July 3, 2012
‘Four Arguments for the Elimination of Television‘ is a 1978 book written by liberal activist Jerry Mander which argues that there are a number of problems with the medium of television. Mander argues that many of the problems with television are inherent in the medium and technology itself, and thus cannot be reformed. Mander spent 15 years in the advertising business, including five as president and partner of Freeman, Mander & Gossage, San Francisco, a nationally-known advertising agency.
‘Four Arguments for the Elimination of Television’ argues that the technology of television is not a neutral or benign instrument or tool. The author argues that in varied technologies and institutions such as militaries, automobiles, nuclear power plants, mass production, and advertising, the basic form of the institution and the technology determines its interaction with the world, the way it will be used, the kind of people who use it, and to what ends.
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July 3, 2012
‘The medium is the message‘ is a phrase coined by Marshall McLuhan meaning that the form of a medium embeds itself in the message, creating a symbiotic relationship by which the medium influences how the message is perceived. The phrase was introduced in his most widely known book, ‘Understanding Media: The Extensions of Man,’ published in 1964.
McLuhan proposes that a medium itself, not the content it carries, should be the focus of study. He said that a medium affects the society in which it plays a role not only by the content delivered over the medium, but also by the characteristics of the medium itself. McLuhan frequently punned on the word ‘message’ changing it to ‘mass age,’ ‘mess age,’ and ‘massage’; a later book, ‘The Medium is the Massage’ was originally to be titled ‘The Medium is the Message,’ but McLuhan preferred the new title which is said to have been a printing error.
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July 3, 2012
The Basement Tapes is a 1975 studio album by Bob Dylan and The Band. The songs featuring Dylan’s vocals were recorded in 1967, eight years before the album’s release, at houses in and around Woodstock, NY, where Dylan and the Band lived. Although most of the Dylan songs had appeared on bootleg records, ‘The Basement Tapes’ marked their first official release.
When Columbia Records prepared the album, eight songs recorded solely by the Band were added to sixteen songs taped by Dylan and the Band. Subsequently, the format of the 1975 album has led critics to question the omission of some of Dylan’s best-known 1967 compositions and the inclusion of material by the Band that was not recorded in Woodstock.
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July 3, 2012
Linda Perhacs is an American psychedelic folk singer, who released her only album ‘Parallelograms’ in 1970 to scant notice or sales. The album was rediscovered by record enthusiasts and grew in popularity with the rise of the New Weird America movement (a subgenre of psychedelic and indie music) and the Internet. Her songs have been featured in soundtracks to many films, most recently and notably in Daft Punk’s ‘Electroma.’
Perhacs also sang backing vocals on ‘Freely’ from Devendra Banhart’s ‘Smokey Rolls Down Thunder Canyon’ and features in Prefuse 73’s track ‘Rain Edit (Interlude)’ from the album ‘Surrounded by Silence.’ Encouraged by the newfound attention to her work, she has reportedly recorded two new albums with Ben Watt (British producer and half of Everything but the Girl) as of 2007.
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July 3, 2012
‘Invisible Republic: Bob Dylan’s Basement Tapes’ is a 1997 book by music critic Greil Marcus about the creation and cultural importance of ‘The Basement Tapes,’ a series of recordings made by Bob Dylan in 1967 in collaboration with The Hawks, who would subsequently become known as The Band.
When subsequently published in paperback, the book was re-titled ‘The Old, Weird America,’ a term coined by Marcus to describe the often eerie country, blues, and folk music featured on the ‘Anthology of American Folk Music.’ The term has been revived via the musical genre called New Weird America (a subgenre of psychedelic and indie music).
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July 3, 2012
New Weird America describes a subgenre of psychedelic and indie music, often psych folk, of the late 20th and early 21st centuries. The term is generally believed to have been coined by David Keenan in a 2003 issue of ‘The Wire,’ following the Brattleboro Free Folk Festival organized by Matt Valentine and Ron J. Schneiderman. It is a play on Greil Marcus’s phrase ‘Old Weird America’ as described in his book ‘Invisible Republic,’ which deals with the lineage connecting the pre-World War II folk performers on Harry Smith’s Anthology of American Folk Music to Bob Dylan and his milieu.
The musical style described as New Weird America is derived mainly from psychedelic rock and folk groups of the 1960s and 1970s, including American performers Holy Modal Rounders and English and Scottish groups, such as Pentangle, The Incredible String Band, Donovan, and Comus. It also finds inspiration in such disparate sources as heavy metal, free jazz, electronic music, noise music, ethnic musics, musique concrète, tropicália, and early- and mid-20th century American folk music. Another primary inspiration is outsider music, often played by technically naïve and/or socially estranged musicians, such as The Shaggs, Roky Erickson, and Jandek. Other genre classifications with similar aesthetics are psychedelic rock, psych folk, freakbeat, and freak folk.
