Pablo Ferro


Pablo Ferro (b. 1935) is a graphic designer and film titles designer. Born in Cuba, he was raised on a remote farm before emigrating to New York with his family as a teenager. Ferro taught himself animation from a book by Preston Blair.

Ferro worked on films as diverse as Stanley Kubrick’s ‘Dr. Strangelove’ to the split-screen montage of the original ‘The Thomas Crown Affair.’ He was a pioneer of quick-cut editing, multiple screen images (the first in film and television in 1963). Ferro’s visual style has influenced many in film, television, animation, commercials, novels and children’s books.

A self-taught filmmaker, Ferro first rose to prominence with animations such as the first color NBC Peacock and the Burlington Mills ‘stitching’ logo, as well as technologically novel visual presentations, including the Singer Pavilion’s film at the 1964 New York World’s Fair – the first time film projectors were used to create multiple-screen images.

At the start of his career, in the mid-50s, he began freelancing in the New York animation industry for Academy Pictures and Elektra Studios. He found his first solid job with a company that made commercials. It was while working there that he met and befriended former Disney animator William Tytla, who became a mentor. Another co-worker was Stan Lee, the then-future editor of ‘Marvel Comics,’ with whom he created a series of science fiction adventure comics. In 1961 he became one of the partners to form Ferro, Mogubgub and Schwartz with animation stylist Fred Mogubgub and comics artist Lew Schwartz, and in 1964 he formed Pablo Ferro Films.

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