Everything is Interesting
Chillwave, sometimes also referred to as Glo-Fi, is a genre of music where artists are often characterized by their heavy use of effects processing, synthesizers, looping, sampling, and heavily filtered vocals with simple melodic lines.
The genre combines the larger 2000s trends towards 80s retro music and (in indie music) use of ambient sound, with modern pop. The term is said to have been originated on the Hipster Runoff blog.
read more »
Sousveillance [soo-vay-lance] refers to the recording of an activity by a participant in the activity typically by way of small wearable or portable personal technologies. Sousveillance has also been described as ‘inverse surveillance’ because the term stems from the contrasting French words ‘sur,’ meaning ‘above,’ and ‘sous,’ meaning ‘below,’ i.e. ‘surveillance’ denotes the ‘eye-in-the-sky’ watching from above, whereas ‘sousveillance’ denotes bringing the camera or other means of observation down to human level, either physically (mounting cameras on people rather than on buildings), or hierarchically (ordinary people doing the watching, rather than higher authorities or architectures doing the watching).
While surveillance and sousveillance both generally refer to visual monitoring (i.e. ‘veiller’ being ‘to watch’), the terms also denote other forms of monitoring such as audio surveillance or sousveillance. In the audio sense (e.g. recording of phone conversations) sousveillance is referred to as ‘one party consent.’
read more »
A Mouli grater is a hand-operated cooking tool designed for grating or pureeing small quantities of food. The device consists of a small metal drum with holes that grate the food and a handle for turning the drum. Mouli is a French brand name that later changed into Moulinex. A grating cylinder similar to the one used in this design later turned up in food processors from that company.
The hand-held unit consists of two sections with hinged handles. The end of one handle contains a food hopper with a grating cylinder and a crank for rotating the cylinder. The other section has a rounded surface that acts as a clamp, pressing the food to be grated into the grating cylinder. The hinged handles are held in one hand and squeezed so that the food presses against the grating cylinder. Meanwhile, the other hand turns the crank, causing the cylinder to rotate and the food to be grated.
Since its premiere in 1968, 2001: A Space Odyssey has been analyzed and interpreted by multitudes of people ranging from professional movie critics to amateur writers and science fiction fans. The director of the film, Stanley Kubrick, wanted to leave the film open to philosophical and allegorical interpretation, purposely presenting the final sequences of the film without the underlying thread being apparent; a concept illustrated by the final frame of the film, which contains the image of the embryonic ‘Starchild.’
Kubrick encouraged people to explore their own interpretations of the film, and refused to offer an explanation of ‘what really happened’ in the movie, preferring instead to let audiences embrace their own ideas and theories. In a 1968 interview with Playboy magazine, Kubrick stated: ‘You’re free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don’t want to spell out a verbal road map for ‘2001’ that every viewer will feel obligated to pursue or else fear he’s missed the point.’
read more »
Moombahton is a genre of electronic dance music that was created by American dj/producer Dave Nada (aka Dave Villegas) at a high school homecoming ‘skipping party’ for his younger cousin in Washington, D.C., in the fall of 2009.
The specific event that stimulated NADA’s development of the Moombahton genre was his slowing the Afrojack remix of the Silvio Ecomo and DJ Chuckie song ‘Moombah’ to 108 beats per minute. Because that tempo nears that of the reggaeton, Nada created the neologism ‘Moombahton.’
Sky lanterns, also known as Kongming Lantern are airborne paper lanterns found in some Asian cultures. They are constructed from oiled rice paper on a bamboo frame, and contain a small candle or fuel cell composed of a waxy flammable material. When lit, the flame heats the air inside the lantern, thus lowering its density causing the lantern to rise into the air. The sky lantern is only airborne for as long as the flame stays alight, after which the lantern floats back to the ground.
According to popular lore, the Kongming Lantern was the first hot air balloon, said to be invented by the Chinese sage and military strategist Zhuge Liang, whose reverent term of address (i.e. Chinese style name) was Kongming. They were first deployed at the turn of the 3rd century as a type of signaling balloon or, it is claimed, as a type of spy blimp in warfare. Alternatively the name may come from the lantern’s resemblance to the hat Kongming is traditionally shown to be wearing.
read more »
NAD is an electronics firm whose products include low-cost home audiophile amplifiers and related components. NAD was an acronym for New Acoustic Dimension. The company was founded in London, England in 1972 by Dr. Martin L. Borish, an electrical engineer with a Ph.D. in Physics. Its most famous product is the late-1970s NAD 3020 amplifier, designed by Bjørn Erik Edvardsen, which became a staple of low-budget Hi-Fi in Britain. NAD’s philosophy is to include only genuinely useful features for aesthetically understated designs. The company focuses on ‘effective power’ and its amplifiers have been known for delivering generous headroom, meaning that they can deliver dynamic power bursts far in excess of their rated power. The key to this feature is a flexible power supply which stores significant reserve current for quick release at moments of high musical load. The various incarnations of this design have been associated with different names over the years including Power Envelope and recently PowerDrive.
