Don’t Copy That Floppy was an anti-copyright infringement campaign run by the Software Publishers Association (SPA) beginning in 1992.
The video for the campaign, starring M. E. Hart as ‘MC Double Def DP,’ was filmed at Cardozo High School in Washington, D.C. The commercial’s mention of the game ‘Tetris’ is ironic given the original version was copied and smuggled out of the Soviet Union then commercialized without any legal rights or payment to its creators (or to the Soviet Union, which had the copyrights of what its scientist produced).
Don’t Copy That Floppy
Dietrich Varez
Dietrich Varez (b. 1939) is an iconoclastic printmaker-painter. His work is among the most widely-recognized of any artist in Hawaii. A long-time resident of the Big Island, he is known primarily for scenes of Hawaiian mythology and of traditional Hawaiian life and stylized designs from nature. The studio where Varez works and lives is in a rural forested area near the small town of Volcano, Hawaii a few miles from the entrance to Hawaii Volcanoes National Park.
He built the house himself after many years of living in tents or cabins on the land or in the Park. For most of his life there, he and his family have lived a self-sufficient pioneering life. They capture rainwater for their needs, and had no electricity for thirty years. The road to his home has been described as ‘barely passable.’ Varez and his wife rarely leave their homestead, virtually never travelling off-island.
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Pregap
The pregap on a Red Book audio CD is the portion of the audio track that precedes ‘index 01’ for a given track in the table of contents (TOC). The pregap (‘index 00’) is typically two seconds long and usually, but not always, contains silence. Popular uses for having the pregap contain audio are live CDs, track interludes, and hidden songs in the pregap of the first track. On certain CDs, such as ‘Think Tank’ by Blur, the pregap contains a hidden track. The track is truly hidden in the sense that most conventional standalone players and software CD players will not see it. Such hidden tracks can be played by playing the first song and ‘rewinding’ (more accurately, seeking in reverse) until the actual start of the whole CD audio track. Not all CD drives can properly extract such hidden tracks. Some drives will report errors when reading these tracks, and some will seem to extract them properly, but the extracted file will contain only silence.
The pregap was used to hide computer data, tricking computers into detecting a data track whereas conventional CD players would continue to see the CD as an audio CD. This method was quickly made obsolete in late 1996 when an update to Windows 95 made the pregap track inaccessible. It is unclear whether or not this change in Microsoft Windows’ behavior was intentional: for instance, it may have been intended to steer developers away from the pregap method and encourage what became the Blue Book specification ‘CD Extra’ format.
Micromort
A micromort is a unit of risk measuring a one-in-a-million probability of death (from micro- and mortality). Micromorts can be used to measure riskiness of various day-to-day activities. A microprobability is a one-in-a million chance of some event; thus a micromort is the microprobability of death. The micromort concept was introduced by Ronald A. Howard who pioneered the modern practice of decision analysis.
An application of micromorts is measuring the value that humans place on risk: for example, one can consider the amount of money one would have to pay a person to get him or her to accept a one-in-a-million chance of death (or conversely the amount that someone might be willing to pay to avoid a one-in-a-million chance of death).
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Grigori Perelman
Grigori Perelman (b. 1966) is a Russian mathematician who has made landmark contributions to geometry and topology (the study of geometric deformation). In 1992, Perelman proved the soul conjecture. In 2002, he proved Thurston’s geometrization conjecture. This consequently solved in the affirmative the Poincaré conjecture, posed in 1904, which before its solution was viewed as one of the most important and difficult open problems in topology.
In 2006, Perelman was awarded the Fields Medal, but declined to accept the award or to appear at the congress, stating: ‘I’m not interested in money or fame, I don’t want to be on display like an animal in a zoo.’ In 2010, it was announced that he had met the criteria to receive the first Clay Millennium Prize for resolution of the Poincaré conjecture. He turned down the prize ($1 million), saying that he considers his contribution to proving the Poincaré conjecture to be no greater than that of U.S. mathematician Richard Hamilton.
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Show Bible
A bible for screenwriters is a reference document used for information on a story’s characters, settings and other elements. Show bibles are commonly used in television series; new writers and freelancers are often referred to it when writing scripts for the show to ensure continuity with previous episodes; they’re also used by individual writers for books and movies to keep track of details.
However, according to writer and producer Jane Espenson, ‘Show bibles … just aren’t as important as you might think to the daily life of the [writing] staff. The truth is that once you’re living inside a show, you’re swimming as fast as you can from one island to the next, and there is neither the time nor the need to record decisions that have been made (these are in the scripts), or that are in the process of being made (these are in the notes taken in the room as the writers work).’
