July 4, 2012
The Show With No Name was a long-running and highly popular Public-access television cable TV show in Austin, Texas, hosted by Charlie Sotelo and the mysterious ‘Cinco.’ Each show featured clips of TV, film and music ephemera along with commentary by the hosts and calls from a predictably unruly Public-access television audience.
The clips were usually video snippets that captured a crazy moment of ephemeral history, such as Ed McMahon drunk on ‘The Tonight Show,’ an early live TV appearance by Frank Zappa playing the bicycle and other found instruments, or the famously disastrous Andy Kaufman appearance on ‘Fridays’ (ABC’s weekly late-night live comedy show). Often they were obscure cult favorites only circulated underground, such as ‘Heavy Metal Parking Lot,’ the profane bloopers of an actor in a Winnebago sales video, or Corey Haim’s ‘Me, Myself, and I.’ Many other clips simply presented a zeitgeist gone by: a trailer for an Akira Kurosawa or Sam Peckinpah film, a Bill Hicks comedy set, or Bob Dylan appearing on the Johnny Cash show.
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July 4, 2012
The Found Footage Festival is a live comedy event and screening featuring unusual and humorous clips from VHS videotapes gathered from thrift stores, garage sales, warehouses, estate sales, and dumpsters throughout the United States. Founded in 2004, the Festival originated in Wisconsin and Minnesota by Joe Pickett, Nick Prueher and Geoff Haas, childhood friends from Wisconsin. While still in high school, Pickett and Prueher began collecting videos from garage sales, training videos from odd jobs, and copies of tapes from a video production house. The friends would then play selections from this collection for entertainment at parties.
In 2004, Pickett and Prueher quit their day jobs to focus on production of their first feature documentary, ‘Dirty Country.’ They started the touring ‘Found Footage Festival’ show to fund the production of the documentary. In addition to its regular touring schedule, the Festival has appeared at the HBO ‘US Comedy Arts Festival,’ ‘Just For Laughs’ (the Montreal comedy festival), the ‘New York Comedy Festival,’ the Impakt Festival in the Netherlands, and the ‘Central Standard Film Festival’ in Minneapolis. The Festival is currently based out of New York City.
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July 3, 2012
The Basement Tapes is a 1975 studio album by Bob Dylan and The Band. The songs featuring Dylan’s vocals were recorded in 1967, eight years before the album’s release, at houses in and around Woodstock, NY, where Dylan and the Band lived. Although most of the Dylan songs had appeared on bootleg records, ‘The Basement Tapes’ marked their first official release.
When Columbia Records prepared the album, eight songs recorded solely by the Band were added to sixteen songs taped by Dylan and the Band. Subsequently, the format of the 1975 album has led critics to question the omission of some of Dylan’s best-known 1967 compositions and the inclusion of material by the Band that was not recorded in Woodstock.
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July 3, 2012
Linda Perhacs is an American psychedelic folk singer, who released her only album ‘Parallelograms’ in 1970 to scant notice or sales. The album was rediscovered by record enthusiasts and grew in popularity with the rise of the New Weird America movement (a subgenre of psychedelic and indie music) and the Internet. Her songs have been featured in soundtracks to many films, most recently and notably in Daft Punk’s ‘Electroma.’
Perhacs also sang backing vocals on ‘Freely’ from Devendra Banhart’s ‘Smokey Rolls Down Thunder Canyon’ and features in Prefuse 73’s track ‘Rain Edit (Interlude)’ from the album ‘Surrounded by Silence.’ Encouraged by the newfound attention to her work, she has reportedly recorded two new albums with Ben Watt (British producer and half of Everything but the Girl) as of 2007.
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July 3, 2012
‘Invisible Republic: Bob Dylan’s Basement Tapes’ is a 1997 book by music critic Greil Marcus about the creation and cultural importance of ‘The Basement Tapes,’ a series of recordings made by Bob Dylan in 1967 in collaboration with The Hawks, who would subsequently become known as The Band.
When subsequently published in paperback, the book was re-titled ‘The Old, Weird America,’ a term coined by Marcus to describe the often eerie country, blues, and folk music featured on the ‘Anthology of American Folk Music.’ The term has been revived via the musical genre called New Weird America (a subgenre of psychedelic and indie music).
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July 3, 2012
New Weird America describes a subgenre of psychedelic and indie music, often psych folk, of the late 20th and early 21st centuries. The term is generally believed to have been coined by David Keenan in a 2003 issue of ‘The Wire,’ following the Brattleboro Free Folk Festival organized by Matt Valentine and Ron J. Schneiderman. It is a play on Greil Marcus’s phrase ‘Old Weird America’ as described in his book ‘Invisible Republic,’ which deals with the lineage connecting the pre-World War II folk performers on Harry Smith’s Anthology of American Folk Music to Bob Dylan and his milieu.
The musical style described as New Weird America is derived mainly from psychedelic rock and folk groups of the 1960s and 1970s, including American performers Holy Modal Rounders and English and Scottish groups, such as Pentangle, The Incredible String Band, Donovan, and Comus. It also finds inspiration in such disparate sources as heavy metal, free jazz, electronic music, noise music, ethnic musics, musique concrète, tropicália, and early- and mid-20th century American folk music. Another primary inspiration is outsider music, often played by technically naïve and/or socially estranged musicians, such as The Shaggs, Roky Erickson, and Jandek. Other genre classifications with similar aesthetics are psychedelic rock, psych folk, freakbeat, and freak folk.
