January 12, 2012
A peanut gallery is an audience that heckles the performer. The term originated in the days of vaudeville (1880s) as a nickname for the cheapest (and ostensibly rowdiest) seats in the theater; the least expensive snack served at the theater would often be peanuts, which the patrons would sometimes throw at the performers on stage to show their disapproval.
The phrases ‘no comments from the peanut gallery’ or ‘quiet in the peanut gallery’ are extensions of the name. ‘Peanut gallery’ may also refer to a social network audience that passively observes a syndicated web feed.
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January 12, 2012
The echo chamber effect refers to any situation in which information, ideas or beliefs are amplified or reinforced by transmission inside an ‘enclosed’ space. Observers of journalism describe an echo chamber effect in media discourse. One purveyor of information will make a claim, which many like-minded people then repeat, overhear, and repeat again (often in an exaggerated or otherwise distorted form) until most people assume that some extreme variation of the story is true.
A media conglomerate that owns multiple media outlets can produce the same story among ‘different’ outlets, creating an illusion that a media consumer is getting information from different sources.
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January 12, 2012
A filter bubble is a concept developed by Internet activist Eli Pariser in his book by the same name to describe a phenomenon in which websites use algorithms to selectively guess what information a user would like to see based on information about the user like location, past click behavior and search history. As a result websites tend to show only information which agrees with the user’s past viewpoint. Prime examples are Google’s personalized search results and Facebook’s personalized news stream. According to Pariser, users get less exposure to conflicting viewpoints and are isolated intellectually in their own informational bubble.
Pariser related an example in which one user searched Google for ‘BP’ and got investment news about British Petroleum while another searcher got information about the Deepwater Horizon oil spill and that the two search results pages were ‘strikingly different.’ The bubble effect may have negative implications for civic discourse, according to Pariser, but there are contrasting views suggesting the effect is minimal.
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January 12, 2012
The term ‘winders‘ was originally coined in 2008 by the sociologist John W. Leigh, in his article ‘Moving towards new forms of social success.’
The term (a contraction of the expression ‘windy winners’) goes back to the original way of experiencing social success by individuals uninhibited with regards to their own success, not looking as much to reconcile rival existential expectations (such as the bobos – bohemian bourgeois, for example) but rather to juxtapose them in a way which is not seeking to constitute a system.
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January 11, 2012
Limousine liberal is a pejorative American political term used to illustrate perceived hypocrisy by a political liberal of upper class or upper middle class status; including calls for the use of mass transit while frequently using limousines or private jets, claiming environmental consciousness but driving low MPG sports cars or SUVs, or ostensibly supporting public education while actually sending their children to private schools.
Democratic New York City mayoral hopeful Mario Procaccino coined the term to describe incumbent Republican Mayor John Lindsay and his wealthy Manhattan backers during a heated 1969 campaign.
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January 11, 2012
‘Bobos in Paradise: The New Upper Class and How They Got There’ is a book by David Brooks, first published in 2000. The word ‘bobo,’ Brooks’s most famous coinage, is a portmanteau of the words bourgeois and bohemian.
The term is used by Brooks to describe the 1990s descendants of the yuppies. Often of the corporate upper class, they claim highly tolerant views of others, purchase expensive and exotic items, and believe American society to be meritocratic.
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January 11, 2012
Yuppie [yuhp-ee] (short for ‘young urban professional’ or ‘young upwardly mobile professional’) is a term that refers to a member of the upper middle class or upper class in their 20s or 30s. It first came into use in the early-1980s and largely faded from American popular culture in the late-1980s, due to the 1987 stock market crash and the early 1990s recession. However it has seen a small revival in the 2000s and 2010s.
Yuppies are derided for their conspicuous personal consumption and hunger for attention social status among their peers. Cornell University economist Robert H. Frank, author of ‘Luxury Fever,’ has remarked, ‘When people were denouncing yuppies, they had considerably lower incomes than yuppies, so the things yuppies spent their money on seemed frivolous and unnecessary from their vantage point.’ Pro-skateboarder and businessman Tony Hawk has said that yuppies give ‘us visions of bright V-neck sweaters with collars underneath, and all that was vile in the eighties,’ and he has remarked as well as that a ‘bitchin’ tattoo cannot hide your inner desire to be Donald Trump.’
