In the field of psychology, nativism is the view that certain skills or abilities are ‘native’ or hard wired into the brain at birth. This is in contrast to empiricism, the ‘blank slate’ or tabula rasa view, which states that the brain has inborn capabilities for learning from the environment but does not contain content such as innate beliefs. Some nativists believe that specific beliefs or preferences are hard wired. For example, one might argue that some moral intuitions are innate or that color preferences are innate.
A less established argument is that nature supplies the human mind with specialized learning devices. This latter view differs from empiricism only to the extent that the algorithms that translate experience into information may be more complex and specialized in nativist theories than in empiricist theories. However, empiricists largely remain open to the nature of learning algorithms and are by no means restricted to the historical associationist mechanisms of behaviorism (which argued that the content of consciousness can be explained by the association and reassociation of irreducible sensory and perceptual elements).
Psychological Nativism
Causality
Causality is a way to describe how different events relate to one another. Suppose there are two events A and B. If B happens because A happened, then people say that A is the cause of B, or that B is the effect of A.
Aristotle looked at the problem of causality in his books ‘Posterior analytics’ and ‘Metaphysics’ he wrote: ‘All causes are beginnings; we have scientific knowledge when we know the cause; to know a thing’s nature is to know the reason why it is.’ This can be used to explain causality. Continue reading
Kurdaitcha
Kurdaitcha [ka-dai-tcha] (or kurdaitcha man) is a ritual ‘executioner’ in Australian Aboriginal culture. The ‘execution’ in this case is a complex ritual similar to voodoo hexes or pagan curses. The kurdaitcha ritual is a nocebo, a negative response to physically harmless stimuli.
Voodoo death, also known as psychosomatic death, is a term coined by Harvard physiologist Walter Cannon in 1942 to describe the phenomenon of sudden death as brought about by a strong emotional shock, such as fear. The word ‘kurdaitcha’ is also used by Europeans to refer to the shoes worn by the Kurdaitcha, woven of feathers and human hair and treated with blood. Continue reading
Voodoo Death
Voodoo death, a term coined by Harvard physiologist Walter Cannon in 1942 also known as psychogenic or psychosomatic death, is the phenomenon of sudden death as brought about by a strong emotional shock, such as fear. The anomaly is recognized as psychosomatic in that death is caused by an emotional response—often fear—to some suggested outside force.
Voodoo death is particularly noted in native societies, and concentration or prisoner of war camps, but the condition is not specific to any culture or mentality. Continue reading
Nocebo
In medicine, a nocebo [no-see-bo] reaction or response refers to harmful, unpleasant, or undesirable effects a subject manifests after receiving an inert dummy drug or placebo. Nocebo responses are not chemically generated and are due only to the subject’s pessimistic belief and expectation that the inert drug will produce negative consequences. In these cases, there is no ‘real’ drug involved, but the actual negative consequences of the administration of the inert drug, which may be physiological, behavioral, emotional, and/or cognitive, are nonetheless real.
An example of nocebo effect would be someone who dies of fright after being bitten by a non-venomous snake. The term ‘nocebo’ (Latin: ‘I will harm’) was chosen by Walter Kennedy, in 1961, to denote the counterpart of one of the more recent applications of the term placebo (Latin: ‘I will please’); namely, that of a placebo being a drug that produced a beneficial, healthy, pleasant, or desirable consequence in a subject, as a direct result of that subject’s beliefs and expectations. The term ‘nocebo’ can also refer to positive outcomes based upon the patient’s expectation of that outcome. Continue reading
Cassette Culture
Cassette culture refers to the practices surrounding amateur production and distribution of recorded music that emerged in the late 1970s via home-made audio cassettes. It is characterized by the adoption of home-recording by independent artists, and involvement in ad-hoc self-distribution and promotion networks – primarily conducted through mail (though there were a few retail outlets, such as Rough Trade and Falling A in the UK) and fanzines.
The culture was in part an offshoot of the mail art movement of the 1970s and 1980s, and participants engaged in tape trading in addition to traditional sales. The culture is related to the DIY ethic of punk, and encouraged musical eclecticism and diversity.
