January 4, 2012
Harold Williams (1876 – 1928) was a New Zealand journalist, foreign editor of ‘The Times’ and is considered one of the most accomplished polyglots in history, said to have known over 58 languages and other related dialects. Like most youngsters his age, Harold wasn’t possessed by a voracious appetite for learning, but he recalled that, when he was about seven, ‘an explosion in his brain’ occurred and from that time his capacity to learn, in particular languages, grew to an extraordinary degree. He began with the study of Latin, one of the great root languages, and hungrily acquired others.
As a schoolboy he constructed a grammar and vocabulary of the New Guinea language Dobuan from a copy of St. Mark’s Gospel written in that language. Next he compiled a vocabulary of the dialect of Niue Island, again from the Gospel written in that language, and was published in the ‘Polynesian Journal.’
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January 4, 2012
The Missionary Church of Kopimism is a congregation of file sharers which hold that copying information as a sacred virtue. The sect, which is based in Sweden, is petitioning the Swedish government to have their church officially recognized as a religion.
The sect’s followers are called Kopomists from ‘copy me.’ According to the church, ‘In our belief, communication is sacred.’
Posted in Humor, Money, Philosophy |
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January 4, 2012
Fatima Al Qadiri (b. 1981) is music producer born in Senegal and raised in Kuwait during the Gulf War, who now resides in Brooklyn.
She previously released an EP under the name Ayshay, featuring spectral chanting of traditional Islamic songs in Arabic.
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January 4, 2012
The OP-1 is a synthesizer, sampler, and sequencer designed and manufactured by the Stockholm-based company Teenage Engineering. The OP-1 is Teenage Engineering’s first product; it was released in 2011. The OP-1 is well known for its unconventional design, OLED display, and eight synthesizer engines. It has received some criticism for its physical limitations; however, according to Teenage Engineering cofounder Jesper Kouthoofd, these limitations were programmed into the synthesizer in order to stimulate the design process and the creativity of the user.
The design of the OP-1 was influenced by the VL-Tone, a synthesizer and pocket calculator manufactured by Casio in 1980 that is known for its toy-like novelty sounds and cheap build quality, as well as its inorganic design. In an interview with Damian Kulash of OK Go, Kouthoofd explained that he worked in a music store when he was young, and he was inspired by Japanese synthesizers of the 1980s. He has also stated that ‘limitations are OP-1’s biggest feature.’ The synthesizer’s designers attempted to use the limitation of physical hardware to encourage the unit to stimulate creativity, which might become unfocused in a limitless environment, such as a digital audio workstation.
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