September 28, 2011
The Statue of Responsibility is a proposed structure to be built on the West Coast of the United States. The prototype, sculpted by project artist Gary Lee Price, consists of a pair of clasped hands oriented vertically, symbolizing the responsibility that comes with liberty. The person who suggested the statue was scholar Viktor Frankl in his book ‘Man’s Search for Meaning.’ He recommended ‘that the Statue of Liberty on the East Coast should be supplemented by a Statue of Responsibility on the West Coast.’ His thought was that ‘Freedom, however, is not the last word. Freedom is only part of the story and half of the truth. Freedom is but the negative aspect of the whole phenomenon whose positive aspect is responsibleness. In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness.’
The project is being managed by the non-profit foundation. The project has progressed slowly, but in 2010, the Utah state legislature unanimously declared their support for the project and declared Utah (Mr. Price’s home state) the Birthplace of the Statue of Responsibility. The statue foundation would like to build it in one of five cities: Long Beach, San Diego, Los Angeles, San Francisco, or Seattle.
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September 28, 2011
Morphing is a special effect in motion pictures and animations that changes (or morphs) one image into another through a seamless transition. Most often it is used to depict one person turning into another through technological means or as part of a fantasy or surreal sequence. Traditionally such a depiction would be achieved through cross-fading techniques on film. Since the early 1990s, this has been replaced by computer software to create more realistic transitions.
Though the 1986 movie ‘The Golden Child’ implemented very crude morphing effects from animal to human and back, the first movie to employ detailed morphing was ‘Willow,’ in 1988. A similar process was used a year later in ‘Indiana Jones and the Last Crusade’ to create Walter Donovan’s gruesome demise. Both effects were created by Industrial Light and Magic using grid warping techniques developed by Tom Brigham and Doug Smythe.
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September 27, 2011
Nazi chic refers to the approving use of Nazi-era style, imagery, and paraphernalia in clothing and popular culture, especially when used for taboo breaking or shock value rather than out of genuine nazist sympathies. Its use began in the mid-seventies with the emergence of the punk movement in London; during the Sex Pistols’ first television appearance a person of their entourage was seen wearing a swastika. Nazi chic was later appropriated by the fashion industry.
In the 1970s punk subculture, several items of clothing designed to shock and offend The Establishment became popular. Among these punk fashion items was a T-shirt displaying a Swastika, an upside-down crucifix and the word ‘DESTROY’– which was worn by Johnny Rotten, seen in the video for ‘Pretty Vacant.’ Rotten wore the swastika another time with a gesture that looked like a Nazi salute.
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September 27, 2011
Ryan Larkin (1943 – 2007) was a Canadian animator who rose to fame with the psychedelic 1969 Oscar-nominated short ‘Walking’ and the acclaimed ‘Street Musique’ (1972). In later years Ryan was plagued by a downward spiral of drug abuse, alcoholism and homelessness, but towards the end of his life found himself back in the limelight when a 14-minute computer-animated documentary on his life, ‘Ryan’ by fellow Canadian animator, Chris Landreth, won the Academy Award for Animated Short Film and screened to acclaim at film festivals around the world. ‘Alter Egos’ (2004), directed by Laurence Green, is a documentary about the making of ‘Ryan’ that includes interviews with both Larkin and Chris Landreth as well as with various people who knew Ryan at the peak of his success.
Larkin studied under Arthur Lismer (a member of the Group of Seven, Canadian landscape painters in the 1920s) before starting to work at the National Film Board (NFB) of Canada in the early 1960s. At the NFB, Larkin learned animation techniques from the ground-breaking and award-winning animator, Norman McLaren. Larkin made two acclaimed short animated films, ‘Syrinx’ (1965) and ‘Cityscape’ (1966), before going on to create ‘Walking’ (1969). ‘Walking’ was nominated for an Academy Award in 1970 in the category Best Short Subject, Cartoon, but lost to ‘It’s Tough to Be a Bird’ by director Ward Kimball (one of Disney’s ‘Nine Old Men’). He went on to direct the award-winning short ‘Street Music,’ which premiered in 1972 and would be his last project.
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September 26, 2011
Titanium rings are jewelry rings or bands which have been primarily constructed from titanium. The actual compositions of titanium can vary, such as ‘commercial pure’ (99.2% titanium) or ‘aircraft grade’ (90% titanium). Rings crafted from titanium are a modern phenomenon, becoming widely available on the market around the 1990s.
They offer several unique properties: they are biocompatible (hypoallergenic), lightweight, corrosion-resistant, and have the highest strength-to-weight ratio of any metal. Titanium was discovered in England in 1791 by William Gregor.
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September 25, 2011
Fake Shemp is the term for someone who appears in a film under heavy make-up, filmed from the back, or perhaps only showing an arm or a foot.
In 1955, Shemp Howard of the ‘Three Stooges’ died suddenly of a heart attack. At the time, the Stooges still had four shorts left to deliver, according to the terms of their annual contract with Columbia Pictures.