Kinderwhore
Kinderwhore was an image used by a handful of mostly female punk rock bands in the US during the early to mid 1990s. The kinderwhore look consisted of torn, ripped tight or low-cut babydoll dresses or nighties, heavy makeup, and leather boots or Mary–Jane shoes of various colors.
The exact origin of the kinderwhore image is up for debate, though it is widely accepted that Kat Bjelland of Babes in Toyland was the first to define it and Courtney Love of Hole was the first to popularize it. Christina Amphlett of Divinyls can clearly be seen sporting the image on the cover of her band’s 1983 album, ‘Desperate.’ Love declared in an interview in the Los Angeles zine ‘Ben Is Dead’ that she took the style from Amphlett.
Riot Grrrl
Riot grrrl is an underground feminist punk rock movement that originally started in Washington, D.C. and the Pacific Northwest in the early to mid-1990s. It is often associated with third-wave feminism which is sometimes seen as its starting point. Riot grrrl bands often address issues such as rape, domestic abuse, sexuality, racism, patriarchy, and female empowerment.
Bands associated with the movement include Bikini Kill, Jack Off Jill (and later Scarling), Bratmobile, Fifth Column, Sleater-Kinney, L7, and also queercore like Team Dresch. In addition to a music scene and genre, riot grrrl is a subculture: zines, the DIY ethic, art, political action, and activism are part of the movement. Continue reading
Who breaks a butterfly upon a wheel?
‘Who breaks a butterfly upon a wheel?‘ is a quotation – sometimes misquoted with ‘on’ in place of ‘upon’ – from Alexander Pope’s ‘Epistle to Dr Arbuthnot’ of 1735. It can be taken as referring to putting massive effort into achieving something minor or unimportant, and alludes to ‘breaking on the wheel,’ a form of torture in which victims had their long bones broken by an iron bar while tied to a Catherine wheel.
William Rees-Mogg, as editor of ‘The Times’ newspaper, used the ‘on a wheel’ version of the quotation as the heading (set in capital letters) for an editorial in 1967 about the ‘Redlands’ court case, which had resulted in prison sentences for Rolling Stones members Keith Richards and Mick Jagger. The philosopher Mary Midgley used a variation on the phrase in an article in the journal ‘Philosophy’ written to counter a review praising ‘The Selfish Gene’ by Richard Dawkins, where she cuttingly said that she had ‘not attended to Dawkins, thinking it unnecessary to break a butterfly upon a wheel.’
Strength Through Joy
‘Strength through Joy‘ (‘Kraft durch Freude,’ KdF) was a large state-controlled leisure organization in Nazi Germany. It was a part of the German Labor Front (‘Deutsche Arbeitsfront,’ DAF), the national German labor organization at that time. Set up as a tool to promote the advantages of National Socialism to the people, it soon became the world’s largest tourism operator of the 1930s.
KdF was supposed to bridge the class divide by making middle-class leisure activities available to the masses. This was underscored by having cruises with passengers of mixed classes and having them, regardless of social status, draw lots for allocation of cabins. Another less ideological goal was to boost the German economy by stimulating the tourist industry out of its slump from the 1920s. Continue reading
Oi!
Oi! is a working class subgenre of punk rock that originated in the UK in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads and other working-class youths (sometimes called ‘herberts’).
The Oi! movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, ‘trendy university people using long words, trying to be artistic…and losing touch.’ André Schlesinger, singer of The Press, said, ‘Oi shares many similarities with folk music, besides its often simple musical structure; quaint in some respects and crude in others, not to mention brutally honest, it usually tells a story based in truth.’
Pussy Riot
Pussy Riot is a Russian feminist punk-rock collective that stages politically provocative impromptu performances in Moscow on Russia’s current political life. In March 2012, during an improvised and unauthorized concert in Moscow’s Cathedral of Christ the Savior, three women from the band were arrested and charged with ‘hooliganism’ and their trial began in late July.
The band members have gained sympathy both within Russia and internationally due to allegations of harsh treatment while in custody and a risk of a possible seven-year jail sentence, and have also been criticized in Russia for offending the feelings of religious people. Alexei Nikiforov, a federal prosecutor, has demanded prison for the trio because they ‘abused God.’ Pussy Riot’s lawyers said that the circumstances of the case have revived the Soviet-era tradition of the ‘show trial.’ Continue reading













