Religious satire is a form of satire (humor that points out the shortcomings of institutions of power) targeted at religious beliefs. From the earliest times, at least since the plays of Aristophanes in the fourth century BCE, religion has been one of the three primary topics of literary satire, along with politics and sex.
Satire which targets the clergy is a type of political satire, while religious satire is that which targets religious beliefs. It can be the result of agnosticism or atheism, but it can also have its roots in belief itself. According to religious theorist Robert Kantra, in religious satire, man attempts to violate the divine—it is an effort to play God, in whole or in part—whether under the banner of religion or of humanity. Religious satire surfaced during the Renaissance, with works by Chaucer, Erasmus, and Durer.
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Religious Satire
Neil Gaiman
Neil Gaiman (b. 1960) is an English author of short fiction, novels, comic books, graphic novels, audio theatre and films. His notable works include the comic book series ‘The Sandman’ and novels ‘Stardust,’ ‘American Gods,’ ‘Coraline,’ and ‘The Graveyard Book.’
Though his work is frequently seen as exemplifying the monomyth structure laid out by mythologist Joseph Campbell, Gaiman says that he started reading Campbell’s book on the common structure of myths but refused to finish it: ‘I think I got about halfway through ‘The Hero with a Thousand Faces’ and found myself thinking if this is true – I don’t want to know. I really would rather not know this stuff. I’d rather do it because it’s true and because I accidentally wind up creating something that falls into this pattern than be told what the pattern is.’
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