August 23, 2012
The Point! is a fable and the sixth album by American songwriter and musician Harry Nilsson about a boy named Oblio, the only round-headed person in the Pointed Village, where by law everyone and everything had to have a point. According to Nilsson:
‘I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, ‘Oh! Everything has a point, and if it doesn’t, then there’s a point to it.” There have been, so far, at least three different renditions of The Point!, each featuring songs written by Nilsson to accompany the story, including an animated film, an album, and a stage musical.
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August 23, 2012
The Moth is a non-profit group based in New York City dedicated to the art and craft of storytelling. It was founded in 1997 by poet and novelist George Dawes Green, who wanted to recreate the feeling of sultry summer evenings in his native Georgia, when moths were attracted to the light on the porch where he and his friends would gather to spin spellbinding tales. George and his original group of storytellers called themselves ‘The Moths,’ and George took the name with him to New York. The organization now runs a number of different storytelling events in New York City, Los Angeles, Chicago, Detroit, and other American cities, often featuring prominent literary and cultural personalities. Previous notable storytellers have included Margaret Cho, Ethan Hawke, Malcolm Gladwell, Darryl ‘DMC’ McDaniels, George Plimpton, Al Sharpton, Moby, Lili Taylor, and Sam Shepard.
The organization also holds ‘StorySLAM’ events, storytelling competitions open to everyone. The Moth also runs a community program that offers storytelling workshops free of charge to high school students and underprivileged New Yorkers. The Moth offers a weekly podcast, which provides free audio of stories from all types of Moth events. In 2009, the organization also launched a national public radio show, ‘The Moth Radio Hour.’ Andy Borowitz became the Moth’s primary host in 1999. The organization’s annual fundraising event is called the Moth Ball, where the annual Moth award is presented. The 2008 Moth Award was presented to Salman Rushdie.
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August 13, 2012
Cassette culture refers to the practices surrounding amateur production and distribution of recorded music that emerged in the late 1970s via home-made audio cassettes. It is characterized by the adoption of home-recording by independent artists, and involvement in ad-hoc self-distribution and promotion networks – primarily conducted through mail (though there were a few retail outlets, such as Rough Trade and Falling A in the UK) and fanzines.
The culture was in part an offshoot of the mail art movement of the 1970s and 1980s, and participants engaged in tape trading in addition to traditional sales. The culture is related to the DIY ethic of punk, and encouraged musical eclecticism and diversity.
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August 13, 2012
Kinderwhore was an image used by a handful of mostly female punk rock bands in the US during the early to mid 1990s. The kinderwhore look consisted of torn, ripped tight or low-cut babydoll dresses or nighties, heavy makeup, and leather boots or Mary–Jane shoes of various colors.
The exact origin of the kinderwhore image is up for debate, though it is widely accepted that Kat Bjelland of Babes in Toyland was the first to define it and Courtney Love of Hole was the first to popularize it. Christina Amphlett of Divinyls can clearly be seen sporting the image on the cover of her band’s 1983 album, ‘Desperate.’ Love declared in an interview in the Los Angeles zine ‘Ben Is Dead’ that she took the style from Amphlett.
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August 13, 2012
Riot grrrl is an underground feminist punk rock movement that originally started in Washington, D.C. and the Pacific Northwest in the early to mid-1990s. It is often associated with third-wave feminism which is sometimes seen as its starting point. Riot grrrl bands often address issues such as rape, domestic abuse, sexuality, racism, patriarchy, and female empowerment.
Bands associated with the movement include Bikini Kill, Jack Off Jill (and later Scarling), Bratmobile, Fifth Column, Sleater-Kinney, L7, and also queercore like Team Dresch. In addition to a music scene and genre, riot grrrl is a subculture: zines, the DIY ethic, art, political action, and activism are part of the movement.
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August 13, 2012
Oi! is a working class subgenre of punk rock that originated in the UK in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads and other working-class youths (sometimes called ‘herberts’).
The Oi! movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, ‘trendy university people using long words, trying to be artistic…and losing touch.’ André Schlesinger, singer of The Press, said, ‘Oi shares many similarities with folk music, besides its often simple musical structure; quaint in some respects and crude in others, not to mention brutally honest, it usually tells a story based in truth.’
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August 10, 2012
Thomas Pynchon [pin-chuhn] (b. 1937) is an American novelist. A MacArthur Fellow, he is noted for his dense and complex novels. Both his fiction and non-fiction writings encompass a vast array of subject matter, styles, and themes, including (but not limited to) the fields of history, science, and mathematics. For his most praised novel, ‘Gravity’s Rainbow,’ Pynchon won the 1974 U.S. National Book Award for Fiction (which he declined).
