Commedia [kuh-mey-dee-uh] dell’arte [del-ahr-tee] is a form of improvisational theater that began in Italy in the 16th century. The actors often wore masks and the stories were often about the cunning pursuit of love, money, or simply food. The genre developed several stock characters that represent fixed social types, such as foolish old men, devious servants, or military officers full of false bravado including Harlequin (comic servant), Pantalone (rich old miser), Colombina (tricky slave wife), Pulcinella (disfigured trickster), Pierrot (unrequited clown), and Scaramuccia (roguish clown).
Stock characters can be divided into three groups, ‘Innamorati’ (‘The Lovers,’ who are never masked nor well developed as characters), ‘Vecchi’ (‘The Old People,’ often the Lovers’ parents, who get in the way of their romance), and ‘Zanni’ (‘The Servants/ Commoners,’ always hungry, and often responsible for the Lovers finding their way to the altar). Characters such as Pantalone, the Venetian merchant; Dottore Gratiano, the pedant from Bologna; or Arlecchino, the mischievous servant from Bergamo, began as satires on Italian ‘types’ and became the archetypes of many of the favorite characters of 17th- and 18th-century European theater.
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The Daily Omnivore 