November 6, 2012
There are numerous fallacious ideas and beliefs about the origins (or etymologies) of common English words. The word ‘fuck’ did not originate in Christianized Anglo-Saxon England as an acronym of ‘Fornication Under Consent of King’; nor did it originate as an acronym of ‘For Unlawful Carnal Knowledge,’ either as a sign posted above adulterers in the stocks, or as a criminal charge against members of the British Armed Forces; nor did it originate during the 15th-century Battle of Agincourt as a corruption of ‘pluck yew’ (an idiom falsely attributed to the English for drawing a longbow).
Modern English was not spoken until the 16th century, and words such as ‘fornication’ and ‘consent’ did not exist in any form in English until the influence of Anglo-Norman in the late 12th century. The earliest recorded use of ‘fuck’ in English comes from c. 1475, in the poem ‘Flen flyys,’ where it is spelled ‘fuccant’ (conjugated as if a Latin verb meaning ‘they fuck’). It is of Proto-Germanic origin, and is related to Dutch ‘fokken’ and Norwegian ‘fukka.’
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November 6, 2012
The Parthian [pahr-thee-uhn] shot was a military tactic made famous by the Parthians (an ancient Iranian empire). Their archers mounted on light horse, while retreating at a full gallop, would turn their bodies back to shoot at the pursuing enemy. The maneuver required superb equestrian skills, since the rider’s hands were occupied by his bow. As the stirrup had not been invented yet, the rider relied solely on pressure from his legs to guide his horse. The tactic was first employed by Eurasian nomads, including the Scythians, Huns, Turks, Magyars, and Mongols, before spreading to armies away from the Eurasian steppe, such as the Sassanid clibanariis and cataphract.
The Parthians famously used it to defeat the Roman general Crassus in the Battle of Carrhae. The phrase ‘parting shot’ has its origins from the Parthian shot. The first recorded usage was by John McCleod, surgeon on board the HMS Alceste contained in: ‘A narrative of a Voyage to the Yellow Sea’ (1818). The two phrases have rather similar phonetic soundings but are actually separately derived at different times. Although the Parthian archers of old have been famous for their shooting, the term ‘parthian shot’ was recorded for the first time in 1832 by Captain Mundy, ADC to Lord Combermere on a hunting trip in India.
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November 5, 2012
The phrase ‘naturalistic fallacy‘ refers to the claim that what is natural is inherently good or right, and that what is unnatural is bad or wrong (‘appeal to nature’). It is the converse of the ‘moralistic fallacy,’ the notion that what is good or right is natural and inherent. The naturalistic fallacy is related to (and even confused with) Hume’s ‘is–ought problem,’ which examines the difference between descriptive statements (about what is) and prescriptive or normative statements (about what ought to be).
Another usage of ‘naturalistic fallacy’ was described by British philosopher G. E. Moore in his 1903 book ‘Principia Ethica.’ Moore stated that a naturalistic fallacy is committed whenever a philosopher attempts to prove a claim about ethics by appealing to a definition of the term ‘good’ in terms of one or more natural properties (such as ‘pleasant,’ ‘more evolved,’ ‘desired,’ etc.).
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November 4, 2012
Night Thoughts of a Classical Physicist is a 1918 novel by historian of science Russell McCormmach, which explores the world of physics in the early 20th century—including the advent of modern physics and the role of physicists in World War I—through the recollections of the fictional Viktor Jakob.
Jakob is an old German physicist who spent most of his career during the period of classical physics, a paradigm being confronted by the rapid and radical developments of relativistic physics of Albert Einstein in 1900s and 1910s. This conflict allows for extensive examination of the various tensions placed on Jakob by the academic environment, the German academic system and the changing academic culture of the early 20th century.
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November 3, 2012
A paradigm [par-uh-dahym] shift (or revolutionary science) is, according to American physicist Thomas Kuhn, in his influential book ‘The Structure of Scientific Revolutions’ (1962), a change in the basic assumptions, or paradigms, within the ruling theory of science.
It is in contrast to his idea of ‘normal science’ (everyday problem solving within an existing paradigm). According to Kuhn, ‘A paradigm is what members of a scientific community, and they alone, share.’ Unlike a normal scientist, Kuhn held, ‘a student in the humanities has constantly before him a number of competing and incommensurable solutions to these problems, solutions that he must ultimately examine for himself.’
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November 2, 2012
The Structure of Scientific Revolutions by Thomas S. Kuhn, is an analysis of the history of science, published in 1962. Its publication was a landmark event in the history, philosophy, and sociology of scientific knowledge and it triggered an ongoing worldwide assessment and reaction in—and beyond—those scholarly communities. In this work, Kuhn challenged the then prevailing view of progress in ‘normal science’ (the routine work of scientists experimenting within a paradigm).
