October 21, 2011

Save the Cat!

save the cat

Blake Snyder (1957 – 2009) was an American screenwriter based in Los Angeles, who became one of the most popular writing mentors in the film industry. The author of three books on screenwriting and story structure, Snyder led international seminars and workshops for writers in various disciplines, as well as consultation sessions for some of Hollywood’s largest studios. His nonfiction book ‘Save the Cat!

The Last Book on Screenwriting You’ll Ever Need’ was written in a no-nonsense and conversational tone, which has resonated with both seasoned and novice screenwriters. The title is a term coined by Snyder and describes the scene where the audience meets the hero of a movie for the first time. The hero does something nice — e.g. saving a cat—that makes the audience like the hero and root for him. According to Snyder, it is a simple scene that helps the audience invest themselves in the character and the story, but is often lacking in many movies. Continue reading →

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October 21, 2011

Monomyth

journey

In a monomyth, (the theory that all myths are the same story) the hero begins in the ordinary world, and receives a call to enter an unknown world of strange powers and events. The hero who accepts the call to enter this strange world must face tasks and trials, either alone or with assistance. In the most intense versions of the narrative, the hero must survive a severe challenge, often with help. If the hero survives, he may achieve a great gift or ‘boon.’ The hero must then decide whether to return to the ordinary world with this boon. If the hero does decide to return, he or she often faces challenges on the return journey. If the hero returns successfully, the boon or gift may be used to improve the world. The stories of Osiris, Prometheus, Moses, and Buddha, for example, follow this structure closely.

Campbell describes 17 stages or steps along this journey. Very few myths contain all 17 stages—some myths contain many of the stages, while others contain only a few; some myths may focus on only one of the stages, while other myths may deal with the stages in a somewhat different order. These 17 stages may be organized in a number of ways, including division into three sections: ‘Departure’ (sometimes called ‘Separation’), the hero’s adventure prior to the quest; ‘Initiation,’ the hero’s many adventures along the way; and ‘Return,’ the hero’s return home with knowledge and powers acquired on the journey.

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October 21, 2011

The Hero with a Thousand Faces

monomyth by Ffion Lindsay

The Hero with a Thousand Faces (first published in 1949) is a non-fiction book, and seminal work of comparative mythology by Joseph Campbell. In this publication, Campbell discusses his theory of the journey of the archetypal hero found in world mythologies. Since publication, Campbell’s theory has been consciously applied by a wide variety of modern writers and artists. The best known is perhaps George Lucas, who has acknowledged a debt to Campbell regarding the stories of the ‘Star Wars’ films.

Campbell explores the theory that important myths from around the world which have survived for thousands of years all share a fundamental structure, which Campbell called the monomyth and ‘the hero’s journey. ‘In a well-known quote from the introduction to ‘The Hero with a Thousand Faces,’ Campbell summarized the monomyth: ‘A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.’

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October 21, 2011

Watership Down

elahrairah by chibimaryn

Watership Down is a classic heroic fantasy novel, written by English author Richard Adams, about a small group of rabbits. Although the animals in the story live in their natural environment, they are anthropomorphized, possessing their own culture, language (Lapine), proverbs, poetry, and mythology. Evoking epic themes, the novel recounts the rabbits’ odyssey as they escape the destruction of their warren to seek a place in which to establish a new home, encountering perils and temptations along the way.

The novel takes its name from the rabbits’ destination, Watership Down, a hill in the north of Hampshire, England, near the area where Adams grew up. The story is based on a collection of tales that Adams told to his young children to pass the time on trips to the countryside.

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October 20, 2011

SlutWalk

slutwalk by angela faz

The SlutWalk protest marches began in 2011, in Toronto, Canada, and became a movement of rallies across the world. Participants protest against explaining or excusing rape by referring to any aspect of a woman’s appearance. The rallies began when Constable Michael Sanguinetti, a Toronto Police officer, suggested that to remain safe, ‘women should avoid dressing like sluts.’

The protest takes the form of a march, mainly by young women, where some dress in ordinary clothing and others dress provocatively, like ‘sluts.’ There are also speaker meetings and workshops. Some objectors have remarked that this approach is an example of women defining their sexuality in male terms.

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October 20, 2011

Tactical Frivolity

orange alternative

slutwalk

Tactical frivolity is a form of public protest involving humor, often including peaceful non-compliance with authorities, carnival and whimsical antics. Humor has played a role in political protests at least as far back as the Classical period in ancient Greece. Yet it is only since the 1990s that the term tactical frivolity has gained common currency for describing the use of humor in opposing perceived political injustice.

There is no universally agreed definition as to which sorts of humorous protest count as tactical frivolity. Generally the term is used for a whimsical, non confrontational approach rather than aggressive mocking or cutting jokes.

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October 20, 2011

Occupy Wall Street

vampire squid

Occupy Wall Street (OWS) is an ongoing series of demonstrations in New York City based in Zuccotti Park in the Wall Street financial district. Initiated by the Canadian activist group Adbusters, the protests were inspired by the Arab Spring movement, especially Cairo’s Tahrir Square protests, and the Spanish Indignants. The participants’ slogan ‘We are the 99%’ refers to the difference in wealth between the top 1% and the other citizens of the United States.

