Vale tudo [val-ay / too-doe] (Portuguese: ‘anything goes’) are full-contact unarmed combat events, with a limited number of rules, that became popular in Brazil during the 20th century. While Vale Tudo uses techniques from many martial art styles, making it similar to modern mixed martial arts competitions, it is a distinct style in its own right. Fighting sideshows, termed ‘Vale Tudo,’ became popular in Brazilian circuses during the 1920s.
Examples of such bouts were described in the ‘Japanese-American Courier’ in 1928: ‘One report from São Paulo declares that Jiu Jitsu is truly an art and that in an interesting exhibition in the side tent to the big circus a Bahian of monstrous dimensions met his waterloo at the hands of a diminutive Japanese wrestler. The man was an expert at capoeira, an old South American style of fighting, but after putting the Japanese on his back and trying to kick his head … the little oriental by the use of a Jiu Jitsu hold threw the Bahian and after a short struggle he was found sitting on the silent frame of the massive opponent.
Vale Tudo
Gracie Challenge
The Gracie challenge was an open invitation issued by some members of the Brazilian Gracie family, known for their Brazilian Jiu-jitsu (BJJ) mastery, to martial artists of other styles to fight them in a Vale tudo (‘anything goes’) match. A precursor to the Ultimate Fighting Championship (UFC), the purpose of these challenges were to prove the effectiveness of the Gracie style of BJJ.
The Gracie challenge was first issued by Carlos Gracie in the 1920s to promote and develop the Gracie’s style of Brazilian Jiu-Jitsu, and as an attempt to show that it was superior to other styles of martial arts. The matches typically featured a smaller Gracie versus a larger and/or more athletic looking opponent, and became increasingly popular. Carlos and later his brother Hélio Gracie and both of these men’s sons defeated martial artists of many different styles such as boxing, judo, karate, and wrestling, while experiencing few losses.
MMA
Mixed martial arts (MMA) is a full contact combat sport that allows the use of both striking and grappling techniques, both standing and on the ground, including boxing, wrestling, Brazilian jiu-jitsu, muay Thai, kickboxing, taekwondo, karate, judo and other styles. The roots of modern mixed martial arts can be traced back to the ancient Olympics where one of the earliest well documented systems of codified full range unarmed combat was utilized in the sport of Pankration.
Various mixed style contests also took place throughout Europe, Japan and the Pacific Rim during the early 1900s. The combat sport of Vale Tudo that had developed in Brazil from the 1920s was brought to the United States by the Gracie family in 1993 with the founding of the Ultimate Fighting Championship (UFC), which is currently the largest MMA promotion company worldwide. Prior to the UFC, professional MMA events had also been held in Japan by Shooto since 1989. Continue reading
Enzo Ferrari
Enzo Ferrari (1898 – 1988) was an Italian race car driver and entrepreneur, the founder of the Scuderia Ferrari Grand Prix motor racing team, and subsequently of the Ferrari car manufacturer.
He was often referred to as ‘il Commendatore.’ Ferrari’s management style was autocratic and he was known to pit driver against driver in the hope of improving performance. He did not often get close to his drivers. Enzo Ferrari spent a reserved life, and rarely granted interviews.
Zigaboo Modeliste
Zigaboo Modeliste (b. 1948) is an American drummer best known as a founding member of the funk group The Meters. Considered to be one of the most innovative, and highly acclaimed drummers ever to hail from New Orleans. Modeliste is a pioneer of second-line funk. He remains a strong influence for drummers and his syncopated style is the source of a great many hip-hop and drum and bass samplers.
He also cofounded The Wild Tchoupitoulas and has worked extensively with other musicians, notably Keith Richards, Robert Palmer, and Dr. John. Zigaboo released his first solo CD in 2000 – ‘Zigaboo.com.’ In 2011, he released his fourth solo album entitled ‘New Life.’ This record has elements of rock, funk and blues and features such artists as arranger Wardell Quezerque and Trumpeter Mic Gillet of Tower of Power fame. He resides in Oakland, California and continues to teach, release records, as well as manage his publishing Company Jomod Music and record label JZM records.
Loving More
Loving More is a national non-profit organization concerned with support, advocacy and polyamory awareness for the polyamorous community. Polyamory is the practice of having more than one intimate relationship at a time with the knowledge and consent of everyone involved. The three most visible projects of Loving More are a magazine, a website and two annual conferences. The organization was originally started as a News Letter ‘PEP Talk’ (Polyfidelity Education Productions) in the fall of 1984 by Ryam Nearing.
In 1991, the organization and group was renamed Loving More. The organization has been running conferences and retreats since the mid-eighties in order to educate and support people in multi-partnered families and relationships. In recent years Loving More has shifted the focus to include a push for polyamory awareness by reaching out to the therapists, doctors, lawyers and media in an effort to educate the public to possibilities beyond monogamy in loving relationships.
Polyamory
Polyamory [poli-am-ory] is the practice, desire, or acceptance of having more than one intimate relationship at a time with the knowledge and consent of everyone involved. It should not be confused with polysexuality, the attraction to multiple genders and/or sexes, or pansexuality, which is attraction to all genders and sexes. The distinction between sex and gender is a concept that distinguishes sex, a natural or biological feature, from gender, the cultural or learned significance of sex. Polyamory, often abbreviated as ‘poly,’ is described as consensual, ethical, or responsible non-monogamy.
