Ever Meulen [myoo-lin] (born Eddy Vermeulen in 1946) is a Belgian illustrator, cartoonist, caricaturist and comic strip artist. His pseudonym is based on his name E. Vermeulen.
Vermeulen studied graphic arts at the Sint-Lucas School of Architecture in Ghent and Brussels. He debuted in 1970, working for the magazine ‘Humo,’ where he drew both comics (‘Balthazar de Groene Steenvreter’ (‘Balthasar the Green Stone Eater’) and ‘Piet Peuk’ (‘Pete Stub’)), as well as cover illustrations, caricatures and illustrations to articles. When ‘Humo’ published books or CDs, Meulen often provided the cover illustration.
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Ever Meulen
Syd Mead
Syd Mead (b. 1933), is a ‘visual futurist’ and concept artist. He is best known for his designs for science-fiction films such as ‘Blade Runner,’ ‘Aliens,’ and ‘Tron.’ Of his work, Mead was once moved to comment: ‘I’ve called science fiction ‘reality ahead of schedule.” Sydney Jay Mead was born in Saint Paul Minnesota, but spent only a few years there before moving to what would be the second of many homes throughout the western United States prior to graduating from high school in Colorado Springs, Colorado in 1951.
After serving a three-year enlistment in the U.S. Army, Syd Mead continued on to the Art Center School in Los Angeles, (now the Art Center College of Design, Pasadena) where he graduated in 1959. He was recruited by the Ford Motor Company’s Advanced Styling Studio under the management of Elwood Engel. Mead left the studio after two years to accept a variety of assignments to illustrate books and catalogues for large corporate entities such as United States Steel, Celanese, Allis Chalmers and Atlas Cement.
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Brandon Bird
Brandon Bird (b. 1980) is an artist. He attended University of California, Santa Cruz and was an artist-in-residence from 2004-2006 at Risley Residential College at Cornell University.
His most common medium is oil paints on canvas, but works in a number of genres, including pen and ink and digital mediums. He has a significant cult following for his tendency to paint figures from history and popular culture such as Christopher Walken, Chuck Norris, and Abraham Lincoln, in absurd situations. He is a regular contributor to ‘The Believer’ (an American literary magazine that also covers other arts and general culture). He has also done work for ‘Las Vegas Weekly’ and rock band, The Aquabats.
Chris Ware
Franklin Christenson Ware (b. 1967), known professionally as Chris Ware, is an American comic book artist and cartoonist, notable for his ‘Acme Novelty Library’ series and the graphic novels ‘Jimmy Corrigan, the Smartest Kid on Earth,’ and ‘Building Stories.’ His works explore themes of social isolation, emotional torment and depression.
His works tend to use a vivid color palette and are full of realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium.
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Wes Wilson
Wes Wilson (b. 1937) is an American artist and one of the leading designers of psychedelic posters. Most well known for designing posters for Bill Graham of the The Fillmore in San Francisco, he invented a style that is now synonymous with the peace movement, psychedelic era and the 1960s.
In particular, he is known for inventing and popularizing a ‘psychedelic’ font around 1966 that made the letters look like they were moving or melting.
Boris Artzybasheff
Boris Artzybasheff [ahrt-si-bah-shif] (1899 – 1965) was an American illustrator known for his strongly worked and often surreal designs. Artzybasheff was born in Ukraine, son of the author Mikhail Artsybashev. He is said to have fought as a White Russian (royalist).
During 1919 he arrived in New York City, where he worked in an engraving shop. His earliest work appeared in 1922 as illustrations for ‘Verotchka’s Tales’ and ‘The Undertaker’s Garland.’ A number of other book illustrations followed during the 1920s. Over the course of his career, he illustrated some 50 books, several of which he wrote, most notably ‘As I See.’
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Rick Berry
Rick Berry (b. 1952) is a contemporary American expressionistic figurative artist based in the Boston area. Berry creates art for galleries, illustration, and paintings for theatrical performances. Berry’s work has appeared in many science fiction, fantasy and comic books, including Neil Gaiman’s ‘Sandman,’ ‘Magic: The Gathering’ cards, and Stephen King novels. In 1985, Berry created the first digitally painted book cover worldwide for William Gibson’s ‘Neuromancer.’
Berry was born in San Bernardino, California. His father, an air force fighter pilot, was frequently stationed in China. Berry’s childhood home was populated with Asian art which fascinated Berry and later found its way into his works.
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Phil Hale
Phil Hale (b. 1963) is an American figurative painter who currently resides in London, England. Prior to turning to fine arts he worked as an illustrator, doing mostly figurative work. He was apprenticed to/ partnered with American painter Rick Berry. His current work focuses on figure as well, in depictions of slightly surreal scenes with strange characters performing various physical feats, usually in a confrontation of some sort. He seems to take keen interest in tension and emphasis of angular and dynamic aspects of the figure, almost always incorporating slight anatomical distortions to great effect.
A portrait of former UK Prime Minister, Tony Blair by the artist was unveiled in Westminster in 2008. Mr Blair sat for the portrait during his final months in office in 2007. Hale recently formed the movie production company ‘unprofessional.com’ with his son Callum Hale Thomson. It specializes in bespoke analogue filmmaking.
Yuko Shimizu
Yuko Shimizu is a Japanese illustrator based in New York City. Among comic fans, she is best known for her ongoing monthly covers for ‘The Unwritten’ and her cover art for P. Craig Russell’s comic book adaptations of Neil Gaiman’s ‘The Sandman: The Dream Hunters,’ published by Vertigo (DC Comics). Her self-titled monograph was published by Gestalten in the fall of 2011, and her children’s book, ‘Barbed Wire Baseball,’ written by Marissa Moss, is scheduled to be published by Abrams Books in the spring of 2013. She has been a faculty member at the School of Visual Arts since 2003.
She graduated from Waseda University’s School of Commerce in 1988 as valedictorian and soon began her first job in the corporate PR department of one of Tokyo’s largest sogo shoshas (trading company). Eleven years later, she resigned and moved to New York City to pursue her childhood dream of becoming an artist. She set out to earn a second bachelor’s degree, this time in illustration at the School of Visual Arts. However, after finishing her sophomore year, she was accepted into the MFA Illustration as Visual Essay program. She graduated in May 2003.
Aubrey Beardsley
Aubrey Beardsley (1872 – 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic.
He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley’s contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis.
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Erté
Romain de Tirtoff (1892 – 1990) was a Russian-born French artist and designer known by the pseudonym Erté [er-tey], the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theater, and opera, and interior decor.
Tirtoff was born in Saint Petersburg, to a distinguished family with roots tracing back to 1548. In 1910, Romain moved to Paris to pursue a career as a designer. He made this decision despite strong objections from his father, who wanted him to continue the family tradition and become a naval officer. Romain assumed his pseudonym to avoid disgracing the family.
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