CFCF is the stage name of Canadian electronic musician Michael Silver. Based in Montreal, Silver took the name CFCF from the call sign of the city’s CFCF-TV.
Silver has released an album and several EPs, independently and on Paper Bag Records, and Rvng Intl.
CFCF
3DMark
3DMark is a computer benchmarking tool created and developed by Futuremark Corporation to determine the performance of a computer’s 3D graphic rendering and CPU workload processing capabilities. Running the application produces a 3DMark score, with higher numbers indicating better performance.
The 3DMark measurement unit is intended to give a normalized mean for comparing different PC hardware configurations (mostly graphics processing units and central processing units), which proponents such as gamers and overclocking enthusiasts assert is indicative of end-user performance capabilities. Founded in 1997 as ‘Futuremark’ by members of the former demoscene group ‘Future Crew,’ the company is the leading producer of computer benchmark applications in the world.
Frame Rate
Frame rate is the frequency (rate) at which an imaging device produces unique consecutive images called frames. The term applies equally well to computer graphics, video cameras, film cameras, and motion capture systems. Frame rate is most often expressed in frames per second (FPS), and is also expressed in progressive scan monitors as hertz (Hz).
The human visual system can process 10 to 12 separate images per second, perceiving them individually. The visual cortex holds onto one image for about one-fifteenth of a second, so if another image is received during that period an illusion of continuity is created, allowing a sequence of still images to give the impression of motion. Continue reading
Letterbox
Letterboxing is the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the film’s original aspect ratio. The resulting videographic image has mattes (black bars) above and below it; these mattes are part of the image (i.e., of each frame of the video signal). LTBX is the identifying abbreviation for films and images so formatted. The term refers to the shape of a letter box, a slot in a wall or door through which mail is delivered, being rectangular and wider than it is high.
Letterboxing is used as an alternative to a full-screen, pan-and-scan transfer of a widescreen film, in which the original image is cropped to the narrower aspect ratio of the destination format, usually the 1.33:1 (4:3) ratio of the standard television screen, whereas letterboxing preserves the film’s original image composition as seen in the cinema. Letterboxing was developed for use in 4:3 television displays before widescreen television screens were available, but it is also necessary to represent on a 16:9 widescreen display the unaltered original composition of a film with a wider aspect ratio, such as Panavision’s 2.35:1 ratio. Continue reading
Retronym
A retronym [re-truh-nim] is a type of neologism that provides a new name for something to differentiate the original version from a more recent one. The original name is most often augmented with an adjective (rather than being completely displaced) to account for later developments of the object or concept itself. Much retronymy is driven by advances in technology.
Examples of retronyms are ‘acoustic guitar’ (coined when electric guitars appeared), and ‘analog watch’ to distinguish from a digital watch. In the entertainment industry, this can manifest itself as calling a movie ‘Part 1’ once sequels are released or by slightly altering the title (e.g. ‘Star Wars: A New Hope’ or ‘Indiana Jones and the Raiders of the Lost Ark’) to emphasize its connection with the sequel(s), or by referring to a television series as ‘the original,’ as in ‘Star Trek: The Original Series.’
4D Roller Coaster
A 4th Dimension roller coaster is a type of steel roller coaster whereby riders are rotated independently of the orientation of the track, generally about a horizontal axis that is perpendicular to the track. The cars do not necessarily need to be fixed to an angle.
John F. Mares, a corporate attorney, invented the 4th Dimension roller coaster concept in 1995 and holds six US patents related to the technology of their spinning seat systems. Three 4D roller coasters: ‘X2,’ ‘Eejanaika,’ and ‘Green Lantern: First Flight,’ which were either built or installed in the United States, have been licensed by Mr. Mares’ company (Meteoro Amusement Corporation). Continue reading
Metamodernism
Metamodernism is a term employed to situate and explain recent developments across current affairs, critical theory, philosophy, architecture, art, cinema, music and literature which are emerging from and reacting to postmodernism.
The term metamodernism was introduced as an intervention in the post-postmodernism debate by the cultural theorists Timotheus Vermeulen and Robin van den Akker in 2010. In their article ‘Notes on metamodernism’ they assert that the 2000s are characterized by the return of typically modern positions without altogether forfeiting the postmodern mindsets of the 1990s and 1980s. Continue reading
Post-postmodernism
Post-Postmodernism is a general term used to describe new developments emerging from Postmodernism. It is a positive idea that faith, sincerity, and trust can be better for society than Postmodern irony.