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January 5, 2012
Betteridge’s Law of Headlines is an adage that states, ‘Any headline which ends in a question mark can be answered by the word ‘no.” It is based on a point made by journalist Ian Betteridge about sensational headlines that end in a question mark: ‘The reason why journalists use that style of headline is that they know the story is probably bullshit, and don’t actually have the sources and facts to back it up, but still want to run it.’ The maxim trends towards being universally true because of a simple principle of headline writing: if a story has enough sources to have a high chance of accuracy, a headline will be assertive. If sources are weak, or only a single source is found, headline writers will hedge their bets by posing the headline as a question.
It was among UK journalist Andrew Marr’s suggestions for how to read a newspaper if you really want to know what is going on: ‘If the headline asks a question, try answering ‘no.’ Is This the True Face of Britain’s Young? (Sensible reader: No.) Have We Found the Cure for AIDS? (No; or you wouldn’t have put the question mark in.) Does This Map Provide the Key for Peace? (Probably not.) A headline with a question mark at the end means, in the vast majority of cases, that the story is tendentious or over-sold. It is often a scare story, or an attempt to elevate some run-of-the-mill piece of reporting into a national controversy and, preferably, a national panic. To a busy journalist hunting for real information a question mark means ‘don’t bother reading this bit.”
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January 4, 2012
Harold Williams (1876 – 1928) was a New Zealand journalist, foreign editor of ‘The Times’ and is considered one of the most accomplished polyglots in history, said to have known over 58 languages and other related dialects. Like most youngsters his age, Harold wasn’t possessed by a voracious appetite for learning, but he recalled that, when he was about seven, ‘an explosion in his brain’ occurred and from that time his capacity to learn, in particular languages, grew to an extraordinary degree. He began with the study of Latin, one of the great root languages, and hungrily acquired others.
As a schoolboy he constructed a grammar and vocabulary of the New Guinea language Dobuan from a copy of St. Mark’s Gospel written in that language. Next he compiled a vocabulary of the dialect of Niue Island, again from the Gospel written in that language, and was published in the ‘Polynesian Journal.’
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January 2, 2012
Jo-ha-kyū is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to ‘beginning, break, rapid,’ it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, kendō and other martial arts, dramatic structure in Japanese theater and film, and traditional collaborative linked verse forms. The concept originated in court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analyzed and discussed by the great playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things.
Zeami described the first act as ‘Love’; the play opens auspiciously, using gentle themes and pleasant music to draw in the attention of the audience. The second act is described as ‘Warriors and Battles.’ Though it need not contain actual battle, it is generally typified by heightened tempo and intensity of plot. The third act, the climax of the entire play, is typified by pathos and tragedy. The plot achieves its dramatic climax. The fourth is a michiyuki (journey), which eases out of the intense drama of the climactic act, and often consists primarily of song and dance rather than dialogue and plot. The fifth act, then, is a rapid conclusion. All loose ends are tied up, and the play returns to an auspicious setting.
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January 2, 2012
The Three-Act Structure is a model used in writing and evaluating modern storytelling which divides a screenplay into a three parts called the ‘Setup,’ ‘Confrontation,’ and ‘Resolution.’ The first act is used to establish the main characters, their relationships and the normal world they live in.
Early in the first act, a dynamic, on-screen incident occurs to the main character (the protagonist), whose response leads to a second and more dramatic situation, known as the first ‘turning point,’ which (a) signals the end of the first act, (b) ensures life will never be the same again for the protagonist, and (c) raises a dramatic question that will be answered in the climax of the film.
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January 2, 2012
Act structure explains how a plot of a film story is composed. Just like plays (Staged drama) have ‘Acts,’ critics and screenwriters tend to divide films into acts; though films don’t require to be physically broken down as such in reality.
Whereas plays are actual performances that need ‘breaks’ in the middle for change of set, costume, or for the artists’ rest; films are recorded performances shown mechanically and therefore don’t need actual breaks. Still they are divided into acts for reasons that are in aesthetic and structural conformation with the original idea of Act in theater.
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