‘Rapture of the Nerds’ is a derisive term for the technological singularity (a theorized future period of superhuman intelligence). Some critics assert that no computer or machine will ever achieve human intelligence, while others hold that the definition of intelligence is irrelevant if the net result is the same.
Cognitive scientist Steven Pinker stated in 2008, ‘There is not the slightest reason to believe in a coming singularity. The fact that you can visualize a future in your imagination is not evidence that it is likely or even possible. Look at domed cities, jet-pack commuting, underwater cities, mile-high buildings, and nuclear-powered automobiles—all staples of futuristic fantasies when I was a child that have never arrived. Sheer processing power is not a pixie dust that magically solves all your problems.’
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Rapture of the Nerds
The South Butt
The South Butt, LLC was a clothing and accessories company founded in 2007 by Jimmy Winkelmann, a then 16-year-old student at Chaminade College Preparatory School. The company dissolved in 2011.
Winkelmann claimed the company was a parody of the The North Face, an American outdoor product company.
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Merry Pranksters
The Merry Pranksters was a cohort that formed around American author Ken Kesey in 1964 and sometimes lived communally at his homes in California and Oregon. The group promoted the use of psychedelic drugs. Their motto was ‘Never Trust a Prankster.’
Kesey and the Merry Pranksters are noted for the sociological significance of a lengthy road trip they took in the summer of 1964, traveling across the United States in a psychedelic painted school bus enigmatically and variably labeled ‘Further.’ Their early escapades were chronicled by Tom Wolfe in ‘The Electric Kool-Aid Acid Test.’ Wolfe also documents a notorious 1966 trip on Further from Mexico through Houston, stopping to visit Kesey’s friend, novelist Larry McMurtry. Kesey was in flight from a drug charge at the time.
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How to Speak Hip
How to Speak Hip is a spoken-word comedy album by improv pioneer Del Close and John Brent, released by Mercury Records in 1959. The album is designed as a satire of language-learning records, where the secret language of the ‘hipster’ is treated as a foreign language.
Part of the joke, however, is that it actually does a good job of describing the Beat Generation/Beatnik sub-culture: Basic concepts such as ‘cool’ and ‘uncool’ are taught, as well as vocabulary building (‘dig,’ ‘dig it,’ ‘dig yourself, baby,’ ‘dig the chick,’ ‘dig the cat,’ ‘What a drag!’).
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Harold
Harold is a structure used in longform theatrical improvisation. Developed by Del Close and brought to fruition through Close’s collaboration with Charna Halpern, the Harold has become the signature form of Chicago’s iO and the Upright Citizens Brigade Theater in New York and Los Angeles. It is now performed by improvisational theater troupes and teams across the world.
The Committee, a San Francisco improv group, performed the first Harold in Concord, California in 1967. They were invited to a high school and decided to do their improvisations on the war in Vietnam. On the way home they were discussing the performance when one of them asked what they should call it. Allaudin (Bill) Mathieu called out ‘Harold.’ It was a joking reference to a line from ‘A Hard Days Night’ where a reporter asked George Harrison what he called his haircut; he answered ‘Arthur.’ Close later remarked that he wished he had chosen a better name.
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Del Close
Del Close (1934 – 1999) is one of the premier influences on modern improvisational theater. He was also an actor appearing in a number of films and television shows.
He was a co-author of the book ‘Truth in Comedy,’ which outlines techniques now common to longform improvisational theater and describes the overall structure (he named ‘Harold’) which remains a common frame for longer improvisational scenes. His favorite framework for comedic storytelling was the structures of Wagner’s ‘Ring Cycle.’
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Recess
Recess is an American animated television series created by Paul Germain and Joe Ansolabehere (credited as ‘Paul and Joe’) and produced by Walt Disney Television Animation. The series focuses on six elementary school students and their interaction with other classmates and teachers.
The title refers to the period of time during the school day in which children are not in lessons and are outside in the schoolyard, in North American society. One of the main features of the series is how the children form their own society, complete with government and a class structure, set against the backdrop of a regular school.
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The Comedy
The Comedy is a 2012 black comedy film directed and co-written by Rick Alverson, and starring Tim Heidecker. Supporting actors include Eric Wareheim (Tim and Eric), James Murphy (LCD Soundsystem), and Gregg Turkington (better known as Neil Hamburger).
Despite the title and use of comedians as actors, Sundance festival chief programmer Trevor Groth says that the film is not a comedy, but instead ‘a provocation, a critique of a culture based at its core around irony and sarcasm and about ultimately how hollow that is.’ Indifferent even to the prospects of inheriting his father’s estate, Swanson (Heidecker) whittles away his days with a group of aging Brooklyn hipsters, engaging in acts of recreational cruelty and pacified boredom. Desensitized and disenchanted, he strays into a series of reckless situations that may offer the promise of redemption or the threat of retribution.
Anachronism
An anachronism [uh-nak-ruh-niz-uhm] is a chronological inconsistency in some arrangement, especially a juxtaposition of person(s), events, objects, or customs from different periods of time. Often the item misplaced in time is an object, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a custom, or anything else associated with a particular period in time so that it is incorrect to place it outside its proper temporal domain.
The intentional use of older, often obsolete cultural artifacts may be regarded as anachronistic. For example, it could be considered anachronistic for a modern-day person to wear a top hat, write with a quill, or carry on a conversation in Latin. Such choices may reflect an eccentricity, or an aesthetic preference.
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Forteana
Charles Fort (1874 – 1932) was an American writer and researcher into anomalous phenomena (e.g. UFOs, ghosts, telepathy).
Today, the terms Fortean and Forteana are used to characterize various such phenomena.
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Russell’s Teapot
Russell’s teapot, sometimes called the celestial teapot or cosmic teapot, is an analogy first coined by the philosopher Bertrand Russell to illustrate that the philosophic burden of proof lies upon a person making scientifically unfalsifiable claims rather than shifting the burden of proof to others, specifically in the case of religion.
Russell wrote that if he claims that a teapot orbits the Sun somewhere in space between the Earth and Mars, it is nonsensical for him to expect others to believe him on the grounds that they cannot prove him wrong. Russell’s teapot is still referred to in discussions concerning the existence of God.
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Will Shortz
Will Shortz (b. 1952) is the long-time crossword puzzle editor for ‘The New York Times.’ Shortz was born and raised on an Arabian horse farm in Indiana. He is the only person known to hold a college degree in enigmatology, the study of puzzles.
Shortz achieved this feat by designing his own curriculum through Indiana University’s Individualized Major Program. He also earned a Juris Doctor degree from the University of Virginia School of Law (1977), though he forewent the bar exam and began a career in puzzles instead. Shortz began his career at ‘Penny Press Magazines,’ then moved to ‘Games’ magazine for 15 years, serving as its editor from 1989–1993.
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