April 9, 2014

Risk Perception

cultural theory of risk

Risk perception is the subjective judgment that people make about the characteristics and severity of a risk. The phrase is most commonly used in reference to natural hazards and threats to the environment or health, such as nuclear power. Several theories have been proposed to explain why different people make different estimates of the dangerousness of risks. Three major families of theory have been developed: psychology approaches (heuristics and cognitive), anthropology/sociology approaches (cultural theory) and interdisciplinary approaches (social amplification of risk framework).

The study of risk perception arose out of the observation that experts and lay people often disagreed about how risky various technologies and natural hazards were. The mid 1960s saw the rapid rise of nuclear technologies and the promise for clean and safe energy. However, fears of both longitudinal dangers to the environment as well as immediate disasters creating radioactive wastelands turned the public against this new technology. The governmental communities asked why public perception was against the use of nuclear energy when all of the scientific experts were declaring how safe it really was. The problem, from the perspectives of the experts, was a difference between scientific facts and an exaggerated public perception of the dangers. Continue reading

April 8, 2014

Max Richter

memoryhouse

Max Richter [rik-ter] (b. 1966) is a British composer. He studied composition and piano at the University of Edinburgh, the Royal Academy of Music, and with Italian composer Luciano Berio in Florence. After finishing his studies, Richter co-founded the contemporary classical ensemble Piano Circus. He stayed with the group for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe, and Steve Reich. The ensemble was signed to Decca/Argo, producing five albums.

In 1996, Richter collaborated with Future Sound of London on their album ‘Dead Cities,’ beginning as a pianist, but ultimately working on several tracks, as well as co-writing one track (titled ‘Max’). He subsequently worked with the band over a period of two years, also contributing to the albums ‘The Isness’ and ‘The Peppermint Tree and Seeds of Superconsciousness.’ In 2000, he worked with Mercury Prize winner Roni Size on the Reprazent album ‘In the Møde.’ Richter produced English singer-songwriter Vashti Bunyan’s 2005 album ‘Lookaftering’ and Sneaker Pimps lead singer Kelli Ali’s 2008 album ‘Rocking Horse.’ Continue reading

April 7, 2014

Turbo

Turbocharger

A supercharger is an air compressor that increases the pressure or density of air supplied to an internal combustion engine. This gives each intake cycle of the engine more oxygen, letting it burn more fuel and do more work, thus increasing power. Power for the supercharger can be provided mechanically by means of a belt, gear, shaft, or chain connected to the engine’s crankshaft. When power is provided by a turbine powered by exhaust gas, a supercharger is known as a turbosupercharger – typically referred to simply as a turbocharger or just turbo.

Supercharging increases power, but turbocharging can improve power and efficiency. Turbochargers were known as turbosuperchargers when all forced induction devices were classified as superchargers. Currently, the term supercharger is only applied to mechanically driven forced induction devices. Continue reading

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April 5, 2014

Superficiality

after many a summer

What social psychologists call ‘The principle of superficiality versus depth’ has pervaded Western culture since at least the time of Plato. Socrates sought to convince his debaters to turn from the superficiality of a worldview based on the acceptance of convention to the examined life of philosophy, founded (as Plato at least considered) upon the underlying Ideas (the belief that non-material abstract ideas, and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality).

For more than two millennia, there was in the Platonic wake a general valorization of critical thought over the superficial subjectivity that refused deep analysis. The salon style of the Précieuses (a 17th century French literary movement characterized by wit and wordplay) might for a time affect superficiality, and advance the treatment of serious topics in a light-hearted fashion; but the prevailing western consensus firmly rejected elements such as everyday chatter or the changing vagaries of fashion as superficial distractions from a deeper reality. Continue reading

April 3, 2014

Normcore

k-hole

Normcore is an emerging cultural trend focusing on ‘coolness that opts into sameness.’ It is in response to hipster subculture. Jeremy Lewis, the founder of fashion website ‘Garmento’ calls normcore ‘one facet of a growing anti-fashion sentiment.’

K-hole, a creative trend forecasting collective based in New York City is cited as coining the phrase. Normcore is an anti-trendy trend.

April 2, 2014

Ichthys

Ichthys [ik-thees], from the Koine Greek word for fish, is a symbol consisting of two intersecting arcs, the ends of the right side extending beyond the meeting point so as to resemble the profile of a fish, used by early Christians as a secret Christian symbol and now known colloquially as the ‘sign of the fish’ or the ‘Jesus fish.’

It is sometimes a subject of satire, especially when adorning the bumpers or trunks of automobiles. The most notable is the ‘Darwin Fish,’ an ichthys symbol with ‘evolved’ legs and feet attached. Rhetorical scholar Thomas Lessl conducted a survey of users of the Darwin fish emblem. Based on their responses, he interprets the symbol as scientific ‘blackface,’ a parody that is one part mockery and one part imitation. While users frequently explain the symbol as a rebuke against Creationism, Lessl suggests that the emblem represents a metaphor for cultural progress. Continue reading

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April 1, 2014

Robin Hood Tax

Flash Boys

The Robin Hood tax commonly refers to a package of financial transaction taxes (FTT) proposed by a campaigning group of civil society non-governmental organizations (NGOs). Campaigners have suggested the tax could be implemented globally, regionally or unilaterally by individual nations.

