’s successes, but it is not to be confounded with pride as the person feeling mudita must not have any interest or direct income from the accomplishments of the other. Its antonym is the German word ‘schadenfreude’ (‘pleasure derived from the misfortunes of others’).
Many Buddhist teachers interpret joy more broadly as an inner spring of infinite joy that is available to everyone at all times, regardless of circumstances. The more deeply one drinks of this spring, the more secure one becomes in one’s own abundant happiness, and the easier it then becomes to relish the joy of other people as well. Joy is also traditionally regarded as the most difficult to cultivate of the four immeasurables (the ‘four sublime attitudes’). To show joy is to celebrate happiness and achievement in others even when we are facing tragedy ourselves.
Maraschino Cherry
In the US, a maraschino [mar-uh-skee-noh] cherry is a preserved, sweetened cherry, typically made from light-colored sweet cherries such as the Royal Ann, Rainier, or Gold varieties. In their modern form, the cherries are first preserved in a brine solution usually containing sulfur dioxide and calcium chloride to bleach the fruit, then soaked in a suspension of food coloring (usually Red 40), sugar syrup, and other components.
Maraschino cherries are an ingredient in many cocktails, giving them the nickname: ‘Cocktail cherries.’ As a garnish, they often are used to decorate frozen yogurt, baked ham, cakes, pastry, parfaits, milkshakes, ice cream sundaes, and ice cream sodas. They are frequently included in canned fruit cocktail. They are also used as an accompaniment to sweet paan (an Indian preparation of herbs for chewing), and sometimes, along with some of the maraschino “‘juice,’ put into a glass of Coca-Cola to make an old-fashioned or homemade ‘Cherry Coke.’
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Nitrogen Narcosis
Nitrogen narcosis [nahr-koh-sis] (also known as ‘raptures of the deep’ and the ‘Martini effect’) is a reversible alteration in consciousness that occurs while diving at depth. It is caused by the anesthetic effect of certain gases at high pressure. The Greek word ‘narcosis’ is derived from ‘narke,’ ‘temporary decline or loss of senses and movement, numbness,’ a term used by Homer and Hippocrates. Narcosis produces a state similar to intoxication caused by drinking alcohol or inhaling nitrous oxide. It can occur during shallow dives, but usually becomes noticeable at depths greater than 30 meters (100 ft).
Except for helium and probably neon, all gases that can be breathed have a narcotic effect, although widely varying in degree. The effect is consistently greater for gases with a higher lipid solubility (the ability to diffuse directly through the fatty part of a cell membrane), and there is good evidence that the two properties are mechanistically related. As depth increases, the mental impairment may become hazardous. Divers can learn to cope with some of the effects of narcosis, but it is impossible to develop a tolerance. Narcosis affects all divers, although susceptibility varies widely from dive to dive, and between individuals.
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