The chewing gum ban in Singapore was enacted in 1992 and revised in 2004 and 2010. It bans the import and sale of chewing gum in Singapore. Since 2004, only chewing gum of therapeutic value is allowed into Singapore following the Singapore–United States Free Trade Agreement. This law was created because people disposed of gum incorrectly by sticking it under places like chairs or tables.
A common misconception among citizens is that personal use of chewing gum is allowed in Singapore. However, according to the set of Regulations, ‘importing’ means to ‘bring or cause to be brought into Singapore by land, water or air from any place which is outside Singapore …’ any goods, even if they are not for purposes of trade. The set of Regulations also does not make any provisions for personal use of quantities to be brought into Singapore. Therefore, bringing chewing gum into Singapore, even small quantities for whatever purpose, is prohibited.
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Singapore Chewing Gum Ban
Swallowed Gum
One old wives’ tale says that swallowed gum will remain in a human’s stomach for up to 7 years. According to several medical opinions, there seems to be little truth behind the tale. In most cases, swallowed gum will pass through the system as fast as any other food.
There have been a few cases where swallowing gum has required medical attention, but these cases are more or less related to chronic gum swallowers. One young boy swallowed several pieces each day and had to be hospitalized, and a young girl required medical attention when she swallowed her gum and four coins, which got stuck together in her esophagus. A bezoar (a mass trapped in the gastrointestinal system) is formed in the stomach when food or other foreign objects stick to gum and build up, causing intestinal blockage.
Evgeny Morozov
Evgeny Morozov (b. 1984) is a Belarusian writer and researcher who studies political and social implications of technology. In 2009 he was chosen as a TED fellow where he spoke about how the Web influences civic engagement and regime stability in authoritarian, closed societies or in countries ‘in transition.’
Morozov expresses skepticism about the popular view that the Internet is helping to democratize authoritarian regimes, arguing that it could also be a powerful tool for engaging in mass surveillance, political repression, and spreading nationalist and extremist propaganda. He has also criticized what he calls ‘The Internet Freedom Agenda’ of the US government, finding it naive and even counterproductive to the very goal of promoting democracy through the Web.
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Doenjang Girl
Doenjang girl is a satirical Korean expression for girls and young women who are addicted to luxury and vanity. Doenjang is a fermented soybean paste used to make sour of bean soup.
Instead of visiting an expensive foreign restaurant they will eat a three dollar bowl of soup and then go to Starbucks to purchase a six dollar latte, because carrying a Starbucks cup is considered posh. Likewise, doejang girls carry around shopping bags from Chanel and other high end stores to look as if they were shopping there.
Voina
Voina (literally ‘War’) is a Russian street-art group known for their provocative and politically charged works of performance art. The group has had more than sixty members, including former and current students of the Rodchenko Moscow School of Photography, Moscow State University, and Tartu University. However, the group does not cooperate with state or private institutions, and is not supported by any Russian curators or gallerists.
The activities of Voina have ranged from street protests, symbolic pranks in public places, and performance-art happenings, to vandalism and destruction of public property. More than a dozen criminal cases have been brought against the group. According to its members, Voina has no formal leadership, and all members are considered equal. Conceptions are worked out by Oleg Vorotnikov (a.k.a. ‘Vor,’ ‘Thief ‘– the chief ideologist), Natalia Sokol (a.k.a. ‘Kozlyonok,’ ‘Goatling’ – the chief coordinator), Leonid Nikolayev (a.k.a. ‘Crazy Lenya’) and Alexei Plutser-Sarno (the chief media artist, the author of the group’s media art and texts).
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