George Dantzig (1914 – 2005) was an American mathematical scientist who solved two unsolved problems in statistical theory, which he had mistaken for homework after arriving late to a lecture of UC Berkeley statistician Jerzy Neyman. Dantzig was the Professor Emeritus of Transportation Sciences and Professor of Operations Research and of Computer Science at Stanford.
Born in Portland, Oregon, George Bernard Dantzig was named after George Bernard Shaw, the Irish writer. His father, Tobias Dantzig, was a Baltic German mathematician and linguist, and his mother, Anja Dantzig (née Ourisson), was a French linguist. Dantzig’s parents met during their study at the Sorbonne, where Tobias studied mathematics under Henri Poincaré.
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George Dantzig
Limbic Regulation
Limbic regulation is the effect of contact with other people upon the development and stability of personality and mood. The concept was advanced in the book ‘A General Theory of Love’ (2000), and is one of three interrelated concepts central to the book’s premise: that our brain chemistry and nervous systems are measurably affected by those closest to us (limbic resonance); that our systems synchronize with one another in a way that has profound implications for personality and lifelong emotional health (limbic regulation); and that these set patterns can be modified through therapeutic practice (limbic revision).
As the authors poetically frame it: ‘Human physiology finds a hub … in the harmonizing activity of nearby limbic brains. Our neural architecture places relationships at the crux of our lives, where, blazing and warm, they have the power to stabilize. When people are hurting and out of balance, they turn to regulating affiliations: groups, clubs, pets, marriages, friendships, masseuses, chiropractors, the Internet. All carry at least the potential for emotional connection.’
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Limbic Resonance
Limbic resonance is the capacity for sharing deep emotional states arising from the limbic system of the brain. These states include the dopamine circuit promoted feelings of empathic harmony, and the norepinephrine circuit originated emotional states of fear, anxiety, and anger. The concept was first advanced in the book ‘A General Theory of Love’ (2000). It refers to the capacity for empathy and non-verbal connection that is present in animals, and that forms the basis of our social connections as well as the foundation for various modes of therapy and healing.
According to the authors (Thomas Lewis, M.D, Fari Amini, M.D., and Richard Lannon, M.D.), professors of psychiatry at UCSF, our nervous systems are not self-contained, but rather demonstrably attuned to those around us with whom we share a close connection. ‘Within the effulgence of their new brain, mammals developed a capacity we call ‘limbic resonance’ — a symphony of mutual exchange and internal adaptation whereby two mammals become attuned to each other’s inner states.’
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Emotional Contagion
Emotional contagion is the tendency to catch and feel emotions that are similar to and associated with those of others. One view developed by Elaine Hatfield, John Cacioppo, and Richard Rapson of the underlying mechanism is that it represents a tendency to mimic and synchronize facial expressions, vocalizations, postures, and movements with those of another person automatically and, consequently, to converge emotionally.
A broader definition of the phenomenon was suggested by Schoenewolf—’a process in which a person or group influences the emotions or behavior of another person or group through the conscious or unconscious induction of emotion states and behavioral attitudes.’
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Ideasthesia
Ideasthesia is a neurological or cognitive phenomenon in which activation of a particular concept triggers a sensory-like experience. Specifically it is when activations of concepts (inducers) evoke perception-like experiences (concurrents). The name comes from Greek, meaning sensing concepts or sensing ideas.
The main reason for introducing the notion of ideaesthesia was the empirical evidence indicating that the related term synesthesia (i.e. union of senses) suggests incorrect explanation of a set of phenomena traditionally covered by this heading.
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Grapheme–color Synesthesia
Grapheme-color [graf-eem] synesthesia [sin-uhs-thee-zhuh] is a form of synesthesia (mixing of sensations) in which an individual’s perception of numbers and letters is associated with the experience of colors. Like all forms of synesthesia, grapheme-color synesthesia is involuntary, consistent, and memorable. It is one of the most common forms of synesthesia, and because of the extensive knowledge of the visual system, one of the most studied. While it is extremely unlikely that any two synesthetes will report the same colors for all letters and numbers, studies of large numbers of synesthetes find that there are some commonalities across letters (e.g., ‘A’ is likely to be red).
