February 21, 2012

Hard-edge Painting

frederick hammersley

Hard-edge painting is painting in which abrupt transitions are found between color areas. The style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting. The term was coined by writer, curator and ‘LA Times’ art critic Jules Langsner, along with art historian Peter Selz, in 1959, to describe the work of painters from California, who, in their reaction to the more painterly or gestural forms of Abstract expressionism, adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity.

This approach to abstract painting became widespread in the 1960s, though California was its creative center. Curated by Langsner, ‘Four Abstract Classicists’ opened at the Los Angeles County Museum of Art in 1959 featuring Karl Benjamin, Lorser Feitelson, Frederick Hammersley, and John McLaughlin. Other, earlier, movements, or styles have also contained the quality of hard-edgedness, for instance the Precisionists also displayed this quality to a great degree in their work.

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February 21, 2012

Electronica

dnb

hefty

Electronica includes a wide range of contemporary electronic music designed for a wide range of uses, including listening, dancing, and background music for other activities. Unlike electronic dance music, which is sub-genre in the category, all examples of electronica are not necessarily made for dancing. Genres such as techno, drum and bass, downtempo, and ambient are among those encompassed by the umbrella term, entering the American mainstream from ‘alternative’ or ‘underground’ venues during the late 1990s.

With newly prominent music styles such as reggaeton, and subgenres such as electroclash, indie pop, and favela funk, electronic music styles in the current decade are seen to permeate nearly all genres of the mainstream and indie landscape such that a distinct ‘electronica’ genre of pop music is rarely noted. Continue reading

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February 21, 2012

Fourth Way

enneagram

ray of creation

The Fourth Way refers to a concept used by Russian spiritualist G.I. Gurdjieff to describe an approach to self-development learned over years of travel in the East that combined what he saw as three established traditional ‘ways,’ or ‘schools’ into a fourth way. These three ways were of the body, mind, and emotions. The term ,The Fourth Way, was further developed by Russian esotericist P.D. Ouspensky in his lectures and writings. Posthumously, Ouspensky’s students published a book entitled ‘Fourth Way,’ based on his lectures. The ‘Fourth Way’ is sometimes referred to as ‘The Work,’ ‘Work on oneself,’ or ‘The System.’

According to this system, the chief difference between the three traditional schools, or ways, and the fourth way is that ‘they are permanent forms which have survived throughout history mostly unchanged, and are based on religion. Where schools of yogis, monks or fakirs exist, they are barely distinguishable from religious schools. The fourth way differs in that it is not a permanent way. It has no specific forms or institutions and comes and goes controlled by some particular laws of its own.’

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February 21, 2012

A Guide for the Perplexed

ef schumacher

A Guide for the Perplexed is a short book by E. F. Schumacher, published in 1977. The title is a reference to Maimonides’s ‘The Guide for the Perplexed.’ Schumacher himself considered ‘A Guide for the Perplexed’ to be his most important achievement, although he was better known for his 1974 environmental economics bestseller ‘Small Is Beautiful,’ which made him a leading figure within the ecology movement.

His daughter wrote that her father handed her the book on his deathbed, five days before he died and he told her ‘this is what my life has been leading to.’ The book is a statement of the philosophical underpinnings that inform ‘Small is Beautiful.’

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February 20, 2012

Baby Bottleneck

Bob Clampett

Baby Bottleneck is a 1945 Warner Brothers Looney Tunes theatrical cartoon short released in 1946 and directed by Bob Clampett and written by Warren Foster. In the short, there is a baby boom in the postwar US; an overworked stork (a clear Jimmy Durante reference) gets drunk in the ‘Stork Klub.’ A mix up results in babies getting sent to the wrong parents (such as a baby Hippopotamus to a Scottish Terrier).

To clear up the confusion, Porky Pig is brought in to manage the factory, with Daffy Duck as his assistant. The babies are seen going through a conveyor belt (to the tune of Raymond Scott’s famous ‘Powerhouse’) and getting sent by various animals, while Daffy mans the phones, making quick references to Bing Crosby, Eddie Cantor, and the Dionne Quintuplets. Continue reading

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February 20, 2012

Ren & Stimpy

ren and stimpy

log

The Ren & Stimpy Show, often simply referred to as Ren & Stimpy, is an American animated television series, created by Canadian animator John Kricfalusi for Nickelodeon. The series focuses on the titular characters: Ren Höek, a psychotic chihuahua, and Stimpson J. Cat, a good-natured, dimwitted cat. The show premiered in 1991, on the same day as the debut of ‘Rugrats’ and ‘Doug,’ the three of which comprised the original Nicktoons. The show ran for five seasons on the network.

Throughout its run, the show was controversial for its off-color humor, black comedy, toilet humor, sexual innuendo, and violence, all of which contributed to the production staff’s altercations with Nickelodeon’s Standards and Practices department. The show developed a cult following during and after its run. It was pioneering for satirical animated shows like ‘Beavis and Butt-head’ and ‘South Park.’ Continue reading

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February 20, 2012

George Liquor

John K

George Liquor (often taking his epithet as George Liquor, American), most famous for his appearances on ‘The Ren and Stimpy Show,’ is a cartoon character created by John Kricfalusi and is a mascot for Kricfalusi’s defunct animation studio, Spümcø. Kricfalusi portrayed George Liquor as a patriotic, outspoken, politically conservative blowhard. Kricfalusi described Liquor as his favorite character to animate.

