Kenneth Knowlton (b. 1931), is a computer graphics pioneer, artist, mosaicist and portraitist, who worked at Bell Labs. In 1963, Knowlton developed the BEFLIX (Bell Flicks) programming language for bitmap computer-produced movies, created using an IBM 7094 computer and a Stromberg-Carlson 4020 microfilm recorder. Each frame contained eight shades of grey and a resolution of 252 x 184. In 1966, Knowlton and Leon Harmon were experimenting with photomosaic, creating large prints from collections small symbols or images.
In Studies in Perception I they created an image of a reclining nude (the dancer Deborah Hay), by scanning a photograph with a camera and converting the analog voltages to binary numbers which were assigned typographic symbols based on halftone densities. It was printed in The New York Times on 11 October 1967, and exhibited at one of the earliest computer art exhibitions, The Machine as Seen at the End of the Mechanical Age, held Museum of Modern Art in New York City in 1968.
Ken Knowlton
ASCII Art
ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters of the ASCII compliant character sets. The term is also loosely used to refer to text based art in general. ASCII art can be created with any text editor, and is often used with free-form languages. Most examples of ASCII art require a fixed-width font (non-proportional fonts, as on a traditional typewriter) such as Courier for presentation.
Among the oldest known examples of ASCII art are the creations by computer-art pioneer Kenneth Knowlton from around 1966, who was working for Bell Labs at the time. One of the main reasons ASCII art was born was because early printers often lacked graphics ability and thus characters were used in place of graphic marks. Also, to mark divisions between different print jobs from different users, bulk printers often used ASCII art to print large banners, making the division easier to spot so that the results could be more easily separated by a computer operator or clerk. ASCII art was also used in early e-mail when images could not be embedded.
Superjail!
Superjail! is an American animated television series produced by Augenblick Studios. The series follows the events that take place in an unusual prison. The pilot episode aired on television in 2007. Superjail! is characterized by its psychedelic shifts in setting and plot and extreme graphic violence, which give the series a TV-MA rating. These elements are depicted through highly elaborate animated sequences, which have been described as ‘baroque and complicated and hard to take in at a single viewing.’
The majority of Superjail! is set inside the eponymous prison. Externally, Superjail is built inside a volcano which is itself located in a larger volcano. Internally, it seems to constitute its own reality, where the fabric of time and space is extremely fluid and changes at the whim of the Warden. Each episode begins with a linear story revolving around an irresponsible scheme concocted by the Warden to satisfy some whim. The episode builds up in both violence and surrealism until a climactic, psychedelic blood bath during which dozens of inmates are brutally murdered, either by one another or some external force.
Adoniran Barbosa
Adoniran Barbosa (1910 – 1982) was a famous Brazilian traditional samba singer and composer. The themes of his songs are drawn from the life of low-wage urban workers, the unemployed and the vagabonds. His first big hit was Saudosa Maloca (‘Shanty of Fond Memories,’ 1951), where three homeless friends recall with nostalgia their improvised shanty, which was torn down by the landowner to make room for a building. His next hit ‘Joga a Chave’ (‘Throw me the Doorkey,’ 1952) was inspired by his own frequent experiences of arriving late at home and finding the door locked by his wife, Matilde.
In his ‘Trem das Onze’ (‘The 11 PM Train,’ 1964), the protagonist explains to his lover that he cannot stay any longer because he has to catch the last train to the Jaçanã suburb, and besides his mother will not sleep before he arrives. Unlike the samba songs of the previous decades, which generally used the formal Portuguese of the educated class, Adoniran’s lyrics are a realistic record of the informal speech of São Paulo’s lower classes. He once said ‘I only write samba for the common people. That is why I write lyrics in ‘wrong’ Portuguese, because that is how the common people speak.’
Eliot Lipp
Eliot Lipp is a Los Angeles based electronic music artist. He made a name for himself in the genre of electro when his work was picked up by Scott Herren of Prefuse 73 (Warp Records). His most recent project is a collaboration with Leonardo Ciccone (also known as Leo 123) called ‘Dark Party.’
