December 24, 2011
Word Lens is an augmented reality translation application for the iPhone from Quest Visual. It uses the built-in phone camera to identify text, such as a sign or a menu, in one language and have the words shown translated into another language. The words are displayed in the original context, on the original background, without connection to the internet. When it was released in 2010 only English and Spanish were supported. Word Lens is best used on clearly printed text and was not designed to translate handwritten or stylized fonts.
This application was created to help tourists understand signs and menus. The application was not designed to read books, but journalist Ben Rooney managed to understand a page from ‘Harry Potter y el Prisionero de Azkaban.’ The Google Goggles application for Android and iPhone also has the capability to translate text or identify objects in an image, but it requires users to take a picture with their phones, and an active internet connection. Word Lens does it on the fly, meaning it’s interpreting frames in video, almost in real time.
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December 23, 2011
The Schreiber theory is a writer-centered approach to film criticism which holds that the principal author of a film is generally the screenwriter rather than the director. The term was coined by David Kipen, Director of Literature at the US National Endowment for the Arts. In his 2006 book ‘The Schreiber Theory: A Radical Rewrite of American Film History,’ Kipen argues that the influential 1950s-era Auteur theory has wrongly skewed analysis towards a director-centered view of film. In contrast, Kipen believes that the screenwriter has a greater influence on the quality of a finished work and that knowing who wrote a film is ‘the surest predictor’ of how good it will be.
Kipen acknowledges that his writer-centered approach is not new, and pays tribute to earlier critics of Auteur theory such as Pauline Kael and Richard Corliss. He believes that the Auteurist approach remains dominant, however, and that films have suffered as a result of the screenwriter’s role being undervalued. Kipen refers to his book as a ‘manifesto’ and in an interview with the magazine ‘SF360’ stated that he wished to use Schreiber theory as ‘a lever to change the way people think about screenwriting, and movies in general.’ In seeking a name for his theory, Kipen chose the Yiddish word for writer – ‘schreiber’ – in honor of the many early American screenwriters who had Yiddish as their mother tongue.
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December 23, 2011
In film criticism, auteur theory holds that a director’s film reflects the director’s personal creative vision, as if they were the primary ‘auteur’ (the French word for ‘author’). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur’s creative voice is distinct enough to shine through all kinds of studio interference and through the collective process.
In law, the film is treated as a work of art, and the auteur, as the creator of the film, is the original copyright holder. Under European Union law, the film director is considered the author or one of the authors of a film, largely as a result of the influence of auteur theory.
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December 21, 2011
A digital native is a person who was born during or after the general introduction of digital technology, and through interacting with digital technology from an early age, has a greater understanding of its concepts.
Alternatively, this term can describe people born in the latter 1960s or later, as the Digital Age began at that time; but in most cases the term focuses on people who grew up with the technology that became prevalent in the latter part of the 20th century, and continues to evolve today.
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December 20, 2011
Nettime is an internet mailing list that was founded in 1995 during the second meeting of the Medien Zentral Kommittee at the Venice Biennale. Founded by Geert Lovink and Pit Schultz, the list was meant to provide a space for a new form of critical discourse on and with the nets. Since 1995, Nettime has been recognized for building up the discourse of Netzkritik or Net Critique, providing a backdrop and context for the emergence of net.art and influencing critical net culture in general.
Often understood as a European ‘online salon,’ Nettime was initially a pre-publishing platform for international critical thinkers. Originally a mainly English language mailing list, other lists have been created for other languages. While the subscribers have changed over time, the list and lists have had the regular participation of such notable figures as: American poet John Perry Barlow, political writer Hakim Bey, art professor Ricardo Dominquez, Russian artist Alexei Shulgin, and DJ Spooky, among others. The lists has around 3500 subscribers.
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December 20, 2011
Tradigital art most commonly refers to art (including animation) that combines both traditional and computer-based techniques to implicate an image.
Artist and teacher Judith Moncrieff first coined the term in the early 1990s, while an instructor at the Pacific Northwest College of Art. The school held a competition of Moncrieff’s students, who used the medium to electronically combine everything from photographs of costumes to stills from videotapes of performing dancers.
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December 20, 2011
Bulletism is an artistic process that involves shooting ink at a blank piece of paper. The result is a type of ink blot. The artist can then develop images based on what is seen.
Salvador Dalí claimed to have invented this technique. Leonardo da Vinci, however, suggested that ‘just as one can hear any desired syllable in the sound of a bell, so one can see any desired figure in the shape formed by throwing a sponge with ink against the wall.’
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December 20, 2011
Ram Dass (b. 1931) is an American contemporary spiritual teacher, originally named Richard Alpert, and the author of the seminal 1971 book ‘Be Here Now.’
He is known for his personal and professional associations with Timothy Leary at Harvard University in the early 1960s, for his travels to India and his relationship with the Hindu guru Neem Karoli Baba, and for founding the charitable organizations Seva Foundation and Hanuman Foundation.
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December 20, 2011
Be Here Now is a seminal 1971 book on spirituality, yoga and meditation by the Western born yogi and spiritual teacher Ram Dass. The title comes from a statement his guide, Bhagavan Das, made during Ram Dass’s journeys in India. The cover features a Mandala incorporating the title, a chair, radial lines, and the word ‘remember.’
It is one of the first guides, for those not born as Hindus, to becoming a yogi, by a person himself not born a Hindu. For its influence on the Hippie movement and subsequent spiritual movements, it has been described as a ‘countercultural bible.’ In addition to introducing its title phrase into common use, the book has influenced numerous other writers and yoga practitioners, including Wayne Dyer and Michael Crichton.
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December 20, 2011
Space opera is a subgenre of science fiction that emphasizes romantic, often melodramatic adventure, set mainly or entirely in outer space, generally involving conflict between opponents possessing advanced technologies and abilities. The term has no relation to music and it is analogous to ‘soap opera.’ Perhaps the most significant trait of space opera is that settings, characters, battles, powers, and themes tend to be very large-scale.
Sometimes the term is used pejoratively to denote bad quality science fiction, but its meaning can differ, often describing a particular science fiction genre without any value judgement. The genre’s varying definitions were affected by literary politics, ‘what used to be science fantasy is now space opera, and what used to be space opera is entirely forgotten.’
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December 20, 2011
Planetary romance is a type of science fiction or science fantasy story in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.
As the name of the genre suggests, the planetary romance is an extension of late 19th and early 20th century adventure novels and pulp romances to a planetary setting. The pulp romance (of writers like H. Rider Haggard and Talbot Mundy) featured bold characters in exotic settings and ‘lost worlds’ such as South America, Africa, the Middle or Far East; a variant type took place in real or fictional countries of ancient and medieval times, and eventually contributed to the modern fantasy genre.
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December 20, 2011
Sword and Planet is a subgenre of science fantasy that features rousing adventure stories set on other planets, and usually featuring Earthmen as protagonists. The name derives from the heroes of the genre engaging their adversaries in hand to hand combat primarily with simple melee weapons such as swords, even in a setting that often has advanced technology.
Though there are works that herald the genre such as Percy Greg’s ‘Across The Zodiac’ (1880) and Edwin Lester Arnold’s ‘Lieutenant Gullivar Jones: His Vacation’ (1905; published in the US in 1964 as ‘Gulliver of Mars’), the prototype for the genre is ‘A Princess of Mars’ by Edgar Rice Burroughs originally serialized by ‘All-Story’ in 1912.
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