They are mainly protesting social and economic inequality, corporate greed, and the power and influence of corporations, particularly from the financial service sector, and of lobbyists, over government. The protest began in September, and by October similar demonstrations were either ongoing or had been held in 70 major cities in the US. Internationally, other ‘Occupy’ protests have modeled themselves after Occupy Wall Street, in over 900 cities worldwide. Continue reading →

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October 20, 2011

We are the 99%

top one percent

We are the 99% is a political solidarity slogan and implicit economic claim that emerged from the ‘Occupy’ protests in 2011. It is a reference to the difference in wealth between the top 1% and all the remaining citizens of the United States. It started as a tumblr blog and became an Internet meme that went viral, showing a picture of a person holding a piece of paper with their story on it, ending with the phrase, ‘We are the 99%.’ New York times columnist Anne-Marie Slaughter described pictures on the ‘We are the 99’ website as as ‘page after page of testimonials from members of the middle class who took out loans to pay for education, took out mortgages to buy their houses and a piece of the American dream, worked hard at the jobs they could find, and ended up unemployed or radically underemployed and on the precipice of financial and social ruin.’

In 2006, filmmaker and Johnson & Johnson heir Jamie Johnson filmed a documentary called ‘The One Percent’ about the growing wealth gap between America’s wealthy elite compared to the overall citizenry. The film’s title referred to the top one percent of Americans in terms of wealth, who controlled 38% of the nation’s wealth in 2001. The 1% percent in the United States starts with household annual incomes of greater than $593,000.

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October 20, 2011

Corporatocracy

corporate republic

bnl

Corporatocracy [kawr-prit-tok-ruh-see], in social theories that focus on conflicts and opposing interests within society, denotes a system of government that serves the interest of, and may be run by, corporations and involves ties between government and business. Where corporations, conglomerates, and/or government entities with private components, control the direction and governance of a country, including carrying out economic planning (notwithstanding the ‘free market’ label).

The concept of corporatocracy is that corporations, to a significant extent, have power over governments, including those governments nominally elected by the people. They exercise their power via corporate monopolies and mergers, and through their subsequent capacity to leverage broad economic interests, which allows them the luxury of being declared ‘too big to fail’; this is accomplished by legal mechanisms (i.e., lobbyists, campaign contributions to office holders and candidates, threats to leave the state or country for another with less oversight and/or more personally beneficial subsidies, etc.), which renders them immune to vague accusations and prosecution.

October 20, 2011

Digerati

digerati

The digerati [dij-uh-rah-tee] are people highly skilled in the processing and manipulation of digital information; wealthy or scholarly techno-geeks. They are the elite of the computer industry and online communities. The word is a portmanteau, derived from ‘digital’ and ‘literati,’ and reminiscent of the earlier coinage glitterati (wealthy or famous people who conspicuously or ostentatiously attend fashionable events). Famous computer scientists, tech magazine writers and well-known bloggers are included among the digerati. The word is used in several related but different ways. It can mean: Opinion leaders who, through their writings, promoted a vision of digital technology and the Internet as a transformational element in society; people regarded as celebrities within the Silicon Valley computer subculture, particularly during the dot-com boom years; and anyone regarded as influential within the digital technology community.

The first mention of the word Digerati on USENET occurred in 1992, and referred to an article by George Gilder in ‘Upside’ magazine. According to William Safire, the term was coined by New York Times editor Tim Race in a 1992. In Race’s words: ‘Actually the first use of ‘digerati’ was in a article, ‘Pools of Memory, Waves of Dispute,’ by John Markoff, into which I edited the term. The article was about a controversy engendered by a George Gilder article that had recently appeared in ‘Upside’ magazine.’

October 19, 2011

After Dark

flying toaster by Sam Lu

After Dark is a series of computer screensaver software introduced in 1989 by Berkeley Systems for the Macintosh, and later for Windows. Following the original, new editions were introduced including ‘More After Dark’ and ‘Before Dark,’ as well as editions themed around licensed properties such as ‘Star Trek,’ ‘The Simpsons,’ and Disney. The screensaver modules were often noted for their intertextuality, such as the flying toasters appearing in the Fish screensaver, and the cat from Boris screensaver appearing in the Bad Dog screensaver.

Of the screensaver modules included, the most famous is the iconic Flying Toasters which featured 1940s-style chrome toasters sporting bird-like wings, flying across the screen with pieces of toast. A slider enabled users to adjust the toast’s darkness and an updated Flying Toasters Pro module added a choice of music: Richard Wagner’s ‘Ride of the Valkyries’ or a flying toaster anthem with optional karaoke lyrics. Yet another version called ‘Flying Toasters!’ added bagels and pastries, baby toasters, and more elaborate toaster animation.

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October 19, 2011

Birth Control Glasses

bcg

Birth control glasses, officially called GI glasses, are eyeglasses issued by the American military to its service members. At one time they were officially designated as ‘Regulation Prescription Glasses,’ or RPGs. This was commonly said to mean ‘Rape Prevention Glasses’ due to their unstylish appearance. The glasses are relatively thick frames made of brown translucent plastic, with a thin metal wire extending down the center of each of the earpieces.

The shape of the corrective lenses is nearly rectangular, with rounded edges, and a slight diagonal angle adjacent to the integrated nose pieces. This design reflects a specification for durability at the lowest possible cost. There are two designs available for female and male soldiers who require prescription eye wear. Continue reading →