Everything is Interesting
Neil Cicierega [sis-uh-ree-guh] (b. 1986) is an American comedian, actor, filmmaker, singer, musician, songwriter, puppeteer, artist, and animator.
He is best known as the creator of a genre of Flash animation he termed ‘Animutation,’ the ‘Harry Potter’ puppet parody series ‘Potter Puppet Pals,’ and several music albums under the name Lemon Demon. He also released a series of mashup albums under his own name that have since gained a cult following.
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Nina Paley (b. 1968) is an American cartoonist, animator and free culture activist. She directed the animated feature film ‘Sita Sings the Blues.’ She was the artist and often the writer of comic strips ‘Nina’s Adventures’ and ‘Fluff,’ but most of her recent work has been in animation. Her early short films include ‘Fetch!,’ ‘The Stork,’ and ‘The Wit & Wisdom of Cancer.’ Paley was born in Urbana, Illinois, to Hiram and Jean Paley in an American Jewish family.
Her father was a mathematics professor at the University of Illinois and was mayor of Urbana, where they resided, for a term in the early 1970s. She attended local elementary and high schools, illustrating a ‘History of the North Pole’ comic in collaboration with University High School history teacher Chris Butler, and attended the University of Illinois, studying art for two years.
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Jim Woodring (b. 1952) is an American cartoonist, fine artist, writer, and toy designer. He is best known for the dream-based comics he published in his magazine ‘Jim,’ and as the creator of the cartoon character Frank, a bipedal, bucktoothed animal of uncertain species with a short tail, described by Woodring as a ‘generic anthropomorph’ and ‘naive but not innocent,’ ‘capable of sinning by virtue of not knowing what he’s really about.’ The character design is reminiscent those of old American animated shorts from the 1920s and 1930s, such as from Fleischer Studios.
Since he was a child, Woodring has experienced hallucinatory ‘apparitions,’ which have inspired much of his surreal work. He keeps an ‘autojournal’ of his dreams, which have formed the basis of some of his comics. His most famous creation is fictional—the pantomime comics set in the universe he calls the Unifactor, usually featuring Frank.
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Kenneth Tin-Kin Hung (b. 1976) is a Chinese-American new media artist who lives and works in New York. He earned his Bachelor of Arts in Arts degree from San Francisco State University. Hung’s works are digital collages of popular culture and current events.
His media includes hi-definition video animation, video games, net.art, digital graphics and mixed-media installations. Hung has been called the ‘John Heartfield of Digital Era.’ He loans 5 percent of his art earnings to low-income entrepreneurs listed on Kiva Microfunds.
Jan Švankmajer [shvank-mai-er] (b.1934) is a Czech filmmaker and artist whose work spans several media. He is a self-labeled surrealist known for his surreal animations and features, which have greatly influenced other artists such as Terry Gilliam and the Brothers Quay. An early influence on his later artistic development was a puppet theater he was given for Christmas as a child. He studied at the College of Applied Arts in Prague and later in the Department of Puppetry at the Prague Academy of Performing Arts.
He contributed to Emil Radok’s film ‘Doktor Faust’ in 1958 and then began working for Prague’s Semafor Theatre where he founded the Theatre of Masks. He then moved on to the Laterna Magika multimedia theatre, where he renewed his association with Radok. This theatrical experience is reflected in Švankmajer’s first film ‘The Last Trick,’ which was released in 1964. Under the influence of theoretician Vratislav Effenberger Švankmajer moved from the mannerism of his early work to classic surrealism, first manifested in his film ‘The Garden’ (1968), and joined the Czechoslovakian Surrealist Group.
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PES (Adam Pesapane) is a director and animator of numerous short films and commercials. He uses everyday objects and stop-motion animation to create short films such as ‘Roof Sex,’ and ‘Western Spaghetti.’ An early influence on PES’s animation style is the work of Czech surrealist Jan Švankmajer. PES’s first animated film, ‘Roof Sex,’ features two life-sized chairs having sex on a New York rooftop. Though only a minute long, the film took 20 shooting days to complete. The war short ‘KaBoom!’ (2004) was instrumental in defining the artist’s personal style and approach to animating objects. The film features an atomic airstrike on a miniature city using children’s toys and festive objects such as gift bows, Christmas ornaments, and clown-head cupcake toppers.
In ‘Game Over’ (2006) PES recreated classic arcade death sequences (from the games Centipede, Frogger, Asteroids, Space Invaders, and Pac-Man) with familiar objects including muffins, toy cars, insects, pizza and fried eggs. The film was inspired by an interview with Toru Iwatani, the creator of Pac-Man, who said the original source of inspiration for the Pac-Man character was a pizza with a slice missing. In 2008, PES released his short ‘Western Spaghetti.’ The film shows PES cooking spaghetti (the hands in the film are PES’s) but all the ingredients in the dish are replaced with objects such as tomato pin cushions, rubber bands, rubik’s cubes, post-it notes, and bubblewrap, and all are brought to life through stop-motion animation.
