July 22, 2011
Shel Silverstein (1930 – 1999), was an American poet, musician, cartoonist, and author of children’s books. He styled himself as Uncle Shelby in his children’s books.
Silverstein grew up in Chicago: ‘When I was a kid—12 to 14, around there—I would much rather have been a good baseball player or a hit with the girls, but I couldn’t play ball. I couldn’t dance. Luckily, the girls didn’t want me. Not much I could do about that. So I started to draw and to write. I was also lucky that I didn’t have anybody to copy, be impressed by. I had developed my own style; I was creating before I knew there was a Thurber, a Benchley, a Price and a Steinberg. I never saw their work till I was around 30. By the time I got to where I was attracting girls, I was already into work, and it was more important to me. Not that I wouldn’t rather make love, but the work has become a habit.’
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June 12, 2011
Al Hirschfeld (1903 – 2003) was an American caricaturist best known for his simple black and white portraits of celebrities and Broadway stars. Hirschfeld’s art style is unique, and he is considered to be one of the most important figures in contemporary caricature, having influenced countless cartoonists.
His caricatures are almost always drawings of pure line with simple black ink on white paper with little to no shading or crosshatching. His drawings always manage to capture a likeness using the minimum number of lines. Though his caricatures often exaggerate and distort the faces of his subjects, he is often described as being a fundamentally ‘nicer’ caricaturist than many of his contemporaries, and being drawn by Hirschfeld was considered an honor more than an insult. Nonetheless he did face some complaints from his editors over the years.
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June 10, 2011
Gary Panter (b. 1950) is an illustrator, designer, and part-time musician. Panter’s work is representative of the post-underground, new wave comics movement that began with the end of one periodical, ‘Arcade: The Comics Revue’ and the initiation of another, RAW, one of the second generation in American underground comix. Panter attended Texas A&M University where he studied under commercial illustrator, Jack Unruh.
He has published his work in various magazines and newspapers, including ‘Raw,’ ‘Time,’ and ‘Rolling Stone.’ He has exhibited widely, and won three Emmy awards for his set designs for ‘Pee-Wee’s Playhouse.’ Prior to Panter’s work, kid shows had a more lulling aesthetic: everything was round, ‘cute,’ simplified, and pastel. His set design was the antithesis of pablum-art: it was dense as a jungle and jam-packed with surprises, often loud and abrasive ones.
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April 1, 2011
David Gonzales is a Mexican-American cartoonist from Richmond, California, currently living in nearby Hercules. He is the creator of the ‘Homies’ line of toys, a series of 2-inch figurines based upon Chicano (Mexican American) characters.
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March 24, 2011
Ralph Steadman (b. 1936) is a British cartoonist and caricaturist who is perhaps best known for his work with American author Hunter S., drawing pictures for several of his articles and books. He accompanied Thompson to the Kentucky Derby for an article for ‘Scanlan’s,’ to the Honolulu Marathon for the ‘Running,’ and illustrated both ‘Fear and Loathing in Las Vegas’ and ‘Fear and Loathing on the Campaign Trail ’72.’
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March 22, 2011
‘Big Daddy‘ Ed Roth (1932 – 2001) was an artist and cartoonist who created the hot-rod icon ‘Rat Fink.’ As a custom car builder, Roth was a key figure in Southern California’s Kustom Kulture and hot-rod movement of the 1960s. He grew up in Bell, California, attending Bell High School, where his classes included auto shop and art. Roth is best known for his grotesque caricatures — typified by Rat Fink — depicting imaginative, out-sized monstrosities driving representations of the hot rods that he and his contemporaries built.
Although Detroit native Stanley Mouse is credited with creating the so-called ‘Monster Hot Rod’ art form, Roth is the individual who popularized it. Roth is also well known for his innovative work in turning hot rodding from crude backyard engineering, where performance was the bottom line, into a refined art form where aesthetics were equally important, breaking new ground with fiberglass bodywork.
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