Conceptually similar to the Tobin tax (a small tax on spot currency conversions), it would affect a wider range of asset classes including the purchase and sale of stocks, bonds, commodities, unit trusts, mutual funds, and derivatives such as futures and options. The Tobin tax was proposed for foreign currency exchange only. Continue reading

April 1, 2014

Flash Trading

Flash Boys

Flash crash

Flash trading, otherwise known as a flash order, is defined by industry trade publication ‘Traders Magazine’ as ‘a marketable order sent to a market center that is not quoting the industry’s best price or that cannot fill that order in its entirety. The order is then flashed to recipients of the venue’s proprietary data feed to see if any of those firms wants to take the other side of the order. This practice enables the market center to try to keep the trade.’ Under an exception to Rule 602 of Regulation NMS, flash orders are currently legal.

Bloomberg states: ‘Flash systems trace their roots as far back as 1978 to efforts by exchanges to electronically replicate how a trader might yell an order to floor brokers before entering it into the system that displays all bids and offers. Markets have evolved since the days of floor brokers’ dominance, with computer algorithms now buying and selling shares 1,000 times faster than the blink of an eye.’ Continue reading

March 31, 2014

9/11 Humor

onion

too soon

9/11 humor is black comedy or off-color humor that aims to make light of the September 11, 2001 terrorist attacks. A number of scholars have studied the ways in which humor has been used to deal with the trauma of the event. Researcher Bill Ellis found jokes about the attacks from Americans the day afterwards, and sociologist Giselinde Kuipers found jokes on Dutch websites a day later. Kuipers had collected around 850 online jokes about 9/11, Osama Bin Laden, and the Afghanistan war by 2005.

An early public attempt at 9/11 humor was made by Gilbert Gottfried just a few weeks after the attacks. During a comedy roast at the Friars Club his 9/11 gags ellicited angry shouts of ‘too soon.’ Gottfried improvised and performed ‘The Aristocrats’ routine (a famously vulgar joke), which got great applause from the crowd. Continue reading

March 30, 2014

The Rock-afire Explosion

Fatz Geronimo

The Rock-afire Explosion is an animatronic robot band that played in Showbiz Pizza Place from 1980 to 1990, and in various Showbiz Pizza locations between 1990 and 1992 as Showbiz rebranded and the band was steadily replaced by Chuck E. Cheese characters. The characters in The Rock-afire Explosion were various animals ranging from a dog to a gorilla. They would perform medleys of classic rock, pop, and country music, as well as original compositions.

The show was a pioneer in commercial animatronics in the 1980s, featuring life-sized characters capable of facial expression; some were even programmed in such a way that they could actually play simple melodies on musical instruments. The show was created and manufactured by noted inventor Aaron Fechter, through his company Creative Engineering, Inc. in Orlando, Florida; in addition to overseeing the production of the animatronics, Fechter also provided the voices for several characters. Continue reading

March 27, 2014

Hacker Koan

codeless code

Out of hacker culture, and especially the artificial intelligence community at MIT, there have sprung a number of humorous short stories about computer science dubbed hacker koans [koh-ahns]; most of these are recorded in an appendix to the Jargon File (a glossary of computer programmer slang). Most do not fit the usual pattern of koans, but they do tend to follow the form of being short, enigmatic, and often revealing an epiphany.

One notable example, titled ‘Uncarved block,’ describes an exchange between professor Marvin Minsky and student Jerry Sussman: ‘In the days when Sussman was a novice, Minsky once came to him as he sat hacking at the PDP-6. ‘What are you doing?’, asked Minsky. ‘I am training a randomly wired neural net to play Tic-tac-toe,’ Sussman replied. ‘Why is the net wired randomly?’, asked Minsky. ‘I do not want it to have any preconceptions of how to play,’ Sussman said. Minsky then shut his eyes. ‘Why do you close your eyes?’ Sussman asked his teacher. ‘So that the room will be empty.’ At that moment, Sussman was enlightened.’

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March 26, 2014

God of the Gaps

god is dead

God of the gaps is a theological perspective in which gaps in scientific knowledge are taken to be evidence or proof of God’s existence. The term was invented by Christian theologians not to discredit theism but rather to point out the fallacy of relying on teleological arguments (argument from design) for God’s existence. Some use the phrase to refer to a form of the argument from ignorance fallacy (in which ignorance stands for ‘lack of evidence to the contrary’).

The concept, although not the exact wording, goes back to Henry Drummond, a 19th-century evangelist lecturer, from his Lowell Lectures on ‘The Ascent of Man.’ He chastises those Christians who point to the things that science cannot yet explain—’gaps which they will fill up with God’—and urges them to embrace all nature as God’s, as the work of ‘… an immanent God, which is the God of Evolution, is infinitely grander than the occasional wonder-worker, who is the God of an old theology.’ (Immanence here is related to pantheism, the belief that God and the universe are equivalent.)

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