Additional benefits of this approach include the fact that amplifiers using this technology can handle complex, real-life, lower-impedance loudspeaker loads as compared with the simple 8-ohm resistor typically used to calculate advertised power ratings and the fact that the circuitry in this approach requires less cooling, while maintaining ability to handle complex impedance loads as low as 2 ohms. An amplifier that is overdriven, or pushed beyond its designed power capabilities, produces audible distortion known as clipping by cutting off extremes of the music waveform, resulting in harshly unpleasant sound and threatening damage to speakers, particularly tweeters. NAD amplifiers incorporate a user-defeatable ‘Soft-Clipping’ circuit to address this issue. It gently transforms the music waveform as the point of clipping approaches, the goal being clearer reproduction and simultaneous protection of speakers.
Max Hattler (b. 1976) is a German video artist and experimental filmmaker best-known for his kaleidoscopic political short films ‘Collision’ (2005) and ‘Spin’ (2010), abstract stop motion work ‘Aanaatt’ (2008), and psychedelic animation loops ‘1923 aka Heaven’ and ‘1925 aka Hell’ (2010).
He also works extensively in the field of audiovisual performance, and has created concert visuals for Basement Jaxx, Diplo, Jovanotti, The Egg, and Ladyscraper.
Turntablism is the art of manipulating sounds and creating music using phonograph turntables and a DJ mixer. The word ‘turntablist’ was coined in 1995 by DJ Babu to describe the difference between a DJ who just plays records, and one who performs by touching and moving the records, stylus and mixer to manipulate sound. The new term co-occurred with a resurgence of the art of hip hop style DJing in the 1990s.
Composer John Oswald described the art: ‘A phonograph in the hands of a ‘hiphop/scratch’ artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced — the record player becomes a musical instrument.’
read more »
The Invisibl Skratch Piklz were a group of Filipino American turntablists. The members of the group were originally hip-hop DJs, who were among the pioneers of the turntablism movement in the 1990s; turntablists create musical pieces by mixing samples from records, by using multiple turntables as instruments.
The group started in 1989 as Shadow of the Prophet, with DJ Q-bert, Mix Master Mike, and DJ Apollo, who left the group in 1993.
read more »
Scratching is a DJ or turntablist technique used to produce distinctive sounds by moving a vinyl record back and forth on a turntable while optionally manipulating the crossfader on a DJ mixer. While scratching is most commonly associated with hip hop music, since the 1990s, it has been used in some styles of pop and nu metal. Within hip hop culture, scratching is one of the measures of a DJ’s skills.
Scratching was developed by early hip hop DJs from New York such as Grand Wizard Theodore and DJ Grandmaster Flash, who describes scratching as, ‘nothing but the back-cueing that you hear in your ear before you push it out to the crowd.’ Jamaican-born DJ Kool Herc also influenced the early development of scratching; he developed break-beat DJing, where the breaks of funk songs—the most danceable part, often featuring percussion—were isolated and repeated for the purpose of all-night dance parties.
read more »
A dubplate is an acetate disc — usually 12, 10, or 7 inches in diameter — used in mastering studios for quality control and test recordings before proceeding with the final master, and subsequent pressing of the record to be mass-produced on vinyl. The ‘dub’ in dubplate is an allusion to the plate’s use in ‘dubbing’ or ‘doubling’ the original version of a track. In music, dubbing is copying of audio recordings from one medium to another.
The name dubplate also refers to an exclusive, ‘one-off’ disc recording pioneered by reggae sound systems but also used by drum and bass and other dance music artists, DJs and sound systems. These dubplates will often be unreleased recordings (which may or may not end up being made available to the general public). They are often used as a market research tool to assess the probable sales of a song once it’s released, as they are far cheaper to produce than a pressed vinyl record. However, because they have a limited life-span they can only be used about fifty times.
The Daily Omnivore 