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September 25, 2011
The Voyager Golden Records are phonograph records which were included aboard both Voyager spacecraft, which were launched in 1977. They contain sounds and images selected to portray the diversity of life and culture on Earth, and are intended for any intelligent extraterrestrial life form, or for future humans, who may find them. As the probes are extremely small compared to the vastness of interstellar space, the probability of a space faring civilization encountering them is very small, especially since the probes will eventually stop emitting any kind of electromagnetic radiation. If they are ever found by an alien species, it will most likely be far in the future as the nearest star on Voyager 1’s trajectory will only be reached in 40,000 years. Voyager 1 passed the orbit of Pluto in 1990, and left the solar system in 2004. In 2009, it was over 16.5 billion km from the Sun and traveling at a speed of 38,000 mph.
As Carl Sagan noted, ‘The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space. But the launching of this ‘bottle’ into the cosmic ‘ocean’ says something very hopeful about life on this planet.’ Thus the record is best seen as a time capsule or a symbolic statement rather than a serious attempt to communicate with extraterrestrial life. The inscription, by President Jimmy Carter, reads: ‘This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.’
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September 25, 2011
‘Echoes‘ is a song by Pink Floyd including lengthy instrumental passages, sound effects, and musical improvisation. Written in 1970 by all four members of the group (credited as Roger Waters, Richard Wright, Nick Mason, David Gilmour on the original release), ‘Echoes’ provides the extended finale to Pink Floyd’s album ‘Meddle.’ The track has a running time of 23:31 and takes up the entire second side of the vinyl recording.
The composition uses many progressive and unconventional musical effects. The ping sound heard at the beginning of the song was created as the result of an experiment at the very beginning of the Meddle sessions. It was produced through amplifying a grand piano and sending the signal through a Leslie rotating speaker. At six minutes in, a funk progression in the tonic minor begins. Gilmour used the slide for certain sound effects on the studio recording.
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September 21, 2011
The Leslie speaker is a specially constructed amplifier/loudspeaker used to create special audio effects using the Doppler effect. Named after its inventor, Donald Leslie, it is particularly associated with the Hammond organ, an electric organ invented by Laurens Hammond in 1934 and manufactured by the Hammond Organ Company. While the Hammond organ was originally sold to churches as a lower-cost alternative to the wind-driven pipe organ, in the 1960s and 1970s it became a standard keyboard instrument for jazz, blues, rock music, church and gospel music. The Hammond/Leslie combination has become an element in many genres of music. Both brands are currently owned by Suzuki Musical Instrument Corporation.
Unlike a high fidelity loudspeaker, the Leslie is specifically designed, via reproduction of the Doppler effect, to alter or modify sound. Although there have been many variations over the years, the classic Leslie speaker consists of two driver units – a treble unit with horns, and a bass unit, and a crossover that divided the frequencies between the horn and the woofer. The key feature is that both the horns (in reality one working horn with a dummy to counter-balance it) and a sound baffle or scoop for the bass are electrically rotated to create ‘Doppler effect based’ vibrato, tremolo and chorus effects. The rotating elements can be stopped, switched between slow (chorale) and fast (tremolo), or transitioned between the two settings.
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September 16, 2011
In photography, bokeh [boh-kay] is the blur, or the aesthetic quality of the blur, in out-of-focus areas of an image, or ‘the way the lens renders out-of-focus points of light.’ Differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—’good’ and ‘bad’ bokeh, respectively. Bokeh occurs for parts of the scene that lie outside the depth of field. Photographers sometimes deliberately use a shallow focus technique to create images with prominent out-of-focus regions.
Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas. However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image.
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September 13, 2011
Venus figurines is an umbrella term for a number of prehistoric statuettes of women portrayed with similar physical attributes from the Upper Palaeolithic (between 40,000 and 10,000 years ago), mostly found in Europe, but with finds as far east as Siberia, extending their distribution to much of Eurasia.
These figurines were carved from soft stone (such as steatite, calcite or limestone), bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known. In total, over a hundred such figurines are known; virtually all of modest size, between 4 cm and 25 cm in height. They are some of the earliest works of prehistoric art.
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September 13, 2011
The Venus of Willendorf, also known as the ‘Woman of Willendorf,’ is an 11 cm (4.3 in) high statuette of a female figure estimated to have been made between 24,000 and 22,000 BCE. It was discovered in 1908 by archaeologist Josef Szombathy at a paleolithic site near Willendorf, a village in Lower Austria. It is carved from an oolitic limestone that is not local to the area, and tinted with red ochre. Several similar statuettes and other forms of art have been discovered, and they are collectively referred to as ‘Venus figurines,’ although they pre-date the mythological figure of Venus by millennia. The Willendorf figure was named following a model already over fifty years old, and shares many characteristics with other figures.
After a wide variety of proposed dates, following a revised analysis of the stratigraphy of its site in 1990, the figure has been estimated to have been carved 24,000–22,000 BCE. Very little is known about its origin, method of creation, or cultural significance. The Venus of Willendorf was recovered in a site that also contained a few amulets of Moldavite. The purpose of the carving is the subject of much speculation. It never had feet and does not stand on its own. The apparent large size of the breasts and abdomen, and the detail put into the vulva, have led scholars to interpret the figure as a fertility symbol. The figure has no visible face, her head being covered with circular horizontal bands of what might be rows of plaited hair, or a type of headdress. She was thought to be very healthy given her weight and size.
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