February 10, 2013
Naked Lunch is the 1991 film adaptation written and directed by David Cronenberg, of William S. Burroughs’ novel of the same name. Rather than attempting a straight adaptation, Cronenberg took a few elements from the book and combined them with elements of Burroughs’ life, creating a hybrid film about the writing of the book rather than the book itself. Peter Weller starred as William Lee, the pseudonym Burroughs used when he wrote ‘Junkie.’
Lee is an exterminator who finds that his wife Joan is stealing his insecticide (pyrethrum) to use as a drug. When Lee is arrested by the police, he begins hallucinating because of ‘bug powder’ exposure. He believes he is a secret agent whose controller (a giant bug) assigns him the mission of killing Joan, who is an agent of an organization called Interzone Incorporated. Lee dismisses the bug and its instructions and kills it. He returns home to find Joan sleeping with Hank, one of his writer friends. Shortly afterwards, he accidentally kills her while attempting to shoot a drinking glass off her head in imitation of William Tell.
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February 10, 2013
Naked Lunch is a novel by William S. Burroughs originally published in 1959. The book is structured as a series of loosely-connected vignettes. Burroughs stated that the chapters are intended to be read in any order.
The reader follows the narration of junkie William Lee, who takes on various aliases, from the US to Mexico, eventually to Tangier and the dreamlike Interzone (international zone, a type of extraterritoriality governed by international law). The vignettes (called ‘routines’) are drawn from Burroughs’ own experience in these places, and his addiction to drugs (heroin, morphine, and while in Tangier, ‘Majoun’—a strong marijuana confection—as well as a German opioid, brand name Eukodol, of which he wrote frequently). Continue reading →
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February 9, 2013
The recurrent [ri-kur-uhnt] laryngeal [luh-rin-jee-uhl] nerve is a branch of the vagus nerve (tenth cranial nerve) that supplies motor function and sensation to the larynx (voice box). It is referred to as ‘recurrent’ because the branches of the nerve innervate the laryngeal muscles in the neck through a rather circuitous route: it descends into the thorax before rising up between the trachea and esophagus to reach the neck.
The extreme detour of this nerve (about 15 feet in the case of giraffes) is cited as evidence of evolution as opposed to intelligent design. The nerve’s route would have been direct in the fish-like ancestors of modern tetrapods, traveling from the brain, past the heart, to the gills (as it does in modern fish). Over the course of evolution, as the neck extended and the heart became lower in the body, the laryngeal nerve was caught on the wrong side of the heart. Natural selection gradually lengthened the nerve by tiny increments to accommodate, resulting in the circuitous route now observed.
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February 8, 2013
‘A Study of History‘ is the 12-volume magnum opus of British historian Arnold J. Toynbee, finished in 1961, in which the author traces the development and decay of all of the major world civilizations in the historical record. Toynbee applies his model to each of these civilizations, detailing the stages through which they all pass: genesis, growth, time of troubles, universal state, and disintegration.
The major civilizations, as Toynbee sees them, are: Egyptian, Andean, Sinic, Minoan, Sumerian, Mayan, Indic, Hittite, Hellenic, Western, Orthodox Christian (Russia), Far Eastern, Orthodox Christian (main body), Persian, Arabic, Hindu, Mexican, Yucatec, and Babylonic. There are four ‘abortive civilizations’ (Abortive Far Western Christian, Abortive Far Eastern Christian, Abortive Scandinavian, Abortive Syriac) and five ‘arrested civilizations’ (Polynesian, Eskimo, Nomadic, Ottoman, Spartan).
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February 8, 2013
The Toynbee tiles are messages of unknown origin found embedded in asphalt of streets in about two dozen major cities in the United States and four South American capitals. Since the 1980s, several hundred tiles have been discovered. They are generally about the size of an American license plate (roughly 30 cm by 15 cm), but sometimes considerably larger. They contain some variation on the following inscription: ‘TOYNBEE IDEA, IN MOViE `2001, RESURRECT DEAD, ON PLANET JUPITER.’
Some of the more elaborate tiles also feature cryptic political statements or exhort readers to create and install similar tiles of their own. The material used for making the tiles was long a mystery, but evidence has emerged that they may be primarily made of layers of linoleum and asphalt crack-filling compound. Toynbee-tile enthusiasts believe that a native Philadelphian created the tiles because of the large number that appear in the city, their apparent age, and the variety of carving styles.
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February 8, 2013
A claw crane or skill crane is a type of arcade game known as a ‘merchandiser,’ commonly found in video arcades, supermarkets, restaurants, movie theaters, shopping malls, and bowling alleys. A claw vending machine consists of prizes, usually plush toys or alternatives such as jewelry, capsuled toys, hats, balls, dolls, shirts, candy and electronics.
