The picaresque [pik-uh-resk] novel (Spanish:’picaresca,’ from ‘pícaro,’ for ‘rogue’ or ‘rascal’) is a popular subgenre of prose fiction which might sometimes be satirical and depicts, in realistic and often humorous detail, the adventures of a roguish hero of low social class who lives by his wits in a corrupt society. This style of novel originated in 16th-century Spain and flourished throughout Europe in the 17th and 18th centuries. The word ‘picaro’ does not appear in ‘Lazarillo de Tormes’ (1554), the novella credited with founding the genre. The expression ‘picaresque novel’ was coined in 1810. The genre continues to influence modern literature.
Picaresque novels are usually written in first person as an autobiographical account. A Lazarillo or picaro character is an alienated outsider, whose ability to expose and ridicule individuals compromised with society gives him a revolutionary stance. Lazarillo states that the motivation for his writing is to communicate his experiences of overcoming deception, hypocrisy, and falsehood (desengaño).
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Picaresque Novel
Vulcan Salute
The Vulcan salute is a hand gesture consisting of a raised hand, palm forward with the fingers parted between the middle and ring finger, and the thumb extended. The salute was devised and popularized by Leonard Nimoy, who portrayed the half-Vulcan character Mr. Spock on the original ‘Star Trek’ television series in the late 1960s.
The gesture famously has a reputation for being difficult for some people to make without practice or the covert pre-positioning of the fingers, and actors on the original show reportedly had to position their fingers off-screen with the other hand before raising their hand into frame. This reputation may stem from variations in individuals’ manual dexterity. This reputation is parodied somewhat in the motion picture ‘Star Trek: First Contact’ when Zefram Cochrane, upon meeting a Vulcan for the first time in human history, is unable to return the Vulcan salute gesture and instead shakes the Vulcan’s hand.
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Album Era
The Album Era was a period in English-language popular music from the mid 1960s to the mid 2000s in which the album was the dominant form of recorded music expression and consumption. It was primarily driven by three successive music recording formats, the 331⁄3 rpm phonograph record (1931), the audiocassette (1964), and the compact disc (1982).
In 1999, peer-to-peer file sharing application Napster was released, popularizing digital copies of music. The ease of downloading individual songs facilitated by it and later networks is often credited with ushering in the end of the Album Era in popular music.
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Anthony Ausgang
Anthony Charles Grant Thompson (b 1959), better known as Anthony Ausgang, is an LA based artist and writer born in Pointe-à-Pierre, Trinidad and Tobago. He is a principal painter associated with Lowbrow art, a populist movement with cultural roots in underground comix, punk music, and hot-rod culture. Ausgang was one of ‘the first major wave of lowbrow artists’ to show in Los Angeles in the early 1980s. The protagonists of his paintings are cats — ‘psychedelic, wide eyed, with a kind of evil look in their eyes.’
By 1993, his artistic production consisted of customized cars, original acrylic paintings, and commercial merchandise, including clothing, puzzles, toys, lighters, and posters. Laguna Art Museum commissioned Ausgang to design a hole for a miniature golf course exhibit at South Coast Plaza in 1996. In 2010, he did the cover art for the MGMT release ‘Congratulations,’ ‘an eye grabbing illustration that could easily been found on a Grateful dead release circa 1974.’
Concert Etiquette
Concert etiquette refers to a set of social norms observed by those attending musical performances. These norms vary depending upon the type of music performance and can be stringent or informal. Etiquette is especially valued at concerts featuring music from the classical tradition.
The cardinal principle at work is to let others listen to the music undisturbed. Instruments and voices are typically unamplified, the music is rich in detail, wide in dynamic range, and poetic in intent. Audiences want to hear everything.
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Menippean Satire
The genre of Menippean [meh-nip-pee-uhn] satire is a form of satire (ridicule of foolishness and moral failings), usually in prose, which has a length and structure similar to a novel and is characterized by attacking mental attitudes instead of specific individuals. Other features found in Menippean satire are different forms of parody and mythological burlesque (humorous caricatures of the gods), a critique of the myths inherited from traditional culture, a rhapsodic nature, a fragmented narrative, the combination of many different targets, and the rapid moving between styles and points of view.
