Ester Hernandez (b. 1944) is a Chicana visual artist known for her pastels, paintings and prints primarily depicting Chicanas/Latinas. Her artwork captures time, and makes sense of the complex world we live in. She aspires to create a visual dialogue for women’s role in this new multi-cultural millennium. Her work reflects the political, social, ecological, and spiritual themes born from community pride, a commitment to political action, and an abiding sense of humor.
As a solo artist and member of Las Mujeres Muralistas, an influential San Francisco Mission district Latina women mural group in the early seventies, her career has marked her as a pioneer in the Chicana/Chicano civil rights art movement.
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Ester Hernandez
Marco Brambilla
Marco Brambilla (b. 1960) is an Italian-born Canadian video artist who works in the United States. He first worked in commercials and feature films, directing the successful 1993 science fiction film ‘Demolition Man.’ In 1998 he shifted focus to video and photography projects, and has since exhibited works in private and public collections including, ‘Cyclorama’ at the San Francisco Museum of Modern Art, ‘HalfLife’ at the Santa Monica Museum of Art in 2011. His commissions include ‘Superstar’ for the ’59th Minute’ series in Times Square in 1999, and ‘Arcadia’ for ‘Massless Medium: Explorations in Sensory Immersion’ at Brooklyn Bridge Anchorage in 2001, both for New York public arts organization Creative Time.
His installation, ‘Cathedral’ was showcased during the Toronto International Film Festival 2008, and his 3D work ‘Evolution’ was selected for the 2011 Venice Film Festival and the 2012 Sundance Film Festival. A second 3D work ‘Civilization’ is a permanent installation at the Standard Hotel in New York. ‘Transit,’ a collection of photographs Brambilla took in and around national and international airports, was published in 2000.
Yayoi Kusama
Yayoi [yah-yoy] Kusama [koo-sah-muh] (b. 1929) is a Japanese artist whose paintings, collages, soft sculptures, performance art and environmental installations all share an obsession with repetition, pattern, and accumulation (she has described herself as an ‘obsessive artist’). Kusama’s work is based in Conceptual art (in which the concepts or ideas involved in the work take precedence over traditional aesthetic and material concerns) and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content.
Kusama is also a published novelist and poet, and has created notable work in film and fashion design. She has long struggled with mental illness, and has experienced hallucinations and severe obsessive thoughts since childhood, often of a suicidal nature. She claims that as a small child she suffered physical abuse by her mother. In 2008, a work by her sold for $5.1 million, a record for a living female artist.
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Yoshitomo Nara
Yoshitomo Nara (b. 1959) is a Japanese artist. He lives and works in Tokyo, and first came to the fore of the art world during Japan’s Pop art movement in the 1990s.
The subject matter of his sculptures and paintings is deceptively simple: most works depict one seemingly innocuous subject (often pastel-hued children and animals drawn with confident, cartoonish lines) with little or no background. His artwork was featured in the album titled ‘Suspended Animation’ by experimental band Fantômas.
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Paul Laffoley
Paul Laffoley (b. 1940) is a US artist and architect. As an architect working for Emery Roth & Sons, Laffoley worked for 18 months on design for the World Trade Center Tower II.
As a painter, his work is usually classified as visionary art or outsider art; most of his pieces are painted on large canvases and combine words and imagery to depict a spiritual architecture of explanation, tackling concepts like dimensionality, time travel through hacking relativity, connecting conceptual threads shared by philosophers through the millennia, and theories about the cosmic origins of mankind.
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Gerd Arntz
Gerd Arntz (1900 – 1988) was a German Modernist artist – famous for his black and white woodcuts. A core member of the Cologne Progressives he was also a council communist. The Cologne Progressives participated in the revolutionary unions AAUD and its offshoot the AAUE in the 1920s, and in 1928 Arntz was contributing anti-parliamentary prints to its paper ‘Die Proletarische Revolution’ which called for workers to form and participate in worker’s councils. These political prints depicted the life of worker’s and the class struggle in abstracted figures in woodcuts.