Higher end and more expensive prizes are sometimes placed in a plastic bag so the toy is harder to pick up. The player inserts coins into the machine, which then allows the player to manipulate a joystick that controls the claw for a variable time (controlled by the operator) usually 15 to 30 seconds (in some cases, a claw vending machine might offer a minute of time). Continue reading →
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February 7, 2013
‘Dark Age Ahead‘ is a 2004 book by Jane Jacobs describing what she sees as the decay of five key ‘pillars’ in North America: community and family, higher education, science and technology, taxes and government responsive to citizen’s needs, and self-policing by the learned professions. She argues that this decay threatens to create a dark age unless the trends are reversed. Jacobs characterizes a dark age as a ‘mass amnesia’ where even the memory of what was lost is lost.
People are increasingly choosing consumerism over family welfare, that is: consumption over fertility; debt over family budget discipline; fiscal advantage to oneself at the expense of community welfare. Universities are more interested in credentials than providing high quality education. Economics has become as the main ‘science’ to consider in making major political decisions. Governments are more interested in deep-pocket interest groups than the welfare of the population. She describes, a culture that prevents people from understanding/realizing the deterioration of fundamental physical resources which the entire community depends on.
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February 7, 2013
Sturgeon’s revelation, commonly referred to as Sturgeon’s law, is an adage commonly cited as ‘ninety percent of everything is crap.’ It is derived from quotations by Theodore Sturgeon, an American science fiction author.
The phrase was derived from Sturgeon’s observation that while science fiction was often derided for its low quality by critics, it could be noted that the majority of examples of works in other fields could equally be seen to be of low quality and that science fiction was thus no different in that regard to other art. Continue reading →
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February 7, 2013
In the summer of 2008 conceptual artist Steve Powers presented a work that came to be known as the Coney Island waterboarding thrill ride. As originally conceived Powers saw the public watching volunteers undergoing actual waterboarding.
‘The Washington Post’ reported that Powers brought in Mike Ritz, a former US official experienced in administering waterboarding, for a one time demonstration of waterboarding on volunteers. This demonstration was not open to the general public, but rather for an invited audience. Powers himself was one of the volunteers. Continue reading →
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February 7, 2013
Steve Powers (b. 1968) is a New York City artist who at one time wrote graffiti in Philadelphia and New York under the name ESPO (‘Exterior Surface Painting Outreach’). Powers is from Philadelphia’s Overbrook neighborhood; he graduated from Robert E. Lamberton High School in 1987 and took classes at The Art Institute of Philadelphia and the University of the Arts. In 1994, he moved to New York with fellow writer and designer Ari Forman, in order to expand the reach of his magazine, ‘On the Go.’
ESPO’s work often blurred the lines of legality. For example, pieces like ‘Greetings from ESPOLand’ utilized the style of the Asbury Park Billboards and appeared to be a legitimate billboard. In 1997 ESPO began his most ambitious non-commissioned art. He painted on storefront grates in Fort Greene, Bedford-Stuyvesant, TriBeCa, and the South Bronx, covering the entire grate with white or silver paint and then using black to make each grate into a letter in his name. Continue reading →
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February 7, 2013
XVALA is an art project created by Jeff Hamilton (b. 1970). XVALA typically focuses on pieces that address celebrity and popular culture and he refers to this as ‘Tabloid Art.’ XVALA collaborated with sculptor Daniel Edwards on ‘The Brangelina,’ a house located in Oklahoma. In 2010, Jeff Hamilton walked away from his art and the name XVALA. Hamilton passed the name on to unnamed, upcoming artist.
‘Fear Google’ is the first street art sticker designed for the Post-PC era and was launched in 2010, the same year as Apple’s iPad and other Post-PC devices. The stickers fear message shows society’s growing inability to disconnect from the internet. First distributed by friends of the artist and some Apple Store employees the first stickers appeared on the California city streets.
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February 7, 2013
Transphobia (or less commonly cissexism, transprejudice, trans-misogyny, referring to transphobia directed toward trans women and trans-misandry, referring to transphobia directed toward trans men) is a range of negative attitudes and feelings towards transsexualism and transsexual or transgender people, based on the expression of their internal gender identity.
Attacking someone on the basis of a perception of their gender identity rather the perception of their sexual orientation is known as ‘trans bashing,’ as opposed to ‘gay bashing.’ Transphobia need not be a phobia as defined in clinical psychology (i.e., an anxiety disorder). Its meaning and use typically parallel those of xenophobia (fear of foreigners). Continue reading →
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