A Malthusian catastrophe [mal-thoo-zee-uhn] would be a forced return to subsistence-level conditions due to population growth outpacing agricultural production. Population and growth size has a negative impact on the environment. Later formulations consider economic growth limits as well. The term is also commonly used in discussions of oil depletion. Based on the work of political economist Thomas Malthus (1766–1834), theories of Malthusian catastrophe are very similar to the Iron Law of Wages (real wages always tend toward the minimum wage necessary to sustain the life of the worker).
The main difference is that the Malthusian theories predict what will happen over several generations or centuries, whereas the Iron Law of Wages predicts what will happen in a matter of years and decades. The Industrial Revolution enabled the modern world to break out of the Malthusian growth model, however, various limited resources which may soon limit human population growth because of a widespread belief in the importance of prosperity for every individual and the rising consumption trends of large developing nations such as China and India.
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Malthusian Catastrophe
Iron Law of Wages
The Iron Law of Wages is a proposed law of economics that asserts that real wages always tend, in the long run, toward the minimum wage necessary to sustain the life of the worker. The theory was first named by Ferdinand Lassalle in the mid-nineteenth century.
Karl Marx attributed the doctrine to Lassalle (notably in ‘Critique of the Gotha Programme’), crediting the idea to Thomas Malthus in his work, ‘An Essay on the Principle of Population,’ and the terminology to Goethe’s ‘great, eternal iron laws’ in ‘Das Göttliche’ (‘On the Divine’).
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Malthusian Trap
The Malthusian trap [mal-thoo-zee-uhn], named after political economist Thomas Robert Malthus, suggests that for most of human history, income was largely stagnant because technological advances and discoveries only resulted in more people, rather than improvements in the standard of living.
It is only with the onset of the Industrial Revolution in about 1800 that the income per person dramatically increased, and they broke out of the Trap; it has been shown, however, that the escape from the Malthusian trap can also generate serious political upheavals.
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Copycat Building
The Copycat Building is a Baltimore landmark containing artists’ live/work/paint spaces. The building was originally occupied in 1905 by the Crown Cork & Seal Company (originators of the modern bottle cap).
It is home to many young artists, musicians, filmmakers, and professionals looking for a large space to live, create, study, and live in the city. The cost of rent is 50 cents per square foot. The building is used for the set of the talk show, ‘It’s a Remarckable Time Who Cares.’
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Carbon Pricing
Carbon pricing is the generic term for placing a price on carbon through either subsidization, taxation, or emissions trading (‘cap-and-trade’). Release of carbon dioxide to the atmosphere causes climate change, according to the consensus theory of anthropogenic (produced by humans) global warming.
Greenhouse gas emissions result from fossil fuel-based electricity generation. As a means of avoiding dangerous climate change, associating an approximate cost to damage such as from increasing extreme weather, carbon pricing may incentivize a reduction of carbon emissions and the discovery or implementation of low-emission technologies.
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Pigovian Tax
A Pigovian [pig-oh-vee-ahn] tax is a levy on a market activity that generates negative externalities (a cost not transmitted through prices that is incurred by a party who did not agree to the action causing it). For example, a tax on cigarettes might be intended to recoup public healthcare costs resulting from smoking. The tax is intended to correct the market outcome, which is not efficient and may lead to overconsumption of the product.
In the presence of positive externalities (public benefits from a market activity) those who receive the benefit do not pay for it and the market may under-supply the product. Similar logic suggests the creation of Pigovian subsidies to make the users pay for the extra benefit and spur more production. Pigovian taxes are named after British economist Arthur Pigou who also developed the concept of economic externalities. William Baumol was instrumental in framing Pigou’s work in modern economics.
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Fat Tax
A fat tax is a surcharge placed upon fattening foods, beverages, or individuals. As an example of Pigovian taxation (a tax levied on a market activity that generates negative externalities), a fat tax aims to discourage unhealthy diets and offset the economic costs of obesity. A related idea is to tax foods that are linked to increased risk of coronary heart disease. Numerous studies suggest that as the price of a food decreases, individuals gets fatter. In fact, eating behavior may be more responsive to price increases than to nutritional education. Estimates suggest that a 1 cent per ounce tax on sugar-sweetened beverages may reduce the consumption of those beverages by 25%.
However, there is also evidence that obese individuals are less responsive to changes in the price of food than normal-weight individuals. To implement a fat tax, it is necessary to specify which food and beverage products will be targeted. This must be done with care, because a carelessly chosen food tax can have surprising and perverse effects. For instance, consumption patterns suggest that taxing saturated fat would induce consumers to increase their salt intake, thereby putting themselves at greater risk for cardiovascular related death. Taxation of sodium has been proposed as a way of reducing salt intake and the resulting health problems.
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Soda Tax
A soda tax is a surcharge on soft drinks. It may focus on sugar-sweetened beverages (soda sweetened with sugar, corn syrup, or other caloric sweeteners and other carbonated and uncarbonated drinks, and sports and energy drinks). As an example of Pigovian taxation (a tax levied on a market activity that generates negative externalities), it may aim to discourage unhealthy diets and offset the economic costs of obesity.
France is in the process of introducing a tax on sugary drinks for 2012; following introduction, soft drinks are estimated to be up to 3.5% more expensive. The city of Richmond, California has placed a soda tax on its 2012 ballot. Soda consumption has been noted as a contributing factor to the obesity epidemic and medical costs related to obesity. In 1994, an early soda tax was introduced by Kelly D. Brownell, Director of the Rudd Center for Food Policy and Obesity at Yale. In 2009, 33 US states had a sales tax on soft drinks. Support for a soda tax has been higher when pollsters say the money will go towards health care.
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Neo Geo
The Neo Geo is an arcade system board and home video game console released in 1990 by Japanese game company SNK. The MVS (Multi Video System), as the Neo Geo was known to the coin-operated arcade game industry, offered arcade operators the ability to put up to six different arcade titles into a single cabinet, a key economic consideration for operators with limited floorspace.
With its games stored on self-contained cartridges, a game-cabinet could be exchanged for a different game-title by swapping the game’s ROM-cartridge and cabinet artwork. Several popular franchise-series, including ‘Fatal Fury,’ ‘The King of Fighters,’ ‘Metal Slug,’ and ‘Samurai Shodown,’ were released for the platform. The Neo Geo system was also marketed as a very costly home console, commonly referred to today as the AES (Advanced Entertainment System).
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Sanwa Denshi
Sanwa Denshi (‘Three Harmonies Electronics Company’) is a general electronics manufacturer, but is best known internationally as a leading manufacturer of arcade parts; i.e. joysticks, buttons, coin feeds etc.
Its parts are commonly used in Japanese arcade machines and held in high regard by custom builders (especially in the fighting game community).
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Matt Mullican
Matt Mullican (b. 1951) is a American artist and son of abstract painter Lee Mullican. He received his BFA from CalArts in 1974, and rose to prominence as a member of the ‘Pictures Generation,’ a group of artists know for their appropriation of images from the consumer and media saturated age in which they grew to maturity.
Mullican’s work is concerned with systems of knowledge, meaning, language, and signification. Mullican also works with the relationship between perception and reality, between the ability to see something and the ability to represent it. Mullican has taught and lectured at Columbia University, The Rijksakademie (Amsterdam), The London Institute, Chelsea College of Art and Design, and The School of Visual Arts (NY).
Kenny Scharf
Kenny Scharf (b. 1958) is an American painter who lives in Brooklyn, whose works consist of popular culture based art with made up science-related backgrounds.
Scharf came to prominence in the 80s interdisciplinary art scene making sparkly, pop-ed, and monstrous paintings and installations.
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