Garbage Pail Kids (also known as ‘Basuritas’ in Latin America, ‘Gang do Lixo’ in Brazil, ‘Sgorbions’ in Italy, ‘Les Crados’ in France and ‘Die total kaputten Kids’ in Germany) is a series of trading cards produced by the Topps Company, originally released in 1985 and designed to parody the Cabbage Patch Kids dolls, which were immensely popular at the time.
Each sticker card features a character with a comical abnormality and/or suffering some terrible fate, and punning name, such as ‘Glandular Angela’ or ‘Half-Nelson.’ Fifteen series of regular trading cards were released in the United States, with various sets released in other countries.
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Garbage Pail Kids
Body Swap
A body swap is a storytelling device seen in a variety of fiction, most often in television shows and movies, in which two people (or beings) exchange minds and end up in each other’s bodies. Alternatively, their minds may stay where they are as their bodies adjust. The two people usually keep their voices in cartoons, for purposes of knowing who is who. There are three distinct types of body swapping. Switches can be caused by magic items such as amulets, heartfelt wishes, or just strange quirks of the universe. The switches typically reverse after the subjects have expanded their world views, gained a new appreciation for each other’s troubles by literally ‘walking in another’s shoe’ and/or caused sufficient amounts of farce. Notable examples include the books ‘Vice Versa’ (1882) and ‘Freaky Friday’ (1972), as well as the film versions of both.
Switches accomplished by technology, exempting gadgets advanced sufficiently to appear as magic, are the fare of mad scientists. Body-swapping devices are characterized by highly experimental status, straps, helmets with complicated cables that run to a central system and a tendency to direly malfunction before their effects can be reversed. Those without such means may resort to brain transplants. Such experiments can have overtones of horror; evil mad scientists seldom use willing test subjects.
Line-crossing Ceremony
The ceremony of Crossing the Line is an initiation rite in several navies that commemorates a sailor’s first crossing of the Equator. Originally, the tradition was created as a test for seasoned sailors to ensure their new shipmates were capable of handling long rough times at sea. Sailors who have already crossed the Equator are nicknamed (Trusty) Shellbacks, often referred to as Sons of Neptune; those who have not are nicknamed (Slimy) Pollywogs. Equator-crossing ceremonies, typically featuring King Neptune, are also sometimes carried out for passengers’ entertainment on civilian ocean liners and cruise ships. They are also performed in the merchant navy and aboard sail training ships.
The two-day event (evening and day) is a ritual of reversal in which the older and experienced enlisted crew essentially takes over the ship from the officers. Physical assaults in keeping with the spirit of the initiation are tolerated, and even the inexperienced crew is given the opportunity to take over. The transition flows from established order to the controlled ‘chaos’ of the Pollywog Revolt, the beginnings of re-order in the initiation rite as the fewer but experienced enlisted crew converts the Wogs through physical tests, then back to, and thereby affirming, the pre-established order of officers and enlisted.
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Movember
Movember is an annual, month-long event involving the growing of moustaches during the month of November. The event was conceived in 1999 by a group of Australian men from Adelaide. It is also known as ‘Novembeard.’ Since 2004, the Movember Foundation charity has run events to raise awareness and funds for men’s health issues, such as prostate cancer and depression, in Australia and New Zealand. In 2007, events were launched in Ireland, Canada, Cyprus, Czech Republic, Denmark, Greece, Spain, the United Kingdom, Israel, South Africa, and the United States.
The rules for participants as given on the official movember website are as follows: Once registered each bro must begin the 1st Movember with either a clean shaven face or facial growth dependant on your usual style. For the entire month of Movember each bro must shape grow and groom a moustache. There is to be no joining of the mo to the sideburns (that is considered a beard). There is to be no joining of the handlebars to your chin (that is considered a goatee). Each bro must conduct himself like a true country gentleman. Also shaving a beard to provide a ready-made mustache is cheating and not in the spirit of movember. A small growth of hair under the bottom lip (aka a tickler) is permitted as long as it is not connected to any other region.
The Magic Castle
The Magic Castle in Hollywood is a nightclub for magicians and magic enthusiasts, as well as the clubhouse for the Academy of Magical Arts. It bills itself as ‘the most unusual private club in the world.’ The facility is a performance venue, restaurant and private club. A typical evening features several magic and sometimes variety arts performances, as well as a full service dining room and several bars in a nightclub atmosphere. A dress code of formal party attire is strictly enforced. Entry is only allowed to members and their guests, although low-cost, 30-day memberships are openly offered to the general public, with the savings in door charges often being sufficient to cover the membership fee.
The lobby of the Castle has no visible doors to the interior, and visitors must say a secret phrase to a sculpture of an owl to gain access, exposing the entrance to the club. Nightly, five different magic performances are showcased in three different theaters, with additional performances added on weekends. Magicians perform in several different theaters, including the intimate Close-Up Gallery, a larger Parlor of Prestidigitation, and stage illusions in the Palace of Mystery. Informal performance areas around the five bars give magician members the space for impromptu magic for guests and other patrons. In the music room, a piano is played by invisible ‘Irma,’ the Castle’s ‘resident ghost,’ who takes requests.
Irony Mark
Although in the written English language there is no standard way to denote irony or sarcasm, several forms of punctuation have been proposed. Among the oldest and frequently attested are the ‘percontation point’ invented by English printer Henry Denham in the 1580s, and the irony mark, furthered by French poet Alcanter de Brahm in the 19th century. Both of these marks were represented visually by a backwards question mark.
These punctuation marks are primarily used to indicate that a sentence should be understood at a second level. A bracketed exclamation point and/or question mark are also sometimes used to express irony or sarcasm. Scare quotes are quotation marks placed around a word or phrase to indicate that it does not signify its literal or conventional meaning.