Michael John Kricfalusi [kris-fuh-loo-see] better known as John K., is a Canadian animator. He is creator of ‘The Ren & Stimpy Show,’ its adults-only spin-off ‘Ren & Stimpy ‘Adult Party Cartoon,” ‘The Ripping Friends’ animated series, and ‘Weekend Pussy Hunt,’ an interactive web-based cartoon, as well as the founder of animation studio Spümcø.
He spent his early childhood in Germany and Belgium, while his father served in the Canadian air force. At age seven he returned with his family to Canada. Having moved in the middle of a school season, he spent much of his time that year at home, watching Hanna-Barbera cartoons and drawing them. Kricfalusi’s interest in Golden Age animation crystallized during his stay at Sheridan College, where an acquaintance of his held weekly screenings of old films and cartoons, among them the cartoons of Bob Clampett and Tex Avery, which left a deep impression on him.
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Larry Cuba (b. 1950) is a computer-animation artist who became active in the late 1970s and early 80s. Born in Atlanta, he did his Master’s Degree at California Institute of the Arts which includes parallel schools of Dance, Music, Film, Theater, Fine Arts, and Writing.
In 1975, early computer animator John Whitney, Sr. invited Cuba to be the programmer on one of his films. The result of this collaboration was ‘Arabesque.’ Subsequently, Cuba produced three more computer-animated films: ‘3/78 (Objects and Transformations),’ ‘Two Space,’ and ‘Calculated Movements.’ Cuba also provided computer graphics for ‘Star Wars Episode IV: A New Hope’ in 1977. His animation of the Death Star is shown to pilots in the Rebel Alliance.
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John Whitney (1917 – 1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. Whitney was born in Pasadena, California and attended Pomona College. His first works in film were 8 mm movies of a lunar eclipse which he made using a homemade telescope. In 1937-38 he spent a year in Paris, studying twelve-tone composition under French composer Rene Leibowitz. In 1939 he returned to America and began to collaborate with his brother James on a series of abstract films.
During the 1950s Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952 he directed engineering films on guided missile projects. One of his most famous works from this period was the animated title sequence from Alfred Hitchcock’s 1958 film ‘Vertigo,’ which he collaborated on with the graphic designer Saul Bass.
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Ryan Larkin (1943 – 2007) was a Canadian animator who rose to fame with the psychedelic 1969 Oscar-nominated short ‘Walking’ and the acclaimed ‘Street Musique’ (1972). In later years Ryan was plagued by a downward spiral of drug abuse, alcoholism and homelessness, but towards the end of his life found himself back in the limelight when a 14-minute computer-animated documentary on his life, ‘Ryan’ by fellow Canadian animator, Chris Landreth, won the Academy Award for Animated Short Film and screened to acclaim at film festivals around the world. ‘Alter Egos’ (2004), directed by Laurence Green, is a documentary about the making of ‘Ryan’ that includes interviews with both Larkin and Chris Landreth as well as with various people who knew Ryan at the peak of his success.
Larkin studied under Arthur Lismer (a member of the Group of Seven, Canadian landscape painters in the 1920s) before starting to work at the National Film Board (NFB) of Canada in the early 1960s. At the NFB, Larkin learned animation techniques from the ground-breaking and award-winning animator, Norman McLaren. Larkin made two acclaimed short animated films, ‘Syrinx’ (1965) and ‘Cityscape’ (1966), before going on to create ‘Walking’ (1969). ‘Walking’ was nominated for an Academy Award in 1970 in the category Best Short Subject, Cartoon, but lost to ‘It’s Tough to Be a Bird’ by director Ward Kimball (one of Disney’s ‘Nine Old Men’). He went on to direct the award-winning short ‘Street Music,’ which premiered in 1972 and would be his last project.
Cyriak Harris is a British freelance animator better known by his first name Cyriak, or by his pseudonym Mutated Monty. He is known for his surreal short web animations. A regular contributor to the British website B3ta since 2004, Cyriak displays a surreal and often disturbing animation style with a distinct British theme. He uses a combination of Adobe Photoshop and After Effects for his animation and visuals along with FL Studio (formerly known as Fruity Lookps) for original music pieces alongside his videos.
Ub Iwerks (1901 – 1971) was an American animator and special effects technician who created several of Walt Disney’s early characters including Mickey Mouse. Iwerks was considered by many to be Disney’s oldest friend, and he spent most of his career working for Disney in some capacity. The two met in 1918 while working for the Kansas City Art Studio, and would eventually start their own commercial art business together.
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The Daily Omnivore 