May 4, 2012
Malice in Wonderland is a 1982 American independent short film directed by Vince Collins, and with graphic design by Miwako. It is loosely based on the Lewis Carroll’s ‘Alice in Wonderland,’ displaying surreal images and an aggressive animation style.
It is 4 minutes long. A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll’s ‘Alice in Wonderland.’ The Caterpillar, the Cheshire Cat, the Mad Hatter, and the Queen of Hearts make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice says, ‘Oh, I’ve had such a curious dream.’
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May 4, 2012
In visual perception, change blindness is the inability to detect changes in objects or scenes being viewed. It is a normal phenomenon of the brain which show in light that the brain does not have a precise representation of the world but a lacunar one, made of partial details. Despite the name, this phenomenon does not affect the eyes but the brain, and as such is bound to happen to all the human senses.
This phenomenon is still in research, but results suggests that the brain estimates the importance and usefulness of information prior to deciding to store them or not. Another issue is that the brain cannot see a change happening to an element that it has not yet stored. An example of change blindness can be seen in British illusionist Derren Brown’s ‘Person Swap’ sketch.
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May 4, 2012
Inattentional blindness, also known as perceptual blindness, is when a person fails to notice some stimulus that is in plain sight. This stimulus is usually unexpected but fully visible. This typically happens when humans are overloaded with inputs. It is impossible to pay attention to every single input that is presented. A person’s attention cannot be focused on everything, and therefore, everyone experiences inattentional blindness. People can falsely believe that they do not experience inattentional blindness.
This is due to the fact that they are unaware that they are missing things. Inattentional blindness also has an effect on people’s perception. There have been multiple experiments performed that demonstrate this phenomenon. The term ‘inattentional blindness’ was coined by Arien Mack and Irvin Rock in 1992. It was used as the title of their book on the topic published by MIT Press in 1998. Continue reading →
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May 4, 2012
In computer security, the dancing pigs problem (also known as the dancing bunnies problem) is a statement on user attitudes to computer security: that users primarily desire features without considering security, and so security must be designed in without the computer having to ask a technically ignorant user.
The term has its origin in a remark by computer scientists Edward Felten and Gary McGraw: ‘Given a choice between dancing pigs and security, users will pick dancing pigs every time.’
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May 4, 2012
The cute cat theory of digital activism is a theory concerning Internet activism, Web censorship, and ‘cute cats’ (a term used for any low-value, but popular online activity) developed in 2008 by Ethan Zuckerman, director of the MIT Center for Civic Media. It posits that most people are not interested in activism; instead, they want to use the web for mundane activities, including surfing for pornography and lolcats (‘cute cats’).
The tools that they develop for that, however, are very useful to social movement activists, who often lack resources to develop dedicated tools themselves, but instead, use the tools developed by others (such as Facebook, Flickr, Blogger, Twitter, and similar platforms), even though such tools were not originally intended for activism. Continue reading →
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May 4, 2012
The American Mustache Institute (AMI) is an advocacy organization and registered not-for-profit based in St. Louis, Missouri. When founded in 1965, AMI was the only organization in the world working towards facial hair advocacy. AMI’s full-time staff supports a more than 700 global chapters which advocate for greater acceptance of mustaches in the workplace and throughout modern culture.
Efforts by AMI have included a 2007 campaign against ‘widespread and unacceptable discrimination in the workplace and society,’ as chronicled by media including the ‘Daily Telegraph.’ Continue reading →
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May 3, 2012
A 64k intro is a demo (a non-interactive multimedia presentation) where the size of the executable file is limited to 65,536 bytes. At demo parties there is a category for this kind of demo. 64k intros generally apply many techniques to be able to fit in the given size, usually including procedural generation, sound synthesis, and executable compression.
The size of 64 kilobytes is a traditional limit which was inherited from the maximum size of a COM file. An intro originally referred to an endless demo where all the action happened on a single graphical screen, often to promote a BBS or a game crack. Nowadays it can refer to any demo written within a strict size limit, such as 4 kB or 64 kB.
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May 3, 2012
Interlingua [in-ter-ling-gwuh] is a planned language using words that are found in most West-European languages. It was made by IALA – a group of people (the most known was Alexander Gode) that worked on it for more than 20 years, and they finished and published the first dictionary in 1951. Interlingua was created on the base of languages: English, French, Spanish, Portuguese, and Italian.
‘Inter’ means ‘between’ or ‘to each other’; ‘lingua’ means ‘language.’ The goal of the language was to enable people of different countries to talk to each other easily. Because Interlingua was made by people to be easy, it is easier than natural languages to learn. Many thousands of people know Interlingua, and Interlingua speakers say that millions can understand it (read texts in it and listen to someone talk in it) without having to learn it first. Continue reading →
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May 3, 2012
Basic Color Terms: Their Universality and Evolution (1969) is a book by Brent Berlin and Paul Kay, who’s work proposed that the kinds of basic color terms a culture has, such as black, brown or red, are predictable by the number of color terms the culture has.
Berlin and Kay posit seven levels in which cultures fall, with Stage I languages having only the colors black (dark–cool) and white (light–warm). Languages in Stage VII have eight or more basic color terms. This includes English, which has eleven basic color terms. Continue reading →
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May 3, 2012
The principle of linguistic relativity holds that the structure of a language affects the ways in which its speakers are able to conceptualize their world, i.e. their world view. Popularly known as the Sapir–Whorf hypothesis, or Whorfianism, the principle is often defined as having two versions: Strong (language determines thought and that linguistic categories limit and determine cognitive categories) and Weak (linguistic categories and usage influence thought and certain kinds of non-linguistic behavior).
The term ‘Sapir-Whorf Hypothesis’ is a misnomer as the men never co-authored anything and never stated their ideas in terms of a hypothesis. The notion of ‘weak’ and ‘strong’ versions of Whorf’s principal of linguistic relativity is a misunderstanding of Whorf promulgated by Stuart Chase, whom Whorf considered ‘utterly incompetent by training and background to handle such a subject.’
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May 3, 2012
The Culture is a fictional interstellar anarchist, socialist, and utopian society created by the Scottish writer Iain M. Banks which features in a number of science fiction novels and works of short fiction by him, collectively called the Culture series.
The Culture is characterized by being a post-scarcity society (meaning that its advanced technologies provide practically limitless material wealth and comforts for everyone for free, having all but abolished the concept of possessions), by having overcome almost all physical constraints on life (including disease and death) and by being an almost totally egalitarian, stable society without the use of any form of force or compulsion, except where necessary to protect others. Continue reading →
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May 3, 2012
Excession, first published in 1996, is Scottish writer Iain M. Banks’s fourth science fiction novel to feature the Culture (a fictional interstellar anarchist, socialist, and utopian society). It concerns the response of the Culture and other interstellar societies to an unprecedented alien artifact, the Excession of the title.
The book is largely about the response of the Culture’s Minds (AIs with enormous intellectual and physical capabilities and distinctive personalities) to the Excession itself and the way in which another society, whose systematic brutality horrifies the Culture, tries to use the Excession to increase its power. Continue reading →
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