Everything is Interesting
Kenny Scharf (b. 1958) is an American painter who lives in Brooklyn, whose works consist of popular culture based art with made up science-related backgrounds.
Scharf came to prominence in the 80s interdisciplinary art scene making sparkly, pop-ed, and monstrous paintings and installations.
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Retro-futurism is a trend in the creative arts showing the influence of depictions of the future produced prior to about 1960. Characterized by a blend of old-fashioned ‘retro’ styles with futuristic technology, retro-futurism explores the themes of tension between past and future, and between the alienating and empowering effects of technology.
Primarily reflected in artistic creations and modified technologies that realize the imagined artifacts of its parallel reality, retro-futurism has also manifested in the worlds of fashion, architecture, literature and film.
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Alternate history is a genre of fiction consisting of stories that are set in worlds in which history has diverged from the actual history of the world. It can be variously seen as a sub-genre of literary fiction, science fiction, and historical fiction.
Since the 1950s, this type of fiction has to a large extent merged with science fictional tropes involving cross-time travel between alternate histories or psychic awareness of the existence of ‘our’ universe by the people in another; or ordinary voyaging uptime (into the past) or downtime (into the future) that results in history splitting into two or more time-lines. Cross-time, time-splitting, and alternate history themes have become so closely interwoven that it is impossible to discuss them fully apart from one another.
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‘Ship in a Bottle‘ is a ‘Star Trek: The Next Generation’ episode (season six) where a sentient holodeck character, Professor James Moriarty, puts the Enterprise in jeopardy in his quest to be freed from confines of holographic environments.
Data and La Forge are enjoying a Sherlock Holmes holodeck program when the two notice that a character programmed to be left-handed was actually right-handed. They call Lt. Barclay to repair the holodeck, but as he checks the status of the Sherlock Holmes programs, he encounters an area of protected memory. He activates it to find the artificial sentient Professor James Moriarty character projected into the Holodeck, who appears to have memory since his creation (‘Elementary, Dear Data’ in season three: Geordi asks the holodeck to make a Sherlock Holmes villain that can defeat Data, creating a foe more powerful than originally planned).
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Alva Noto is a stage name of sound artist Carsten Nicolai who uses art and music as complementary tools to create microscopic views of creative processes.
He is a member of the music groups Signal (with Frank Bretschneider and Olaf Bender aka Byetone) and Cyclo (with Ryoji Ikeda).
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James Bolivar DiGriz, alias ‘Slippery Jim’ and ‘The Stainless Steel Rat,’ is the fictional hero of a series of humorous science fiction novels written by Harry Harrison. He is a futuristic con man, thief and all-round rascal. He is charming and quick-witted, a master of disguise and martial arts, an accomplished bank robber, an expert on breaking and entering, and (perhaps most usefully) a skilled liar. A master of self-rationalization, the Rat frequently justifies his crimes by arguing that he is providing society with entertainment; and besides which, he only steals from institutions which have insurance coverage. He displays a strong morality, albeit in a much more restricted sense than is traditional. (For example, he will happily steal, but deplores killing.)
The character was introduced in Harrison’s short story, ‘The Stainless Steel Rat,’ which was first published in 1957 in ‘Astounding’ magazine. Like other characters created by Harrison, the Rat is a speaker of Esperanto and advocates atheism. From the original publisher’s blurb: ‘…We must be as stealthy as rats in the wainscoting of their society. It was easier in the old days, of course, and society had more rats when the rules were looser, just as old wooden buildings have more rats than concrete buildings. But there are rats in the building now as well. Now that society is all ferrocrete and stainless steel there are fewer gaps in the joints. It takes a very smart rat indeed to find these openings. Only a stainless steel rat can be at home in this environment…’
‘Judge Dredd’ is a comics character whose strip in the British science fiction anthology ‘2000 AD’ is the magazine’s longest running, having been featured there since its second issue in 1977.
Dredd is an American law enforcement officer in a violent city of the future where uniformed Judges combine the powers of police, judge, jury, and executioner. Dredd and his fellow Judges are empowered to arrest, sentence, and even execute criminals on the spot. The character was created by writer John Wagner and artist Carlos Ezquerra, although editor Pat Mills also deserves some credit for early development. The series explores issues such as the police state, authoritarianism and the rule of law.
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The Mighty Tharg is a recurrent character in science fiction comic ‘2000 AD,’ one of only two characters to appear in nearly every issue of the comic (the other being Judge Dredd). The main Tharg-free period in ‘2000 AD’ was when the men from Vector 13 staged a takeover (in prog [issue] 1014), while Tharg was away dealing with a crisis. Other than a spate of strips in the early 1980s, Tharg rarely appears in stories, but instead purports to be the comic’s editor.