In 1926 Otto Neurath sought his collaboration in designing pictograms for the ‘Vienna Method of Pictorial Statistics’ (‘Wiener Methode der Bildstatistik’; later renamed ‘Isotype’). From the beginning of 1929 Arntz worked at the Gesellschafts- und Wirtschaftsmuseum (Social and economic museum) directed by Neurath in Vienna. Eventually, Arntz designed around 4000 pictograms. After the brief civil war in Austria in 1934 he emigrated to the Netherlands, joining Neurath and Reidemeister in The Hague, where they continued their collaboration at the International Foundation for Visual Education.
Hajime Sorayama
Hajime Sorayama (b.1947) is a Japanese illustrator, known for his precisely detailed, erotic airbrush portrayals of women and feminine robots. Sorayama’s work ‘Sexy Robot,’ published by Genko-sha in 1983, made his organic robotic forms famous around the world.
For the work, he used ideas from pin-up art, which in the book then appear as chrome-plated gynoids in suggestive poses. His next book, ‘Pin-up’ (1984), continues in the same line. A number of his other works similarly revolve around figures in suggestive poses, including highly realistic depictions in latex and leather. His pinups appeared frequently in the pages of ‘Penthouse’ magazine.
Jean Dubuffet
Jean Dubuffet [doo-buh-fey] (1901 – 1985) was a French painter and sculptor. His idealistic approach to aesthetics embraced so called ‘low art’ and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
After a break of several years, he took up painting again in the 1930s, when he made a large series of portraits in which he emphasized the vogues in art history. But again stopped, only turning to art for good in 1942 when he started to paint figures of nude women in a impersonal and primitive way, in strong and unbroken colors. Also he chose as subjects people in the commonplace of everyday life, such as people sitting in the underground, or just walking in the country.
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Wesley Kimler
Wesley Kimler (b. 1953) is an American artist based in Chicago known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, he paints ‘expressive, gestural, hybrid paintings that combine abstract and figurative elements in a way that’s theatrical and beautiful, sometimes grotesque and surreal, and always powerfully evocative.’
Kimler has given outspoken interviews in which he champions painting, attacks what he views as the Neo-Conceptual academy and the artworld hierarchy, advocating independence and self-reliance on the part of creators. He is also known in the contemporary Chicago artworld for his work rallying for a new art scene. Nicknamed ‘the Shark’ due to his fierceness in discussions, he organized a website and e-zine Sharkforum with fellow artist David Roth, which includes such well-known figures as Museum of Contemporary Art curator Lynne Warren, photographer and film critic Ray Pride and artist and theorist Mark Staff Brandl. The artists active on his site also exhibit together under the name the Sharkpack.
Louis Comfort Tiffany
Louis Comfort Tiffany (1848 – 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass in the Art Nouveau and Aesthetic movements.
Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewelry, enamels and metalwork.
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Emek
Emek (b. 1970) is a popular graphic designer and concert poster designer since the early 1990s. He is widely credited with helping to revive the rock poster scene. He is the brother of artist and author Gan Golan. His style, known for its attention to detail and layers of meaning, infuses socio-political commentary into pop culture imagery.
In the tradition of psychedelic posters from the 1960s, Emek still draws his posters by hand. He was shaped by both rock art posters from the 1960s, and punk flyers from the 1980s. Emek’s poster-making career accelerated in the 1990s with alternative rock acts from Europe and North America, including Pearl Jam, Radiohead, Queens of the Stone Age, Tool, and Marilyn Manson.
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Michael Manning
Michael Manning is a fetish artist based in Los Angeles. NBM has published several collections of his work, including ‘Cathexis’ and ‘Lumenagerie,’ and a series of graphic novels, ‘The Spider Garden’ series. Born in Queens, New York, and raised on Massachusetts’ North Shore, Manning began self-publishing his black & white erotic comix in 1987 while working as an animator and director of short films, commercials, and music videos.
Early exposure to Japanese animation, fairy-tale book illustration, American and European comix, and mythology of many cultures has contributed to the formation of Manning’s style. Manning’s work draws heavily on Japanese influences, being somewhat stylized and almost exclusively black-and-white. His themes are notable, even amongst fetish artists, for depicting potentially taboo subjects such as zoophilia. Many of his images include beings that are mythological (such as centaurs) or at least biologically uncommon, such as hermaphrodites.
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