Michael Jackson (1942 – 2007) was an English writer and journalist. He was the author of several influential books about beer and whiskey. He became famous in beer circles in 1977 when his book ‘The World Guide To Beer’ was published; it is still considered to be one of the most fundamental books on the subject.
The modern theory of beer style is largely based the book, in which Jackson categorized a variety of beers from around the world in local style groups suggested by local customs and names. His work had a special influence on the popularization of the brewing culture in North America, and he would later host a popular show entitled ‘The Beer Hunter,’ which was shown on Channel 4 and the Discovery Channel. During his 30 year career as a critic, he wrote columns for a large number of newspapers and magazines. Jackson considered beer as a component of culture and described beers in their cultural context. Although he traveled around the world and discovered different beer cultures, he was especially fond of the Belgian beers.
The Beer Hunter
Spy vs. Spy
Spy vs. Spy is a black and white comic strip that debuted in ‘Mad Magazine’ #60, in 1961, and was originally published by EC Comics. The strip always features two spies, who are completely identical save for the fact that one is dressed in white and the other black.
The pair are constantly warring with each other, using a variety of booby-traps to inflict harm on the other. The spies usually alternate between victory and defeat with each new strip. They were created by Antonio Prohías, a prolific cartoonist in Cuba known for political satire.
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Exonym and Endonym
In ethnolinguistics, an endonym [en-doe-nim] or autonym is a local name for a geographical feature, and an exonym [ex-o-nim] or xenonym is a foreign language name for it. Exonyms and endonyms can be names of places (toponym), ethnic groups (ethnonym), languages (glossonym), or individuals (personal name).
For example, China, India, Germany, Greece, Japan, and Korea are the English exonyms corresponding to the endonyms Zhongguo, Bharat, Deutschland, Hellas, Nippon, and Goryeo, respectively.
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Fools Guild
The Fools Guild is a Los Angeles organization themed around the medieval and renaissance idea of the Court jester. It’s central activity is producing three annual parties on Halloween, New Year’s Eve, and April Fool’s Day.
The Guild was born in 1979 at the Renaissance Pleasure Faire of Southern California, where the original improvisational team met while performing as jesters, jugglers, pass-the-hat-acts, and mimes. In 1982 they moved to West Hollywood, renting a house with a giant main room and very high ceilings, where the Fools began to host parties, workshops and other performance-centered events. Very quickly a social club of comedic performers evolved and the house became known as the Guild Hall.
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Modesty Blaise
Modesty Blaise is a British comic strip featuring a fictional character of the same name, created by Peter O’Donnell (writer) and Jim Holdaway (art) in 1963.
The strip follows the adventures of Modesty Blaise, an exceptional young woman with many talents and a criminal past, and her trusty sidekick Willie Garvin. It was adapted into films made in 1966, 1982, and 2003 and a series of 13 novels and short story collections, beginning in 1965.
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Millennium Series
The Millennium series (1954 – 2004) is a series of bestselling novels originally written in Swedish by the late Stieg Larsson. The primary characters in the series are Lisbeth Salander, an intelligent, eccentric woman in her twenties with a photographic memory and poor social skills, and Mikael Blomkvist, an investigative journalist and editor of a magazine called ‘Millennium.’ Blomkvist, the character, has a history similar to Larsson, the author.
There are three books in the series: ‘The Girl with the Dragon Tattoo,’ ‘The Girl Who Played with Fire,’ and ‘The Girl Who Kicked the Hornets’ Nest.’ When he died suddenly of a heart attack in 2004, Larsson left behind manuscripts of the completed but unpublished novels written as a series. He had written them for his own pleasure after returning home from his job in the evening, and had made no attempt to get them published until shortly before his death.
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Cowlick
A cowlick [kou-lik] is a section of hair that stands straight up or lies at an angle at odds with the style in which the rest of an individual’s hair is worn. They appear when the growth direction of the hair forms a spiral pattern. The term originates from the domestic bovine’s habit of licking its young, which results in a swirling pattern in the hair.
The most common site of a human cowlick is in the crown, but they can show up anywhere. They also sometimes appear in the front and back of the head.
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Paradoxical Laughter
Paradoxical [par-uh-dok-si-kuhl] laughter is an exaggerated expression of humor which is unwarranted by external events. It may be uncontrollable laughter which may be recognized as inappropriate by the person involved. It is associated with altered mental states or mental illness, such as mania, hypomania or schizophrenia, and can have other causes.
Paradoxical laughter is indicative of an unstable mood, often caused by the pseudobulbar affect (a neurologic disorder characterized by uncontrollable episodes of crying and/or laughing), which can quickly change to anger and back again, on minor external cues. This type of laughter can also occur at times when the fight-or-flight response may otherwise be evoked.
Gerd Arntz
Gerd Arntz (1900 – 1988) was a German Modernist artist – famous for his black and white woodcuts. A core member of the Cologne Progressives he was also a council communist. The Cologne Progressives participated in the revolutionary unions AAUD and its offshoot the AAUE in the 1920s, and in 1928 Arntz was contributing anti-parliamentary prints to its paper ‘Die Proletarische Revolution’ which called for workers to form and participate in worker’s councils. These political prints depicted the life of worker’s and the class struggle in abstracted figures in woodcuts.
In 1926 Otto Neurath sought his collaboration in designing pictograms for the ‘Vienna Method of Pictorial Statistics’ (‘Wiener Methode der Bildstatistik’; later renamed ‘Isotype’). From the beginning of 1929 Arntz worked at the Gesellschafts- und Wirtschaftsmuseum (Social and economic museum) directed by Neurath in Vienna. Eventually, Arntz designed around 4000 pictograms. After the brief civil war in Austria in 1934 he emigrated to the Netherlands, joining Neurath and Reidemeister in The Hague, where they continued their collaboration at the International Foundation for Visual Education.
Isotype
Isotype (International System of TYpographic Picture Education) is a method of showing social, technological, biological and historical connections in pictorial form.
It was first known as the Vienna Method of Pictorial Statistics, due to its having been developed at the Social and Economic Museum of Vienna (Gesellschafts- und Wirtschaftsmuseum in Wien) between 1925 and 1934. The founding director of the museum, Otto Neurath, was the initiator and chief theorist of the Vienna Method. The term Isotype was applied to the method around 1935, after its key practitioners were forced to leave Vienna by the rise of Austrian fascism.
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Blissymbols
Blissymbols or Blissymbolics was conceived as an ideographic writing system called Semantography consisting of several hundred basic symbols, each representing a concept, which can be composed together to generate new symbols that represent new concepts. Blissymbols differ from most of the world’s major writing systems in that the characters do not correspond at all to the sounds of any spoken language.
Blissymbols were invented by Charles K. Bliss (1897–1985), born Karl Kasiel Blitz in the Austro-Hungarian city of Czernowitz (in what is now Ukraine), which had a mixture of different nationalities that ‘hated each other, mainly because they spoke and thought in different languages.’ Bliss graduated as a chemical engineer at the Vienna University of Technology, and joined an electronics company as a research chemist. When the German Army invaded Austria in 1938, he was sent to the concentration camps of Dachau and Buchenbald. His German wife Claire managed to get him released, and they finally became exiles in Shanghai, where Bliss had relatives.
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