Tharg is an alien from the fictional planet ‘Quaxxann,’ supposedly in orbit around the real-life star Betelgeuse (but he works in a British publisher’s office), with green skin and a ‘rosette of Sirius’ on his forehead. His favorite food is said to be polystyrene cups. Tharg writes the comic’s introduction, answers letters, and doles out prizes to readers (for artwork or story suggestions) – winners could choose payment either in pounds sterling or in ‘galactic groats.’ Tharg speaks mostly in English, but with various pithy Betelgusian aphorisms thrown in for color. In one episode, a Tharg suit in the comic’s office was explained as a skin that Tharg had shed.
2000 AD is a weekly British science fiction-oriented comic. As a comics anthology it serializes a number of separate stories each issue (known as ‘progs’) and was first published by IPC Magazines in 1977. It has changed hands a number of times over the years; in 2000 it was bought by Rebellion Developments.
It is most noted for its Judge Dredd stories, and has been contributed to by a number of artists and writers who became renowned in the field internationally, such as Alan Moore, Neil Gaiman, Grant Morrison, Bryan Talbot, Brian Bolland, and Mike McMahon. ‘2000 AD’ has been successful launchpad for UK talent into the larger American comics market, and has also been the source of a number of film licences. Unlike earlier weekly titles, ‘2000 AD’ was based on a 6 page strip format. This gave the writers greater opportunity to develop character and meant that the artists had greater scope in designing the layout.
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Glass Candy is an American electronic music duo from Portland, Oregon, formed in 1996. The band consists of Ida No (vocals) and producer Johnny Jewel (synthesizers, guitar, production). While the band’s early catalog blends elements of No Wave and glam rock, their later work incorporates Italo disco. The band is known for evolving through the years since their original collaboration, and experimenting with various musical genres. No’s vocals have been likened to ’60s German singer Nico and ‘a frightened Debbie Harry or a pissed-off Lene Lovich in a haunted disco.’
Jewel has cited Marilyn Monroe films, 1980s cop show soundtracks, ‘Goblin,’ and John Carpenter soundtracks as inspirational. All music tracks are produced by basic analog equipment, without computers. The group has also said that stores could appropriately file their music ‘between Olivia Newton-John, Suicide, and Schoolly D.’ No describes their early work as ‘droney and weird.’
Record Store Day is an internationally celebrated day observed the third Saturday of April each year. Its purpose, as conceived by independent record store employee Chris Brown, is to celebrate the art of music. The day brings together fans, artists, and thousands of independent record stores across the world.
Record Store Day was officially founded in 2007 by Eric Levin, Michael Kurtz, Carrie Colliton, Amy Dorfman, Don Van Cleave, and Brian Poehner and is now celebrated globally with hundreds of recording and other artists participating in the day by making special appearances, performances, meet and greets with their fans, the holding of art exhibits, and the issuing of special vinyl and CD releases, along with other promotional products to mark the occasion. Past Record Store Day ‘Ambassadors’ include: Metallica (2008), Jesse Hughes of Eagles of Death Metal (2009), Josh Homme of Queens of the Stone Age (2010), Ozzy Osbourne (2011), and Iggy Pop (2012).
The Flaming Lips and Heady Fwends is a collaborative studio album by The Flaming Lips. Recorded throughout 2011 and 2012, the album was released as a limited edition on vinyl for Record Store Day on April 21, 2012. Four songs from the album were previously released on collaborative EPs in 2011. Following their last full-length album, 2009’s ‘Embryonic,’ the band produced several EPs with other artists including Neon Indian, Lightning Bolt, Prefuse 73, and Yoko Ono. Four tracks from these sessions appear on the album. The remaining seven songs were recorded at different times and locations, and are exclusive to the LP.
Mainstream artists such as Kesha and Coldplay’s Chris Martin share space with more experimental artists such as Lightning Bolt and Prefuse 73. The band released the double LP in vinyl form in a 10,000 unit run. Each disc has a unique pattern. Coyne has stated that he has requested and been given blood samples from some of the album’s collaborators. Coyne claims to have blood from Kesha and Neon Indian’s Alan Palomo. He plans to place small amounts of the blood sandwiched into the vinyl of limited editions of the records, and make these available to ‘interested rich Flaming Lips people.’
The Daily Omnivore 