Early studies argued that the condition was not due to associative learning, such as from playing with colored refrigerator magnets. However, one recent study has documented a case of synesthesia in which synesthetic associations could be traced back to colored refrigerator magnets. Despite the existence of this individual case, the majority of synesthetic associations do not seem to be driven by learning of this sort. Rather, it seems that more frequent letters are paired with more frequent colors, and some meaning-based rules, such as ‘b’ being blue, drive most synesthetic associations.
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Brain Waves
Neural oscillation is rhythmic or repetitive neural activity in the central nervous system. In individual neurons, oscillations can appear either as oscillations in membrane potential or as rhythmic patterns of action potentials, which then produce oscillatory activation of post-synaptic neurons. At the level of neural ensembles, synchronized activity of large numbers of neurons can give rise to macroscopic oscillations, which can be observed in the electroencephalogram (EEG).
Oscillatory activity in groups of neurons generally arise from feedback connections between the neurons that result in the synchronization of their firing patterns. The interaction between neurons can give rise to oscillations at a different frequency than the firing frequency of individual neurons. A well-known example of macroscopic neural oscillations is alpha activity, neural oscillations in the frequency range of 8–12 Hz arising from electrical activity of thalamic pacemaker. In lay terms, they are brain waves associated with feelings of relaxation.
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Sensory Deprivation
Sensory deprivation or perceptual isolation is the deliberate reduction or removal of stimuli from one or more of the senses. Simple devices such as blindfolds or hoods and earmuffs can cut off sight and hearing respectively, while more complex devices can also cut off the sense of smell, touch, taste, thermoception (heat-sense), and ‘gravity.’
Sensory deprivation has been used in various alternative medicines and in psychological experiments (e.g., see isolation tank). Short-term sessions of sensory deprivation are described as relaxing and conducive to meditation; however, extended or forced sensory deprivation can result in extreme anxiety, hallucinations, bizarre thoughts, and depression.
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Isolation Tank
An isolation tank is a lightless, soundproof tank inside which subjects float in salt water at skin temperature. They were first used by John C. Lilly in 1954 to test the effects of sensory deprivation. Such tanks are now also used for meditation and relaxation and in alternative medicine.
The isolation tank was originally called the sensory deprivation tank. Other names for the isolation tank include flotation tank, John C. Lilly tank, REST tank, sensory attenuation tank, and think tank.
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International Linear Collider
The International Linear Collider (ILC) is a proposed linear particle accelerator to succeed the Large Hadron Collider (LHC), the world’s largest and highest-energy particle accelerator. The ILC is planned to have a collision energy of 500 GeV initially, with the possibility for a later upgrade to 1,000 GeV (1 TeV).
The host country for the accelerator has not yet been chosen and proposed locations are Japan, Europe (CERN), and the USA (Fermilab). Japan is considered the most likely candidate, as the Japanese government is willing to contribute half of the costs, according to a representative for the European Commission on Future Accelerators.
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The Body
The Body is a 1970 scientific documentary film directed and produced by Roy Battersby. In the film, external and internal cameras are used to showcase different parts of the human body. The film’s narrators, Frank Finlay and Vanessa Redgrave, provide insightful commentary that combines the knowledge of world renowned human biologists and anatomical experts.
Unlike similar films of this subject matter ‘The Body’ strives for an entertaining presentation of the human anatomy, and avoids monotone narration. The film’s soundtrack, ‘Music from the Body,’ was composed by Ron Geesin and Roger Waters, and includes songs that were literally made using the human body as a medium.
Sprite
Sprites are large scale electrical discharges above the earth that are still not totally understood. They occur high above thunderstorm clouds (cumulonimbus), giving rise to a quite varied range of visual shapes flickering in the night sky. They are triggered by the discharges of positive lightning between an underlying thundercloud and the ground. Sprites appear as luminous reddish-orange flashes.
Sporadic visual reports of sprites go back at least to 1886, but they were first photographed in 1989 by scientists from the University of Minnesota. Sprites are sometimes inaccurately called upper-atmospheric lightning. However, sprites are cold plasma phenomena that lack the hot channel temperatures of tropospheric (lower-atmospheric) lightning, so they are more akin to fluorescent tube discharges than to lightning discharges. Several years after their discovery they were named sprites (air spirits) after their elusive nature.
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