Everything is Interesting
The ‘Ecce Homo‘ [ech-ey hoh-moh] (‘Behold the Man’) in the Sanctuary of Mercy church of Borja, Zaragoza is a fresco of about 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art.
Press accounts agree that the original painting was of little artistic importance, and its fame derives from a botched attempt at restoration.
read more »
Religious satire is a form of satire (humor that points out the shortcomings of institutions of power) targeted at religious beliefs. From the earliest times, at least since the plays of Aristophanes in the fourth century BCE, religion has been one of the three primary topics of literary satire, along with politics and sex.
Satire which targets the clergy is a type of political satire, while religious satire is that which targets religious beliefs. It can be the result of agnosticism or atheism, but it can also have its roots in belief itself. According to religious theorist Robert Kantra, in religious satire, man attempts to violate the divine—it is an effort to play God, in whole or in part—whether under the banner of religion or of humanity. Religious satire surfaced during the Renaissance, with works by Chaucer, Erasmus, and Durer.
read more »
Normcore is an emerging cultural trend focusing on ‘coolness that opts into sameness.’ It is in response to hipster subculture. Jeremy Lewis, the founder of fashion website ‘Garmento’ calls normcore ‘one facet of a growing anti-fashion sentiment.’
K-hole, a creative trend forecasting collective based in New York City is cited as coining the phrase. Normcore is an anti-trendy trend.
Ichthys [ik-thees], from the Koine Greek word for fish, is a symbol consisting of two intersecting arcs, the ends of the right side extending beyond the meeting point so as to resemble the profile of a fish, used by early Christians as a secret Christian symbol and now known colloquially as the ‘sign of the fish’ or the ‘Jesus fish.’
It is sometimes a subject of satire, especially when adorning the bumpers or trunks of automobiles. The most notable is the ‘Darwin Fish,’ an ichthys symbol with ‘evolved’ legs and feet attached. Rhetorical scholar Thomas Lessl conducted a survey of users of the Darwin fish emblem. Based on their responses, he interprets the symbol as scientific ‘blackface,’ a parody that is one part mockery and one part imitation. While users frequently explain the symbol as a rebuke against Creationism, Lessl suggests that the emblem represents a metaphor for cultural progress.
read more »
9/11 humor is black comedy or off-color humor that aims to make light of the September 11, 2001 terrorist attacks. A number of scholars have studied the ways in which humor has been used to deal with the trauma of the event. Researcher Bill Ellis found jokes about the attacks from Americans the day afterwards, and sociologist Giselinde Kuipers found jokes on Dutch websites a day later. Kuipers had collected around 850 online jokes about 9/11, Osama Bin Laden, and the Afghanistan war by 2005.
An early public attempt at 9/11 humor was made by Gilbert Gottfried just a few weeks after the attacks. During a comedy roast at the Friars Club his 9/11 gags ellicited angry shouts of ‘too soon.’ Gottfried improvised and performed ‘The Aristocrats’ routine (a famously vulgar joke), which got great applause from the crowd.
read more »
The Rock-afire Explosion is an animatronic robot band that played in Showbiz Pizza Place from 1980 to 1990, and in various Showbiz Pizza locations between 1990 and 1992 as Showbiz rebranded and the band was steadily replaced by Chuck E. Cheese characters. The characters in The Rock-afire Explosion were various animals ranging from a dog to a gorilla. They would perform medleys of classic rock, pop, and country music, as well as original compositions.
The show was a pioneer in commercial animatronics in the 1980s, featuring life-sized characters capable of facial expression; some were even programmed in such a way that they could actually play simple melodies on musical instruments. The show was created and manufactured by noted inventor Aaron Fechter, through his company Creative Engineering, Inc. in Orlando, Florida; in addition to overseeing the production of the animatronics, Fechter also provided the voices for several characters.
read more »
Out of hacker culture, and especially the artificial intelligence community at MIT, there have sprung a number of humorous short stories about computer science dubbed hacker koans [koh-ahns]; most of these are recorded in an appendix to the Jargon File (a glossary of computer programmer slang). Most do not fit the usual pattern of koans, but they do tend to follow the form of being short, enigmatic, and often revealing an epiphany.