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False Consciousness
False consciousness is the Marxist thesis that material and institutional processes in capitalist society are misleading to the proletariat, and to other classes. These processes betray the true relations of forces between those classes, and the real state of affairs regarding the development of pre-socialist society (relative to the secular development of human society in general).
In Marxist theory, false consciousness is essentially a result of ideological control which the proletariat either do not know they are under or which they disregard with a view to their own POUM (probability/possibility of upward mobility). POUM or something like it is required in economics with its presumption of rational agency; otherwise wage laborers would be the conscious supporters of social relations antithetical to their own interests, violating that presumption.
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Sleeper Hit
A sleeper hit refers to a film, book, single, album, TV show, or video game that gains unexpected success or recognition. Sleeper hits often grow in popularity over time. Some sleeper hits achieve unexpected success at the box office immediately upon their initial theatrical release, but this is not typical. Because these films are not expected to do particularly well they often receive little promotion or advertising and take time to register with the public.
Typically the sleeper hit relies instead on positive ‘word of mouth’ as well as the publicity generated by awards and good reviews. Two good examples of these are Mike Judge’s ‘Office Space’ and ‘Idiocracy,’ both of which quickly became cult classics. The movie ‘Caddyshack’ is another good example.
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Cult Following
A cult following is a group of fans who are highly dedicated to a specific area of pop culture. A film, book, band, or video game, among other things, will be said to have a cult following when it has a small but very passionate fan base. A common component of cult followings is the emotional attachment fans have with the object of the cult following, often identifying themselves and other fans as members of a community.
Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric, bizarre, controversial or anti-establishment to be appreciated by the general public.
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Cult Film
A cult film, also commonly referred to as a cult classic, is a film that has acquired a highly devoted but specific group of fans. Often, cult movies have failed to achieve fame outside the small fanbases; however, there have been exceptions that have managed to gain fame among mainstream audiences. Many cult movies have gone on to transcend their original cult status and have become recognized as classics; others are of the ‘so bad it’s good’ variety and are destined to remain in obscurity.
Cult films often become the source of a thriving, obsessive, and elaborate subculture of fandom, hence the analogy to cults. However, not every film with a devoted fanbase is necessarily a cult film. Usually, cult films have limited but very special, noted appeal. Cult films are often known to be eccentric, often do not follow traditional standards of popular cinema and usually explore topics not considered in any way mainstream—yet there are examples that are relatively normal. Many are often considered controversial because they step outside standard narrative and technical conventions.
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Monome
Monome is a family of interface devices for computers made by a Pennsylvania company of the same name. Despite being produced irregularly in small quantities since its introduction in 2006, the Monome button-grid controller has had a significant impact on electronic music. Together with the physically similar Yamaha Tenori-On, which was released a year later in 2007, the monome inspired interest in minimalist, grid-based music controllers. That interest spawned hobbyist projects like the Arduinome and commercial products like the Akai APC40 and the Novation Launchpad. The Monome has a minimalist design. It is simply a box with no letters or labels. There are random buttons that are back-lit. The box that holds the monome is entirely made up of timber, usually walnut. Notable users include deadmau5, Flying Lotus, Daedelus, and Nine Inch Nails contributor Alessandro Cortini.
Monome devices do not produce any sound on their own; they must be connected to a computer. A core design principle of the Monome is that it is not intended for any one specific application — the function of each button and the decision as to which lights are lit are completely up to the software communicating with the device over the Open Sound Control protocol. Several models have been produced, with typical sizes ranging from 64 to 256 buttons — plus a very limited run of 512-button devices. Monome applications span a wide variety of capabilities. Several applications provide sample sequencing capabilities. One such application is MLR, an application that allows for live sequencing and re-cutting of samples. There are also many applications that allow for synthesis either via their own internal synthesizers or by sending MIDI/OSC messages to external synthesizers.
Parachuting Rat
Parachuting Rat is an artwork in Melbourne, Australia created by Banksy in 2003. In 2010 it was painted over by council contractors, leading to local and international coverage and debate on the nature of street art and its preservation, and new measures for its protection. Parachuting Rat is a purple rat with aviator glasses descending by parachute. Banksy’s oeuvre is largely directed towards anti-capitalist and anti-war themes.
Banksy’s work is described as distinctive in style, satirical, and provocative. Banksy himself has written, in connection with his works involving rats, ‘they exist without permission. They are hated, hunted and persecuted … if you are dirty, insignificant and unloved then rats are the ultimate role model’; that ‘you can win the rat race but you’re still a rat’; and also that he had been painting rats for three years before someone told him that the word is an anagram of art.
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