November 3, 2011
Movember is an annual, month-long event involving the growing of moustaches during the month of November. The event was conceived in 1999 by a group of Australian men from Adelaide. It is also known as ‘Novembeard.’ Since 2004, the Movember Foundation charity has run events to raise awareness and funds for men’s health issues, such as prostate cancer and depression, in Australia and New Zealand. In 2007, events were launched in Ireland, Canada, Cyprus, Czech Republic, Denmark, Greece, Spain, the United Kingdom, Israel, South Africa, and the United States.
The rules for participants as given on the official movember website are as follows: Once registered each bro must begin the 1st Movember with either a clean shaven face or facial growth dependant on your usual style. For the entire month of Movember each bro must shape grow and groom a moustache. There is to be no joining of the mo to the sideburns (that is considered a beard). There is to be no joining of the handlebars to your chin (that is considered a goatee). Each bro must conduct himself like a true country gentleman. Also shaving a beard to provide a ready-made mustache is cheating and not in the spirit of movember. A small growth of hair under the bottom lip (aka a tickler) is permitted as long as it is not connected to any other region.
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November 3, 2011
The Magic Castle in Hollywood is a nightclub for magicians and magic enthusiasts, as well as the clubhouse for the Academy of Magical Arts. It bills itself as ‘the most unusual private club in the world.’ The facility is a performance venue, restaurant and private club. A typical evening features several magic and sometimes variety arts performances, as well as a full service dining room and several bars in a nightclub atmosphere. A dress code of formal party attire is strictly enforced. Entry is only allowed to members and their guests, although low-cost, 30-day memberships are openly offered to the general public, with the savings in door charges often being sufficient to cover the membership fee.
The lobby of the Castle has no visible doors to the interior, and visitors must say a secret phrase to a sculpture of an owl to gain access, exposing the entrance to the club. Nightly, five different magic performances are showcased in three different theaters, with additional performances added on weekends. Magicians perform in several different theaters, including the intimate Close-Up Gallery, a larger Parlor of Prestidigitation, and stage illusions in the Palace of Mystery. Informal performance areas around the five bars give magician members the space for impromptu magic for guests and other patrons. In the music room, a piano is played by invisible ‘Irma,’ the Castle’s ‘resident ghost,’ who takes requests.
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October 31, 2011
Although in the written English language there is no standard way to denote irony or sarcasm, several forms of punctuation have been proposed. Among the oldest and frequently attested are the ‘percontation point’ invented by English printer Henry Denham in the 1580s, and the irony mark, furthered by French poet Alcanter de Brahm in the 19th century. Both of these marks were represented visually by a backwards question mark.
These punctuation marks are primarily used to indicate that a sentence should be understood at a second level. A bracketed exclamation point and/or question mark are also sometimes used to express irony or sarcasm. Scare quotes are quotation marks placed around a word or phrase to indicate that it does not signify its literal or conventional meaning.
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October 28, 2011
The Bubble Project, as proclaimed by its manifesto, aims to counteract corporate marketing and advertisement messages in public spaces. The project was conceived by Ji Lee, an artist and art director who originally printed 15,000 stickers that look like speech bubbles used in comic strips. He posts these blank speech bubbles on top of advertisements throughout New York City allowing anyone who sees them to write in their comments and thoughts.
By filling in the bubbles people engage in the project and transform ‘the corporate monologue into an open dialogue.’ The comments are photographed and posted on the project’s website. The Bubble Project has quickly gained popularity and independent efforts have sprung up in other parts of the world in countries such as Italy and Argentina.
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October 28, 2011
Charlie Kelly is a fictional character on the FX television series ‘It’s Always Sunny in Philadelphia,’ portrayed by Charlie Day. Green Man is a persona assumed by Charlie wearing a green Lycra suit (morphsuit). The persona has spawned imitators, most notably at sporting events. Rob McElhenney, creator of ‘It’s Always Sunny in Philadelphia’ came up with idea after watching the Philadelphia Eagles defeat the Dallas Cowboys at Lincoln Financial Field in Philadelphia. Without warning, in the parking lot after the game, a friend of McElhenney’s stripped off his clothes and donned a full-body green lycra suit.