One notable example, titled ‘Uncarved block,’ describes an exchange between professor Marvin Minsky and student Jerry Sussman: ‘In the days when Sussman was a novice, Minsky once came to him as he sat hacking at the PDP-6. ‘What are you doing?’, asked Minsky. ‘I am training a randomly wired neural net to play Tic-tac-toe,’ Sussman replied. ‘Why is the net wired randomly?’, asked Minsky. ‘I do not want it to have any preconceptions of how to play,’ Sussman said. Minsky then shut his eyes. ‘Why do you close your eyes?’ Sussman asked his teacher. ‘So that the room will be empty.’ At that moment, Sussman was enlightened.’
read more »
Although clowns are originally comic performers and characterized to humor and entertain people, the image of the evil clown is a development in popular culture, in which the playful trope is rendered disturbing through the use of horror elements and dark humor.
Philosopher Wolfgang M. Zucker points out the similarities between a clown’s appearance and the cultural depictions of demons and other infernal creatures, noting ‘[the clown’s] chalk-white face in which the eyes almost disappear, while the mouth is enlarged to a ghoulish bigness looks like the mask of death.’
read more »
Goat Simulator is a third-person perspective game in which the player controls a goat. There does not appear to be any kind of storyline or plot. The player is free to explore the game’s world as a goat, destroying things in the environment, running, jumping, and biting. According to the developers, Coffee Stain Studios: ‘Goat Simulator is like an old school skating game, except instead of being a skater, you’re a goat, and instead of doing tricks, you wreck stuff.’
The game boasts the fact that various glitches and bugs have been intentionally left in the game, as to add to the light-hearted entertainment value. Another gameplay feature is the ability to ‘lick’ objects with the goat’s absurdly long tongue, which will then stick to the goat’s tongue and can be carried and swung around to provide an alternate method of wreaking havoc on the game environment.
Surgeon Simulator 2013, a humorous medical sim, was initially created in a 48-hour period for the 2013 ‘Global Game Jam’ (the four developers spent an additional 48 days building the commercial version). The game is played in first-person perspective. A mouse is used to control the surgeon’s hand (holding the right button rotates the hand; the left button grabs items). Gameplay consists of various surgical procedures, for example a heart transplant. Extra modes are available after completion of the early operations, such as performing an operation in a moving ambulance with surgical instruments bouncing around at random, and operating in outer space where instruments float.
Reception for the game has been positive, with critics stating that although the game was hard to control, this difficulty was ‘part of the appeal.’ Ars Technica commented upon the narrator’s voice over, saying that it ‘belies the ridiculousness that unfolds as he flops and flails his way through surgery.’ ‘Rock, Paper, Shotgun, praised the game’s humor and fun, and said ”Surgeon Simulator 2013′ is not a brilliant game. But it is a brilliant joke. In the form of a game. It’s an idea that is a clean magnitude of awesome above 90% of what will be released this year because it is so absurd.’
Florentijn Hofman (b. 1977) is a Dutch artist known for playful urban installations such as the ‘Rubber Duck’ (a giant floating sculpture). They were built in various sizes, including one created in 2007 that is the largest rubber duck in the world at 105 feet long. Hofman’s tour was named ‘Spreading joy around the world.’ He aimed to recall everyone’s childhood memories by exhibiting the duck in 14 cities. The ducks are constructed with more than 200 pieces of PVC. There is an opening at the back of the body so that staff can perform maintenance. In addition, there is an electric fan in its body so that it can be inflated at any time, in either good or bad weather.
Since 2007, the ducks have been on display in Amsterdam, Belgium, Osaka, Sydney, Sao Paulo, Hong Kong, and Pittsburg. In 2009, while it was on display in Belgium, vandals stabbed the duck 42 times. The duck on display in Hong Kong was damaged and deflated in Taiwan after an earthquake, before bursting a few weeks later. In 2013, Sina Weibo, China’s most popular microblog, blocked the terms ‘Big Yellow Duck.’ The censorship occurred because a photoshopped version of ‘Tank Man’ (the Tiananmen Square protester), which swapped all tanks with this sculpture, had been circulating.
Bill Watterson (b. 1958) is an American artist and the author of the comic strip ‘Calvin and Hobbes,’ which was syndicated from 1985 to 1995. Watterson stopped drawing the strip at the end of 1995 with a short statement to newspaper editors and his readers that he felt he had achieved all he could in the medium.
Watterson is known for his views on licensing (he refused to merchandise his creations on the grounds that displaying their images on commercially sold mugs, stickers and T-shirts would devalue the characters and their personalities) and his move back into private life after ‘Calvin and Hobbes.’
read more »
The Daily Omnivore 