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July 3, 2012
A Video Synthesizer is a device that electronically creates a video signal. A video synthesizer is able to generate a variety of visual material without camera input through the use of internal video pattern generators. It can also accept and ‘clean up and enhance’ or ‘distort’ live television. Video pattern generators may produce static or moving or evolving imagery. Examples include geometric patterns ( in 2D or 3D ), subtitle text characters in a particular font, or weather maps.
The history of video synthesis is tied in to a ‘real time performance’ ethic. The equipment is usually expected to function on input camera signals the machine has never seen before, delivering a processed signal continuously and with a minimum of delay in response to the ever changing live video inputs.
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July 3, 2012
Allegro Non Troppo is a 1976 Italian animated film directed by Bruno Bozzetto. Featuring six pieces of classical music, the film is a parody of Disney’s ‘Fantasia,’ two of its episodes being arguably derived from the earlier film. The classical pieces are set to color animation, ranging from comedy to deep tragedy. At the beginning, in between the animation, and at the end are black and white live-action sequences, displaying the fictional animator, orchestra, conductor and filmmaker, with many humorous scenes about the fictional production of the film.
Some of these sections mix animation and live action. In music, an instruction of ‘allegro ma non troppo’ means to play ‘fast, but not overly so.’ In the context of this film, and without the ‘ma,’ it means ‘Not So Fast!’, an interjection meaning ‘slow down’ or ‘think before you act.’ The common meaning of ‘allegro’ in Italian is ‘joyful.’ The title reveals therefore a catch with the dual meaning of ‘allegro,’ and can also be read as ‘joyful, but not so much’ or ‘not overly joyful.’
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July 3, 2012
A derecho [deh-rey-cho] is a widespread and damaging group of severe thunderstorms which often represent with rapid forward speeds. They have a distinct appearance on radars, known as bow echos (after an archer’s bow). The common definition of the word is: a thunderstorm complex that produces a damaging wind swath of at least 240 miles, featuring a concentrated area of convectively induced wind gusts exceeding 58 mph. Some studies add further criteria, such as a requirement that no more than two or three hours separate any two successive wind reports.
Unlike other thunderstorms, which typically can be heard in the distance when approaching, a derecho seems to strike suddenly. Within minutes, extremely high winds can arise, strong enough to knock over highway signs and topple large trees. These winds are accompanied by spraying rain and frequent lightning from all directions. It is dangerous to drive under these conditions, especially at night, because of blowing debris and obstructed roadways. A derecho moves through quickly, but can do much damage in a short period of time.
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July 3, 2012
Kim Dotcom, real name Kim Schmitz (b. 1974) is a German-Finnish businessman who rose to prominence during the dot-com bubble and was convicted of insider trading and embezzlement in its aftermath. He is the founder of Megaupload and its associated websites. He legally changed his surname to Dotcom in 2005. in 2012, the New Zealand Police placed him in custody in response to US charges of criminal copyright infringement in relation to his Megaupload Web site.
Dotcom has spoken out against his negative portrayal in the media, claiming to be a reformed character and a legitimate businessman who has been unfairly demonized by United States authorities and industry trade groups such as the RIAA and MPAA. He contends that the services offered by his Megaupload site were not significantly different from those of comparable services such as Rapidshare or YouTube, and he has just been used as a scapegoat because of his hacker past.
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July 3, 2012
Cinespia is an organization that hosts on-site screenings of classic films in and around Los Angeles, California. Launched in 2002, Cinespia shows films from the 1930s through the 1990s mostly in open-air settings at historic locations. Its most popular series runs weekly between May and August on Saturday (and occasionally Sunday) nights at the Hollywood Forever Cemetery. In addition, it screens films, both contemporary and canonical, at other locations throughout the year.
The series was the brainchild of John Wyatt, a set designer then in his mid-twenties. A student of influential film lecturer Jim Hosney at the Crossroads School in Santa Monica, Wyatt initially formed an Italian cinema club with friend Richard Petit, which evolved into Cinespia. The name is a portmanteau of the Italian word for film, ‘cine,’ and the third person singular conjugation of the verb ‘spiare,’ meaning ‘to observe,’ or more commonly, ‘to spy.’ Conjoined, cinespia was intended to suggest a film enthusiast or ‘watcher of films,’ although the actual term for film buff in Italian is ‘cinofilo.’ Cinespia, by contrast, means literally ‘he spies in the movie theater’ or ‘cinema spy.’
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