Kricfalusi described George Liquor as ‘the greatest American’ who is so conservative ‘that he thinks the Republicans are Commies.’ George harbors a deep antipathy for the political left; in one issue of Spümcø’s ‘Comic Book,’ George Liquor becomes enraged after a fish calls him a Democrat. George is a middle-aged, crass, religious, ultra-patriotic American who favors his nephew, Jimmy The Idiot Boy, and tries to teach Jimmy how to be ‘a Real Man.’ Continue reading

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February 20, 2012

John K

spumco

ren and stimpy

Michael John Kricfalusi [kris-fuh-loo-see] better known as John K., is a Canadian animator. He is creator of ‘The Ren & Stimpy Show,’ its adults-only spin-off ‘Ren & Stimpy ‘Adult Party Cartoon,” ‘The Ripping Friends’ animated series, and ‘Weekend Pussy Hunt,’ an interactive web-based cartoon, as well as the founder of animation studio Spümcø.

He spent his early childhood in Germany and Belgium, while his father served in the Canadian air force. At age seven he returned with his family to Canada. Having moved in the middle of a school season, he spent much of his time that year at home, watching Hanna-Barbera cartoons and drawing them. Kricfalusi’s interest in Golden Age animation crystallized during his stay at Sheridan College, where an acquaintance of his held weekly screenings of old films and cartoons, among them the cartoons of Bob Clampett and Tex Avery, which left a deep impression on him. Continue reading

February 19, 2012

Tank Man

unknown rebel by Matt Needham

Tank Man, or the Unknown Rebel, is the nickname of an anonymous man who stood in front of a column of Chinese Type 59 tanks the morning after the Chinese military forcibly removed protestors from in and around Beijing’s Tiananmen Square in the summer of 1989. The man achieved widespread international recognition due to the videotape and photographs taken of the incident. Despite his anonymity, he is commonly (though not necessarily correctly) referred to in Chinese as Wang Weilin.

The man placed himself alone in the middle of the street as the tanks approached, directly in the path of the armored vehicles. He held two shopping bags, one in each hand. As the tanks came to a stop, the man gestured towards the tanks with his bags. In response, the lead tank attempted to drive around the man, but the man repeatedly stepped into the path of the tank in a show of nonviolent action. After repeatedly attempting to go around rather than crush the man, the lead tank stopped its engines, and the armored vehicles behind it seemed to follow suit. There was a short pause with the man and the tanks having reached a quiet, still impasse.

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February 19, 2012

The Next 100 Years

strafor

The Next 100 Years is a 2009 non-fiction book by American political scientist George Friedman. In the book, Friedman attempts to predict the major geopolitical events and trends of the 21st century. Friedman also speculates in the book on changes in technology and culture that may take place during this period. Friedman predicts a second American cold war with Russia in the 2010s. Friedman asserts that around 2015, the United States will become a close ally to some Eastern European countries, who will be dedicated to resisting Russian geopolitical threats during this period.

Friedman speculates in the book that the United States will probably become a close ally of Poland, the Czech Republic, Hungary, and Romania, who may form a military alliance during this period. According to Friedman’s prediction, around the year 2020, Russia will collapse, fragment, and disintegrate from the economic and political pressure of a second cold war. Continue reading

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February 18, 2012

The Limits to Growth

Club of Rome

The Limits to Growth is a 1972 book modeling the consequences of a rapidly growing world population and finite resource supplies, commissioned by the Club of Rome (a global think tank) and firstly presented at the 3. St. Gallen Symposium (an annual conference taking place at the University of St. Gallen in Switzerland, aimed at fostering intergenerational and intercultural dialogue between the decision makers of today and tomorrow). The book echoes some of the concerns and predictions of the Reverend Thomas Robert Malthus in ‘An Essay on the Principle of Population’ (1798).

Its authors were Donella H. Meadows, Dennis L. Meadows, Jørgen Randers, and William W. Behrens III. The book used World3, a computer model to simulate the consequence of interactions between the Earth’s and human systems. Five variables were examined in the original model, on the assumptions that exponential growth accurately described their patterns of increase, and that the ability of technology to increase the availability of resources grows only linearly. These variables are: world population, industrialization, pollution, food production and resource depletion. Continue reading

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February 18, 2012

In the Year 2525

zager and evans

In the Year 2525 (Exordium and Terminus)’ is a hit song from 1969 by American pop-rock duo Zager and Evans. It opens with the words ‘In the year 2525, If man is still alive, If woman can survive, They may find…’ Subsequent verses pick up the story at 1,010-year intervals from 2525 to 6565. Disturbing predictions are given for each selected year. In the year 3535, for example, all of a person’s actions, words and thoughts will be preprogrammed into a daily pill. Then the pattern as well as the music changes, going up a half step in the key of the song, after two stanzas, first from A flat minor, to A minor, and, then, finally, to B flat minor, and verses for the years 7510, 8510 and 9595 follow.

The overriding theme, of a world doomed by its passive acquiescence to and overdependence on its own overdone technologies, struck a resonant chord in millions of people around the world in the late 1960s. The song describes a nightmarish vision of the future as man’s technological inventions gradually dehumanize him. It includes a colloquial reference to the Second Coming (In the year 7510, if God’s a-coming, He ought to make it by then.), which echoed the zeitgeist of the Jesus Movement.

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