Haute Couture
Haute couture [oht koo-toor] (French for ‘high sewing’ or ‘high dressmaking’) refers to the creation of exclusive custom-fitted clothing. Haute couture is made to order for a specific customer, and it is usually made from high-quality, expensive fabric and sewn with extreme attention to detail and finished by the most experienced and capable seamstresses, often using time-consuming, hand-executed techniques.
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LVMH
LVMH (Moët Hennessy • Louis Vuitton) is a French holding company and the world’s largest luxury goods conglomerate. It is the parent of around 60 sub-companies that each manage a small number of prestigious brands including Dom Pérignon, Belvedere Vodka, Marc Jacobs, and TAG Heuer. These daughter companies are, to a large extent, run autonomously. The group was formed after mergers brought together champagne producer Moët et Chandon and Hennessy, a leading manufacturer of cognac. In 1987, they merged with fashion house Louis Vuitton to form the current group.
Christian Dior, the luxury goods group, is the main holding company of LVMH, owning 42.38% of its shares, and 59.3% of its voting rights. Bernard Arnault, majority shareholder of Dior, is Chairman of both companies and CEO of LVMH. His successful integration of various famous aspirational brands into the group has inspired other luxury companies into doing the same. Thus Gucci (now part of the French conglomerate PPR) and Richemont have also created extended portfolios of luxury brands. The oldest of the LVMH brands is wine producer Château d’Yquem, which dates its origins back to 1593.
John Galliano
John Galliano (b. 1960) is a British fashion designer who was head designer of French haute couture houses Givenchy and Christian Dior. He led Dior from 1996 to 2011, when he was abruptly dismissed following his arrest over an alleged anti-Semitic tirade in a Paris bar.
The same day, a video surfaced of Galliano on a similar rant in the same bar the previous December. He was convicted of making ‘public insults based on origin, religious affiliation, race or ethnicity,’ and fined €6,000.
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Richard Avedon
Richard Avedon [av-i-don] (1923 – 2004) was an American photographer born in New York City to a Jewish-Russian family. In 1946, Avedon had set up his own studio and began providing images for magazines including Vogue and Life. He soon became the chief photographer for Harper’s Bazaar.
Avedon did not conform to the standard technique of taking fashion photographs, where models stood emotionless and seemingly indifferent to the camera. Instead, he showed models full of emotion, smiling, laughing, and, many times, in action.
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Rendezvous with Rama
Rendezvous with Rama is a novel by Arthur C. Clarke first published in 1972. Set in the 22nd century, the story involves a fifty-kilometre-long cylindrical alien starship that enters Earth’s solar system. The story is told from the point of view of a group of human explorers, who intercept the ship in an attempt to unlock its mysteries. It is considered a science fiction classic, and is particularly seen as a key hard science fiction text.
The ‘Rama’ of the title is the alien star ship, initially mistaken for an asteroid and named after the king Rama who is considered to be the seventh avatar of the Hindu god Vishnu (Clarke mentions that by the 22nd century, scientists have used the names of all the Greek and Roman mythological figures to name astronomical bodies, and have thus moved on to Hindu mythology).
Pixelation
In computer graphics, pixelation is an effect caused by displaying a digital image at such a large size that individual pixels, small single-colored square display elements that comprise the bitmap, are visible to the eye. Such an image is said to be pixelated. Early graphical applications such as video games ran at very low resolutions with a small number of colors, and so had easily visible pixels. The resulting sharp edges gave curved objects and diagonal lines an unnatural appearance.
However, when the number of available colors increased to 256, it was possible to gainfully employ antialiasing to smooth the appearance of low-resolution objects, not eliminating pixelation but making it less jarring to the eye. Higher resolutions would soon make this type of pixelation all but invisible on the screen, but pixelation is still visible if a low-resolution image is printed on paper.
Ikko Tanaka
Ikko Tanaka (1930 – 2002) a Japanese graphic designer. The characteristic of his designs is a blending of deeply rooted Japanese traditions with western modernism to produce contemporary visual expression.
