After publishing several short stories in the late 1950s and early 1960s, he began composing the novels for which he is best known: ‘V.’ (1963), ‘The Crying of Lot 49’ (1966), ‘Gravity’s Rainbow’ (1973), and ‘Mason & Dixon’ (1997). Pynchon is also known for being very private; very few photographs of him have ever been published, and rumors about his location and identity have circulated since the 1960s.
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August 9, 2012
‘The Ultimate Computer‘ is a season two episode of ‘Star Trek,’ first broadcast in 1968, written by D.C. Fontana, based on a story by Laurence N. Wolf and directed by John Meredyth Lucas. In the episode, a skeleton Enterprise crew are assigned to test a revolutionary computer system, the M-5, that is given total control of the ship. Designed by the brilliant Dr. Richard Daystrom (who’d also invented the currently used computer systems), the M-5 handles all ship functions without human assistance. While Captain Kirk and Chief Medical Officer Dr. McCoy are unhappy about the test, Science Officer Spock is impressed with M-5.
At first M-5 works well, performing ship functions more quickly and efficiently than a living crew. Later, M-5 exhibits quirks such as turning off power and life support to unoccupied parts of the ship. It draws increased power for unknown reasons. Daystrom maintains M-5 is working properly. In a drill, M-5 defends the Enterprise against mock attacks from starships Excalibur and Lexington. The Enterprise is declared the victor, prompting Commodore Wesley to call Kirk ‘Captain Dunsel.’ Spock explains the term is used by midshipmen at Starfleet Academy to describe a part serving no useful purpose. Kirk is visibly shaken by this.
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August 9, 2012
‘The City on the Edge of Forever‘ is the penultimate episode of the first season of the television series ‘Star Trek,’ first broadcast in 1967. The teleplay is credited to Harlan Ellison, but was also largely rewritten by several authors before filming. The filming was directed by Joseph Pevney. Joan Collins guest starred as Edith Keeler. This episode involves the crew of the starship USS Enterprise discovering a portal through space and time, which leads to Dr. McCoy’s accidentally altering history.
The USS Enterprise investigates temporal disturbances centered on a nearby planet. Once on the planet, Spock finds that the source of the time distortions is an ancient ring of glowing, stone-like material. When a question is directed at the ring, it speaks identifying itself as the ‘Guardian of Forever,’ explains that it is a doorway to any time and place, and displays periods of Earth’s history in its portal opening. McCoy, driven mad by an accidental self overdose leaps through the portal. Suddenly the landing party loses contact with the Enterprise. The Guardian informs the landing party that history has just been altered and that, as a result, the Enterprise now no longer exists.
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August 6, 2012
Robochrist Industries is a robotic performance art troupe most notably recognized for its performances in and around Los Angeles during the years 1997 – 2005. The performances feature large radio-controlled robots moving among and eventually destroying props and set-pieces intended to convey specific theatrical narratives. The troupe is a direct offshoot of Survival Research Laboratories (SRL), a pioneer in machine performance art.
Ristow worked on several SRL performances, contributing not only props but also, particularly in the years 1996 and 1997, robots that he had constructed. During this period Ristow also participated in several collaborative performances with another San Francisco based performance group, The Seemen, including the often cited ‘Hellco’ performance at the 1996 Burning Man festival.
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August 6, 2012
Survival Research Laboratories (SRL) is a machine performance art group credited for pioneering the genre of large-scale machine performance. After about 30 years in San Francisco, SRL spent most of 2008 moving 40 miles north to Petaluma. Since its inception in 1978 SRL has operated as an organization of creative technicians and technical creatives dedicated to redirecting the techniques, tools, and tenets of industry, science, and the military away from their typical manifestations in practicality, product or warfare.
Since 1979, SRL has staged over 45 mechanized presentations in the United States and Europe. Each performance consists of a unique set of ritualized interactions between machines, robots, and special-effects devices, employed in developing themes of socio-political satire. Humans are present only as audience or operators.
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August 3, 2012
Dennō Coil (literally ‘Electric Brain Coil’) is a Japanese anime television series depicting a near future where semi-immersive augmented reality (AR) technology has just begun to enter the mainstream. The series takes place in the fictional city of Daikoku, a hotbed of AR development with an emerging city-wide virtual infrastructure.
It follows a group of children as they use AR glasses to unravel the mysteries of the half real, half Internet city, using a variety of illegal software tools, techniques, and virtual pets to manipulate the digital landscape. The show was in development for over a decade, and was the directorial debut of Japanese animator Mitsuo Iso. It premiered on NHK Educational TV in 2007.
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