McElhenney said: ‘Everyone started chanting, ‘Green Man! Green Man!’ It went on for several hours, and all I could think was, My God, there has to be a way I can take advantage of this on the show.’ When McElhenney returned to Los Angeles, he ordered a suit from Japan that was identical to the outfit that McElhenney’s friend had worn. The character made his debut the next season in an episode entitled ‘The Gang Gets Invincible,’ which centered on three of the show’s central characters trying out for the Eagles, just as they had seen in the film ‘Invincible.’
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October 28, 2011
Zentai is a term for skin-tight garments that cover the entire body. The word is a contraction of zenshin taitsu (Japanese: ‘full-body tights’). Zentai is most commonly made using nylon/spandex blends, but other materials such as cotton and wool are used as well. There are several variations based on the Zentai suit including mummy bag (similar to a sleepsack) and hybrid suits consisting of either a single leg and arms, or separate legs and no arms. Some companies have tried to create generic brands of the suits, by dropping the traditional name; in particular, examples include RootSuit or Superfan Suit in the United States and Bodysocks or Morphsuits in the United Kingdom. Morphsuits has actively tried to disassociate themselves from the existing zentai community, occasionally being listed as the product’s co-inventor.
This mainstream push has made them relatively common apparel at major sporting events, and created internationally recognized personalities out of The Green Men, two fans of the Vancouver Canucks NHL team. Some sports leagues, such as Major League Baseball, ban the use of the costume hoods. Various professional street dance/hip hop dance groups use the outfits, such as The Body Poets in the United States, and Remix Monkeys in the United Kingdom.
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October 28, 2011
After consuming large amounts of sugar or caffeine, Beavis sometimes undergoes a radical personality change, or psychotic break. He will raise his forearms in a 90-degree angle next to his chest, pull his shirt over his head, and then begin to yell or scream erratically, producing a stream of gibberish and strange noises, his eyes wide. This is an alter-ego named ‘Cornholio,’ a normally dormant persona. Cornholio tends to wander aimlessly while reciting ‘I am the Great Cornholio! I need TP for my bunghole!’ in an odd faux-Spanish accent. Sometimes Beavis will momentarily talk normally before resuming the persona of Cornholio. Once his Cornholio episode is over, Beavis usually has no memory of what happened.
In the guise of Cornholio, Beavis becomes a successful beat poet (Buttniks), and in ‘Vaya Con Cornholio’ he is deported to Mexico after wrongfully being subjected to immigration detention by an agent of the INS. During his detention the agent and his superior attempt to make sense of the gibberish that is Cornholio, going so far as to look up the definition of ‘bunghole.’ In that same episode, he claims to be from Lake Titicaca, but when asked where it was, he responded with ‘Nicaragua,’ despite the fact that Lake Titicaca is in Peru/Bolivia.
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October 25, 2011
The Steve Allen Theater at the Center for Inquiry (CFI) Los Angeles is a multidisciplinary resident fringe theater and theater of the absurd in Hollywood developed and helmed by Founding Artistic Director, Amit Itelman. The Center for Inquiry is a nonprofit group founded by Carl Sagan and Isaac Asimov to promote science and secular humanism. When paranormal investigator James Underdown became the Executive Director of CFI West in 2003, he named the theater after Center for Inquiry supporter and television personality Steve Allen and offered Itelman an opportunity to define an artistic vision for the space.
Itelman has booked interdisciplinary acts (music, comedy and theater) that strike a brainy and idiosyncratic chord. ‘A kind of theater that bounces off the walls.’ Itelman’s artistic credo reflects CFI’s mission of ‘not accepting things as they are’ an unlikely lab for some of the freshest, strangest work in town…The bar for eccentricity may be pretty high in Hollywood, but the Steve Allen Theater clears it easily.’
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October 25, 2011
The Theatre of the Absurd is a designation for particular plays of absurdist fiction, written by a number of primarily European playwrights in the late 1940s, 1950s, and 1960s, as well as to the style of theater which has evolved from their work. Their work expressed the belief that, in a godless universe, human existence has no meaning or purpose and therefore all communication breaks down.
Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence. Plays within this group are absurd in that they focus not on logical acts, realistic occurrences, or traditional character development; they, instead, focus on human beings trapped in an incomprehensible world subject to any occurrence, no matter how illogical. The theme of incomprehensibility is coupled with the inadequacy of language to form meaningful human connections.
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October 25, 2011
Duck Amuck is a surreal animated cartoon directed by Chuck Jones and produced by Warner Bros. Cartoons. The short was released in early 1953 by The Vitaphone Corporation, the short subject division of Warner Bros. Pictures, as part of the Merrie Melodies series. It stars Daffy Duck, who is tormented by a seemingly sadistic, initially unseen animator, who constantly changes Daffy’s locations, clothing, voice, physical appearance and even shape. Pandemonium reigns throughout the cartoon as Daffy attempts to steer the action back to some kind of normality, only for the animator to either ignore him or, more frequently, to over-literally interpret his increasingly frantic demands. Mel Blanc performed the voices. It was directed by Chuck Jones with a story by Michael Maltese. The film contains many examples of self-referential humor, breaking the fourth wall.
According to director Chuck Jones, this film demonstrated for the first time that animation can create characters with a recognizable personality, independent of their appearance, milieu, or voice. Although in the end, the animator is revealed to be Daffy’s rival Bugs Bunny (who famously declares ‘Ain’t I a stinker?’), according to Jones the ending is just for comedic value: Jones (the director) is speaking to the audience directly, asking ‘Who is Daffy Duck anyway? Would you recognize him if I did this to him? What if he didn’t live in the woods? Didn’t live anywhere? What if he had no voice? No face? What if he wasn’t even a duck anymore?’ In all cases, it is obvious that Daffy is still Daffy; not all cartoon characters can claim such distinctive personality.
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October 24, 2011
Tommy Westphall is a minor character from the drama television series ‘St. Elsewhere,’ which ran on NBC from 1982 to 1988. Westphall, who is autistic, took on major significance in the show’s final episode, where the common interpretation of that finale is that the entire St. Elsewhere storyline exists only within Westphall’s imagination. As characters from St. Elsewhere have appeared on other television shows and those shows’ characters appeared on more shows, a ‘Tommy Westphall Universe’ hypothesis was developed where a significant amount of fictional episodic television exists within Tommy Westphall’s imagined fictional universe.
The Tommy Westphall universe hypothesis, an idea discussed among some television fans, makes the claim that not only does ‘St. Elsewhere’ take place within Tommy’s mind, but so do numerous other television series which are directly and indirectly connected to ‘St. Elsewhere’ through fictional crossovers and spin-offs, resulting in a large fictional universe taking place entirely within Tommy’s mind. In 2002 writer Dwayne McDuffie wrote ‘Six Degrees of St. Elsewhere’ for the Slush Factory website, the earliest version of the hypothesis to be found online. In a 2003 article published on BBC News Online, ‘St. Elsewhere’ writer Tom Fontana was quoted as saying, ‘Someone did the math once… and something like 90 percent of all television took place in Tommy Westphall’s mind. God love him.’
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October 24, 2011
A plot hole is a gap or inconsistency in a storyline that goes against the flow of logic established by the story’s plot, or constitutes a blatant omission of relevant information regarding the plot. These include such things as unlikely behavior or actions of characters, illogical or impossible events, events happening for no apparent reason, or statements/events that contradict earlier events in the storyline. While many stories have unanswered questions, unlikely events or chance occurrences, a plot hole is one that is essential to the story’s outcome. Plot holes are usually seen as weaknesses or flaws in a story, and writers usually try to avoid them to make their stories seem as realistic as possible. However, certain genres (and some media) which require or allow suspension of disbelief are more tolerant of plot holes.
Writers can deal with plot holes in different ways, from completely rewriting the story, to having characters acknowledge illogical or unintelligent actions, to having characters make vague statements that could be used to deflect accusations of plot holes (e.g. ‘I’ve tried everything I can think of…’ to keep critics from asking why a particular action was not taken). The nature of the plot hole and the developmental stage at which it is noticed usually determine the best course of action to take. For example, a motion picture that has already wrapped production would much more likely receive an added line of dialogue rather than an entire script rewrite.
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