The word is sometimes used in a broader sense to refer to sexual or romantic relationships that are not sexually exclusive, though there is disagreement on how broadly it applies; an emphasis on ethics, honesty, and transparency all around is widely regarded as the crucial defining characteristic. The term ‘polyamorous’ can refer to the nature of a relationship at some point in time or to a philosophy or relationship orientation (much like gender or sexual orientation). It is sometimes used as an umbrella term that covers various forms of multiple relationships; polyamorous arrangements are varied, reflecting the choices and philosophies of the individuals involved. Continue reading
White Trash
White trash is an American English pejorative term referring to poor white people in the United States, suggesting lower social class and degraded living standards. The term suggests outcasts from respectable society living on the fringes of the social order who are seen as dangerous because they may be criminal, unpredictable, and without respect for authority whether it be political, legal, or moral.
The term is usually a slur, but may also be used self-referentially by whites to jokingly describe their origins. In the humorous book ‘The White Trash Mom Handbook: Embrace Your Inner Trailerpark, Forget Perfection, Resist Assimilation into the PTA, Stay Sane, and Keep Your Sense of Humor’ by Michelle Lamar and Molly Wendland (2008) is one such example. In common usage ‘white trash’ overlaps in meaning with cracker (regarding Georgia and Florida), hillbilly (regarding Appalachia), Okie (regarding Oklahoma origins), and redneck. Continue reading
Boy Racer
Boy racers is a UK term referring to those who ‘cruise’ around in vehicles modified with loud exhausts and stereos, or modified body kits. This behavior is frowned upon by members of the public irritated by the noise and the criminal behavior associated with it, including violence by skinhead and Neo-Nazi ‘boy racers.’ Responses to the boy racer problem range from laws prohibiting the antisocial activities they engage in to vigilante actions such as spraying expander foam, a common building supply, into their exhausts.
In Australia, the terms ‘hoon’ and ‘revhead’ are used for people who drive in an anti-social or dangerous manner. However, ‘revhead’ may refer to any motor enthusiast, while ‘hoon’ is always pejorative. Americans often use the term ‘rice burner,’ ‘rice rocket,’ or ‘ricer’ to describe the boy racer concept, since most of the vehicles are of Asian manufacture. There’s also the less popular term ‘wheat burner,’ which is the same thing, but with a domestic American model such as a Ford Focus, or Chevrolet Cavalier. A ‘krauter’ is a German model, usually a Volkswagen Jetta or Volkswagen Golf. The latter two categories are also sometimes referred to as ‘rice eaters,’ since their competition in the tuner scene is usually the more popular Asian models.
Young Fogey
The term young fogey was humorously applied, in British context, to some younger-generation, rather buttoned-down writers and journalists, such as Simon Heffer, Charles Moore and, for a while, A. N. Wilson. The term is attributed to Alan Watkins writing in 1984 in ‘The Spectator.’ Young fogey is still used to describe conservative young men (aged approximately between 15 and 40) who dress in a vintage style (usually that of the 1920s-1950s, also known as the ‘Brideshead’ look – after the influence of ‘Brideshead Revisited’, by Evelyn Waugh), and who tend towards erudite, conservative cultural pursuits.
The young fogey is sometimes confused with the ‘Sloane Ranger’ (a stereotype in London of young, upper class or upper-middle-class people who live near Sloane Square in Chelsea), but this is incorrect; whilst there is some crossover between the two in clothing styles, the young fogey tends toward reserved, intellectual and cultured pursuits, and avoids heartiness. The young-fogey style of dress also has some surface similarity with the preppy style, but it is essentially an anglo-centric style, restricted to the United Kingdom and the more anglicized areas of the British Commonwealth such as Australia and New Zealand.
Sloane Ranger
The term Sloane Ranger refers to a stereotype in the UK of young, upper class or upper-middle-class women, or men who share distinctive and common lifestyle traits. The term is a punning combination of ‘Sloane Square,’ a location in Chelsea, London famed for the wealth of residents and frequenters, and the television Westerns character ‘The Lone Ranger.’
Initially the term was used mostly in reference to women, a particular archetype being Lady Diana Spencer before marrying The Prince of Wales, when she was an aristocrat from the Spencer family. However, the term now usually includes men. Male Sloanes have also been referred to as ‘Ra Ra Ruperts’ (or, simply, ‘Rah’ for short) and ‘Hooray Henrys.’ The term Sloane Ranger has similar related terms in other countries: in France they are called ‘BCBG’ (‘bon chic, bon genre’ – ‘good style’ ‘good attitude’). The Preppy of the United States can appear similar to the Sloane Ranger at first glance, but in fact they are different in their ideologies and aspirations.
Upper Class Twit of the Year
The Upper Class Twit of the Year is a classic comedy sketch that was seen on the TV show ‘Monty Python’s Flying Circus,’ and also in a modified format as the finale of the movie ‘And Now For Something Completely Different.’ It is notable for its savage satire on dim-witted members of the English upper class. The sketch features horse race style commentary by John Cleese about an obstacle-course race among five stereotypical, upper-class twits (imbeciles), to determine the 127th Annual Upper-Class Twit of the Year.
The obstacles include: Kicking The Beggar (the Twits must approach a beggar with a tray and kick him until he falls over); Reversing Into The Old Lady (the Twits must get into their sports cars and reverse them into a cardboard cut-out of an old lady, then speed off; into Waking The Neighbor (the Twits must drive their cars forward and then try to wake up a neighbor (who is attempting to get some sleep) by slamming their doors, tooting their horns, etc. Finally, the Twits approach a table with five revolvers on it. The winner is the first Twit to shoot himself. The three coffins of the winning Twits are placed on the medal rostrum and medals are draped around them. Cleese ends his commentary by remarking that ‘there’ll certainly be some car door slamming in the streets of Kensington tonight.’

