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The Bubble Project
The Bubble Project, as proclaimed by its manifesto, aims to counteract corporate marketing and advertisement messages in public spaces. The project was conceived by Ji Lee, an artist and art director who originally printed 15,000 stickers that look like speech bubbles used in comic strips. He posts these blank speech bubbles on top of advertisements throughout New York City allowing anyone who sees them to write in their comments and thoughts.
By filling in the bubbles people engage in the project and transform ‘the corporate monologue into an open dialogue.’ The comments are photographed and posted on the project’s website. The Bubble Project has quickly gained popularity and independent efforts have sprung up in other parts of the world in countries such as Italy and Argentina.
Green Man
Charlie Kelly is a fictional character on the FX television series ‘It’s Always Sunny in Philadelphia,’ portrayed by Charlie Day. Green Man is a persona assumed by Charlie wearing a green Lycra suit (morphsuit). The persona has spawned imitators, most notably at sporting events. Rob McElhenney, creator of ‘It’s Always Sunny in Philadelphia’ came up with idea after watching the Philadelphia Eagles defeat the Dallas Cowboys at Lincoln Financial Field in Philadelphia. Without warning, in the parking lot after the game, a friend of McElhenney’s stripped off his clothes and donned a full-body green lycra suit.
McElhenney said: ‘Everyone started chanting, ‘Green Man! Green Man!’ It went on for several hours, and all I could think was, My God, there has to be a way I can take advantage of this on the show.’ When McElhenney returned to Los Angeles, he ordered a suit from Japan that was identical to the outfit that McElhenney’s friend had worn. The character made his debut the next season in an episode entitled ‘The Gang Gets Invincible,’ which centered on three of the show’s central characters trying out for the Eagles, just as they had seen in the film ‘Invincible.’
Zentai
Zentai is a term for skin-tight garments that cover the entire body. The word is a contraction of zenshin taitsu (Japanese: ‘full-body tights’). Zentai is most commonly made using nylon/spandex blends, but other materials such as cotton and wool are used as well. There are several variations based on the Zentai suit including mummy bag (similar to a sleepsack) and hybrid suits consisting of either a single leg and arms, or separate legs and no arms. Some companies have tried to create generic brands of the suits, by dropping the traditional name; in particular, examples include RootSuit or Superfan Suit in the United States and Bodysocks or Morphsuits in the United Kingdom. Morphsuits has actively tried to disassociate themselves from the existing zentai community, occasionally being listed as the product’s co-inventor.
This mainstream push has made them relatively common apparel at major sporting events, and created internationally recognized personalities out of The Green Men, two fans of the Vancouver Canucks NHL team. Some sports leagues, such as Major League Baseball, ban the use of the costume hoods. Various professional street dance/hip hop dance groups use the outfits, such as The Body Poets in the United States, and Remix Monkeys in the United Kingdom.
Cornholio
After consuming large amounts of sugar or caffeine, Beavis sometimes undergoes a radical personality change, or psychotic break. He will raise his forearms in a 90-degree angle next to his chest, pull his shirt over his head, and then begin to yell or scream erratically, producing a stream of gibberish and strange noises, his eyes wide. This is an alter-ego named ‘Cornholio,’ a normally dormant persona. Cornholio tends to wander aimlessly while reciting ‘I am the Great Cornholio! I need TP for my bunghole!’ in an odd faux-Spanish accent. Sometimes Beavis will momentarily talk normally before resuming the persona of Cornholio. Once his Cornholio episode is over, Beavis usually has no memory of what happened.
In the guise of Cornholio, Beavis becomes a successful beat poet (Buttniks), and in ‘Vaya Con Cornholio’ he is deported to Mexico after wrongfully being subjected to immigration detention by an agent of the INS. During his detention the agent and his superior attempt to make sense of the gibberish that is Cornholio, going so far as to look up the definition of ‘bunghole.’ In that same episode, he claims to be from Lake Titicaca, but when asked where it was, he responded with ‘Nicaragua,’ despite the fact that Lake Titicaca is in Peru/Bolivia.
The Steve Allen Theater
The Steve Allen Theater at the Center for Inquiry (CFI) Los Angeles is a multidisciplinary resident fringe theater and theater of the absurd in Hollywood developed and helmed by Founding Artistic Director, Amit Itelman. The Center for Inquiry is a nonprofit group founded by Carl Sagan and Isaac Asimov to promote science and secular humanism. When paranormal investigator James Underdown became the Executive Director of CFI West in 2003, he named the theater after Center for Inquiry supporter and television personality Steve Allen and offered Itelman an opportunity to define an artistic vision for the space.
Itelman has booked interdisciplinary acts (music, comedy and theater) that strike a brainy and idiosyncratic chord. ‘A kind of theater that bounces off the walls.’ Itelman’s artistic credo reflects CFI’s mission of ‘not accepting things as they are’ an unlikely lab for some of the freshest, strangest work in town…The bar for eccentricity may be pretty high in Hollywood, but the Steve Allen Theater clears it easily.’
Theater of the Absurd
The Theatre of the Absurd is a designation for particular plays of absurdist fiction, written by a number of primarily European playwrights in the late 1940s, 1950s, and 1960s, as well as to the style of theater which has evolved from their work. Their work expressed the belief that, in a godless universe, human existence has no meaning or purpose and therefore all communication breaks down.
Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence. Plays within this group are absurd in that they focus not on logical acts, realistic occurrences, or traditional character development; they, instead, focus on human beings trapped in an incomprehensible world subject to any occurrence, no matter how illogical. The theme of incomprehensibility is coupled with the inadequacy of language to form meaningful human connections.
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