The term ‘Post-Postmodernism’ was initially coined by seminal cultural theorist Alice Sanders in her magnum opus ‘The Shadow of the Rainbow.’ Continue reading
Hypermodernity
Hypermodernity is a type, mode, or stage of society that reflects a deepening or intensification of modernity. Characteristics include a deep faith in humanity’s ability to understand, control, and manipulate every aspect of human experience. This typically is manifested in a forward-looking commitment to science and knowledge, particularly with regard to the convergence of technology and biology.
The emphasis on the value of new technology to overcome natural limitations lends itself to a diminution or outright repudiation of the past, since yesterday’s knowledge can be considered ‘less’ than today’s. There can be a profound lack of integration between the past and the present since: what happened necessarily took place under ‘lesser’ circumstances than now, which generates a fundamentally separate context; and artifacts from the past superabundantly clutter the cultural landscape and are seamlessly reused to generate an even greater superabundance from which individuals are unable to discern original intent or meaning.
Postmodernism
Postmodernism is an era and a broad movement that developed in the mid to late 20th century that rejects the idea of objective truth and universal social progress. Starting with the 18th century Enlightenment, and for more than a century there was widespread belief that science and knowledge would improve the world; social progress would be inevitable. Modernism in particular held these beliefs. Postmodernism challenges that notion.
Although the term was first used around 1870, its modern appearance was to express criticism of modern architecture in 1949, leading to the postmodern architecture movement (a return to surface ornament, historical reference in decorative forms, and less boxy shapes). Postmodernism is not a method, but rather a way of approaching traditional ideas and practices in non-traditional ways that deviate from pre-established modes. Postmodernism gained significant popularity in the 1950s and dominated literature and art by the 1960s.
Adventure Time
Adventure Time is an American animated television series created by Pendleton Ward (a former writer and storyboard artist of ‘The Marvelous Misadventures of Flapjack’) and produced by Frederator Studios for Cartoon Network. The series follows the adventures of Finn, a 14-year old boy whose best friend is Jake, a dog with magical powers such as growing and shrinking or stretching into many shapes. Finn and Jake live in the post-apocalyptic Land of Ooo.Ward describes Finn as a ‘fiery little kid with strong morals,’ while Jake is based on Bill Murray’s character in the movie ‘Meatballs.’ The series is based on a short produced for Frederator’s Nickelodeon animation incubator series ‘Random! Cartoons.’ After the short became a viral hit on the Internet, Cartoon Network picked it up for a full-length series that premiered in 2010.
According to Ward, the show’s style was influenced by his time at CalArts and his work as a storyboard artist on ‘The Marvelous Misadventures of Flapjack.’ He tries to include ‘beautiful’ moments like those in Hayao Miyazaki’s ‘My Neighbor Totoro’ and some subversive humor, inspired by series like ‘The Simpsons’ and ‘Pee-wee’s Playhouse.’ Executive producer Fred Seibert compares the show’s animation style to that of ‘Felix the Cat’ and the Max Fleischer cartoons (e.g. ‘Betty Boop,’ ‘Popeye’) but says its world is also equally inspired by ‘Dungeons and Dragons’ and video games. Ward intends the show’s world to have a certain physical logic instead of ‘cartoony slapstick’ — even though magic exists in the story, the show’s writers try to create an internal consistency in how the characters interact with the world.
Akrasia
Akrasia [uh-kray-juh] (ancient Greek: ‘lacking command [over oneself]’) is the state of acting against one’s better judgement. The adjective form is ‘akratic.’ The problem goes back at least as far as Plato. Socrates asks precisely how this is possible—if one judges action A to be the best course of action, why would one do anything other than A? In the dialogue ‘Protagoras,’ Socrates attests that akrasia is an illogical moral concept, claiming ‘No one goes willingly toward the bad.’
If a person examines a situation and decides to act in the way he determines to be best, he will actively pursue this action, as the best course is also the good course, i.e. man’s natural goal. An all-things-considered assessment of the situation will bring full knowledge of a decision’s outcome and worth linked to well-developed principles of the good. A person, according to Socrates, never chooses to act poorly or against his better judgment; actions that go against what is best are only a product of being ignorant of facts or knowledge of what is best or good. Continue reading