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July 3, 2012
A Video Synthesizer is a device that electronically creates a video signal. A video synthesizer is able to generate a variety of visual material without camera input through the use of internal video pattern generators. It can also accept and ‘clean up and enhance’ or ‘distort’ live television. Video pattern generators may produce static or moving or evolving imagery. Examples include geometric patterns ( in 2D or 3D ), subtitle text characters in a particular font, or weather maps.
The history of video synthesis is tied in to a ‘real time performance’ ethic. The equipment is usually expected to function on input camera signals the machine has never seen before, delivering a processed signal continuously and with a minimum of delay in response to the ever changing live video inputs.
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July 3, 2012
Allegro Non Troppo is a 1976 Italian animated film directed by Bruno Bozzetto. Featuring six pieces of classical music, the film is a parody of Disney’s ‘Fantasia,’ two of its episodes being arguably derived from the earlier film. The classical pieces are set to color animation, ranging from comedy to deep tragedy. At the beginning, in between the animation, and at the end are black and white live-action sequences, displaying the fictional animator, orchestra, conductor and filmmaker, with many humorous scenes about the fictional production of the film.
Some of these sections mix animation and live action. In music, an instruction of ‘allegro ma non troppo’ means to play ‘fast, but not overly so.’ In the context of this film, and without the ‘ma,’ it means ‘Not So Fast!’, an interjection meaning ‘slow down’ or ‘think before you act.’ The common meaning of ‘allegro’ in Italian is ‘joyful.’ The title reveals therefore a catch with the dual meaning of ‘allegro,’ and can also be read as ‘joyful, but not so much’ or ‘not overly joyful.’
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July 3, 2012
Cinespia is an organization that hosts on-site screenings of classic films in and around Los Angeles, California. Launched in 2002, Cinespia shows films from the 1930s through the 1990s mostly in open-air settings at historic locations. Its most popular series runs weekly between May and August on Saturday (and occasionally Sunday) nights at the Hollywood Forever Cemetery. In addition, it screens films, both contemporary and canonical, at other locations throughout the year.
The series was the brainchild of John Wyatt, a set designer then in his mid-twenties. A student of influential film lecturer Jim Hosney at the Crossroads School in Santa Monica, Wyatt initially formed an Italian cinema club with friend Richard Petit, which evolved into Cinespia. The name is a portmanteau of the Italian word for film, ‘cine,’ and the third person singular conjugation of the verb ‘spiare,’ meaning ‘to observe,’ or more commonly, ‘to spy.’ Conjoined, cinespia was intended to suggest a film enthusiast or ‘watcher of films,’ although the actual term for film buff in Italian is ‘cinofilo.’ Cinespia, by contrast, means literally ‘he spies in the movie theater’ or ‘cinema spy.’
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July 2, 2012
Everything is Terrible! is a Chicago-based video blogging website launched in 2007 that features clips of VHS tapes from the late 20th century. The project was founded in 2000 by a group of friends while at Ohio University. They search at thrift stores, garage sales, and ‘bargain bins’ for the worst and most outrageous VHS tapes in which to share with each other. The website has also been attempting to amass the largest collection of tapes that feature the film ‘Jerry Maguire’; according to member Ghoul Skool: ‘We always have noticed since the beginning that there seems to be nothing but just ‘Jerry Maguire’ tapes filling our nation’s thrift stores. I don’t know why.’
The people behind ‘Everything is Terrible’ also perform live shows wearing cloaks and gold VHS tapes around their necks to showcase their new VHS discoveries. In 2009, the website released a video titled ‘Everything is Terrible! The Movie,’ which featured the same type of VHS clips that would be featured on their website. The ‘A.V. Club’ called the video ‘a portal into a world halfway between showbiz and real life—a look at how the people who make entertainment for a living think the rest of us saps actually live,’ adding that it’s ‘simultaneously enlightening, hilarious, and deeply sad.
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June 29, 2012
Metareference is a situation in a work of fiction whereby characters display an awareness that they are in such a work. Sometimes it may even just be a form of editing or film-making technique that comments on the show/film/book itself. It is also sometimes known as ‘Breaking the Fourth Wall,’ in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
Metareference in fiction is jarring to the reader, but can be comical, as in Jasper Fforde’s novel ‘Lost in a Good Book.’ The character Thursday Next remarks to her husband that she feels uncomfortable having sex in front of so many people, when he is confused because they are alone in their bedroom, she explains, ‘all the people reading us.’ In Fforde’s ‘The Fourth Bear’ two characters lament over a bad joke made by the author, saying, ‘I can’t believe he gets away with that.’ Some novels with first person narration contain instances of metareference when the narrator addresses the reader directly (e.g. Charlotte Brontë’s ‘Jane Eyre’).
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June 29, 2012
Mise [meez] en [awn] abyme [ah-beem] is a term originally from the French and means ‘placed into abyss.’ The commonplace usage of this phrase is describing the visual experience of standing between two mirrors, seeing an infinite reproduction of one’s image, but it has several other meanings in the realm of the creative arts and literary theory. In Western art history, ‘mise en abyme’ is a formal technique in which an image contains a smaller copy of itself, the sequence appearing to recur infinitely.
In the terminology of heraldry, the ‘abyme’ is the center of a coat of arms. The term ‘mise en abyme’ then meant literally ‘put in the center.’ It described a coat of arms that appears as a smaller shield in the center of a larger one (the Droste effect). For example, the two-headed eagle on modern coat of arms of Russia has a scepter with coat of arms of Russia on top of it, with the same scepter.
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