Scientific progress had been seen primarily as ‘development-by-accumulation’ of accepted facts and theories. Kuhn argued for an episodic model in which periods of such conceptual continuity in normal science were interrupted by periods of revolutionary science. During revolutions in science the discovery of anomalies leads to a whole new paradigm that changes the rules of the game and the ‘map’ directing new research, asks new questions of old data, and moves beyond the puzzle-solving of normal science.
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November 1, 2012
The science wars were a series of intellectual exchanges, between scientific realists and postmodernist critics, about the nature of scientific theory which took place principally in the United States in the 1990s. The postmodernists questioned scientific objectivity, and critiqued the scientific method and scientific knowledge in cultural studies, cultural anthropology, feminist studies, comparative literature, media studies, and science and technology studies. The scientific realists countered that objective scientific knowledge is real, and accused postmodernist critics of having little understanding of the science they were criticizing.
Until the mid-20th century, the philosophy of science had concentrated on the viability of scientific method and knowledge, proposing justifications for the truth of scientific theories and observations and attempting to discover on a philosophical level why science worked. Already Karl Popper had begun to attack this view. Popper denied outright that justification existed for such concepts as truth, probability or even belief in scientific theories, thereby laying fertile foundations for the growth of postmodernist attitudes.
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November 1, 2012
‘Fashionable Nonsense: Postmodern Intellectuals’ Abuse of Science’ (French: ‘Impostures Intellectuelles’) is a 1997 book by NYU physics professor Alan Sokal and Belgian theoretical physicist Jean Bricmont. Sokal is best known for the Sokal Affair, in which he submitted a deliberately absurd article to ‘Social Text,’ a critical theory journal, and was able to get it published. The English editions were revised for greater relevance to debates in the English-speaking world.
As part of the so-called ‘science wars’ (a series of intellectual exchanges, between scientific realists and postmodernist critics), the book criticizes postmodernism in academia for what it claims are misuses of scientific and mathematical concepts in postmodern writing. According to some reports, the response within the humanities was ‘polarized.’ Critics of Sokal and Bricmont charge that they lack understanding of the writing they were criticizing. Responses from the scientific community were more supportive.
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October 28, 2012
‘Understanding Media: The Extensions of Man’ is a 1964 book by Marshall McLuhan. A pioneering study in media theory, it proposes that media themselves, not the content they carry, should be the focus of study. McLuhan suggests that a medium affects the society in which it plays a role not by the content delivered through it, but by the characteristics of the medium itself.
McLuhan pointed to the light bulb as an example. A light bulb does not have content in the way that a newspaper has articles or a television has programs, yet it is a medium that has a social effect; that is, a light bulb enables people to create spaces during nighttime that would otherwise be enveloped by darkness. He describes the light bulb as a medium without any content. McLuhan states that ‘a light bulb creates an environment by its mere presence.’
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October 28, 2012
Global Village is a term closely associated with Marshall McLuhan, popularized in his books ‘The Gutenberg Galaxy: The Making of Typographic Man’ (1962) and ‘Understanding Media’ (1964). McLuhan described how the globe has been contracted into a village by electric technology and the instantaneous movement of information from every quarter to every point at the same time. In bringing all social and political functions together in a sudden implosion, electric speed heightened human awareness of responsibility to an intense degree.
The Hindu concept of Vasudhaiva Kutumbakam (the whole world is one single family) is a similar thought, according to which: ‘Only small men discriminate saying: One is a relative; the other is a stranger. For those who live magnanimously the entire world constitutes but a family.’ The same concept is to be found in an ancient Tamil poem as, ‘every country is my own and all the people are my kinsmen.’
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October 28, 2012
‘The Gutenberg Galaxy: The Making of Typographic Man’ is a book by Marshall McLuhan, in which he analyzes the effects of mass media, especially the printing press, on European culture and human consciousness.
It popularized the term ‘global village,’ which refers to the idea that mass communication allows a village-like mindset to apply to the entire world; and ‘Gutenberg Galaxy,’ which we may regard today to refer to the accumulated body of recorded works of human art and knowledge, especially books. McLuhan studies the emergence of what he calls ‘Gutenberg Man,’ the subject produced by the change of consciousness wrought by the advent of the printed book.
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October 28, 2012
Alt porn tends to involve members of such subcultures as goths, punks, or ravers and is often produced by small and independent websites or filmmakers. It often features models with body modifications such as tattoos, piercings, or scarifications, or temporary modifications such as dyed hair.
The term indie porn is also sometimes used, though this term is more generally used as a synonym for independent pornography, regardless of affinity with any kind of alternative subculture. While pornography specifically oriented toward alternative culture did not arise until the 1990s, the work of Gregory Dark, David Aaron Clark, Michael Ninn, and Stephen Sayadian are seen by some as predecessors of alt porn. ‘The Cinema of Transgression’ of Richard Kern and Nick Zedd (as well as Kern’s later photographic work) can also be viewed as early examples of alt porn.
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