The Daily Omnivore

Mise-en-scène [meez-awn-sen] (‘placing on stage’) is an expression used to describe the design aspects of a theater or film production, which essentially means ‘visual theme’ or ‘telling a story’—both in visually artful ways through storyboarding, cinematography, and stage design, and in poetically artful ways through direction.

Mise-en-scène has been called film criticism’s ‘grand undefined term.’ When applied to the cinema, mise-en-scène refers to everything that appears before the camera and its arrangement—composition, sets, props, actors, costumes, and lighting. Mise-en-scène also includes the positioning and movement of actors on the set (‘blocking’). Continue reading →

Metafiction [met-uh-fik-shuhn], also known as Romantic irony in the context of Romantic works of literature, is a type of fiction that self-consciously addresses the devices of fiction, exposing the fictional illusion. Metafiction uses techniques to draw attention to itself as a work of art, while exposing the ‘truth’ of a story.

It is the literary term describing fictional writing that self-consciously and systematically draws attention to its status as an artifact in posing questions about the relationship between fiction and reality, usually using irony and self-reflection. It can be compared to ‘presentational theater’ which does not let the audience forget it is viewing a play; metafiction does not let the reader forget he or she is reading a fictional work. Continue reading →

Reverse chronology is a method of story-telling whereby the plot is revealed in reverse order. In a story employing this technique, the first scene shown is actually the conclusion to the plot. Once that scene ends, the penultimate scene is shown, and so on, so that the final scene the viewer sees is the first chronologically. Many stories employ flashback, showing prior events, but whereas the scene order of most conventional films is chronological. The unusual nature of this method means it is only used in stories of a specific nature.

For example, ‘Memento’ features a man with anterograde amnesia, meaning he is unable to form new memories. The film parallels the protagonist’s perspective by unfolding in reverse chronological order, leaving the audience as ignorant of the events that occurred prior to each scene (which, played in reverse chronological order, will not be revealed until later) as the protagonist is. Continue reading →

‘In medias res‘ (‘into the middle of things’) is a Latin phrase denoting the literary and artistic narrative technique wherein the relation of a story begins either at the midpoint or at the conclusion, rather than at the beginning (‘ab ovo,’ ‘ab initio’), establishing setting, character, and conflict via flashback or expository conversations relating the pertinent past.

The main advantage of in medias res is to open the story with dramatic action rather than exposition which sets up the characters and situation. Because it is a feature of the style in which a story is structured and is independent of the story’s content, it can be employed in any narrative genre, epic poetry, novels, plays, or film. Continue reading →