The term is used by classical grammarians and by philologists mostly to refer to satires in prose. Typical mental attitudes attacked and ridiculed by Menippean satires are ‘pedants, bigots, cranks, parvenus, virtuosi, enthusiasts, rapacious and incompetent professional men of all kinds,’ which are treated as diseases of the intellect. The term Menippean satire distinguishes it from the earlier satire pioneered by Aristophanes, which was based on personal attacks.
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Fordite
Fordite, also known as ‘Detroit agate,’ is old automobile paint which has hardened sufficiently to be cut and polished.
It was formed from the built up of layers of enamel paint slag on tracks and skids on which cars were hand spray-painted (a now automated process), which have been baked numerous times. In recent times the material has been recycled as eco-friendly jewelry.
Ecce Homo
The ‘Ecce Homo‘ [ech-ey hoh-moh] (‘Behold the Man’) in the Sanctuary of Mercy church of Borja, Zaragoza is a fresco of about 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art.
Press accounts agree that the original painting was of little artistic importance, and its fame derives from a botched attempt at restoration.
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The Golden Ass
‘The Metamorphoses’ by Apuleius (Lucius Apuleius Madaurensis, a Roman writer) which St. Augustine referred to as ‘The Golden Ass‘ (Asinus aureus), is the only Ancient Roman novel in Latin to survive in its entirety. The protagonist of the novel is called Lucius, like the author. At the end of the novel, he is revealed to be from Madaurus (present day Algeria), the hometown of Apuleius himself.
The plot revolves around the protagonist’s curiosity (curiositas) and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an ass. This leads to a long journey, literal and metaphorical, filled with inset tales (short stories told by characters encountered by the protagonist; some act as independent narratives, while others interlock with plot developments). He finally finds salvation through the intervention of the goddess Isis, whose cult he joins.
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Religious Satire
Religious satire is a form of satire (humor that points out the shortcomings of institutions of power) targeted at religious beliefs. From the earliest times, at least since the plays of Aristophanes in the fourth century BCE, religion has been one of the three primary topics of literary satire, along with politics and sex.
Satire which targets the clergy is a type of political satire, while religious satire is that which targets religious beliefs. It can be the result of agnosticism or atheism, but it can also have its roots in belief itself. According to religious theorist Robert Kantra, in religious satire, man attempts to violate the divine—it is an effort to play God, in whole or in part—whether under the banner of religion or of humanity. Religious satire surfaced during the Renaissance, with works by Chaucer, Erasmus, and Durer.
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Neil Gaiman
Neil Gaiman (b. 1960) is an English author of short fiction, novels, comic books, graphic novels, audio theatre and films. His notable works include the comic book series ‘The Sandman’ and novels ‘Stardust,’ ‘American Gods,’ ‘Coraline,’ and ‘The Graveyard Book.’
Though his work is frequently seen as exemplifying the monomyth structure laid out by mythologist Joseph Campbell, Gaiman says that he started reading Campbell’s book on the common structure of myths but refused to finish it: ‘I think I got about halfway through ‘The Hero with a Thousand Faces’ and found myself thinking if this is true – I don’t want to know. I really would rather not know this stuff. I’d rather do it because it’s true and because I accidentally wind up creating something that falls into this pattern than be told what the pattern is.’
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FriendsWithYou
FriendsWithYou (FWY) is an art collaborative based in LA, founded in Miami in 2002, by Samuel Albert Borkson (b.1979) and Arturo Sandoval III (b. 1976), which seeks to redesign spirituality, rituals, and religious acts for modern day usage and connectivity. Their mission coincides with their motto: ‘Magic, Luck, and Friendship.’
The collaborative began by creating soft sculptures as a means to spread more accessible art like plush and wood toys, as well as immersive art installations, fine art works including sculpture and painting, and are best known for their public art spectacles such as large-scale installations, playgrounds, and performance pieces. They have described the creation of their art as a healing process intended to increase relatability and connection to each other and the world around them.













